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New For Tracy Hyde: Satellite Lovers
Ever do a double take when listening to an album? Like, it sounds as if the artist behind the record is getting into this groove…and then the very next song is a total flip, said artist totally spinning off in a new direction. Pretty cool, right? For Tracy Hyde haven’t been around that long, yet…
New Eadonmm: “Oblivio Throb”
Quick quiz – what album was Make Believe Melodies most excited about coming into 2013? Even though this year has seen new full-lengths from Kyary Pamyu Pamyu, Moscow Club, Sakanaction, Tofubeats and a bunch of other artists I adore, someone else had me giddier than any of them heading into January. That would be Eadonmm,…
New Tofubeats: Summer Dreams
神戸のtofubeatsはトラックメイカーとして数々のリミックスやオリジナル作品を手がけてきました。今年2012年は今までとは少し違い、プロデューサーとして、数々の面白い挑戦をしています。ラッパーのオノマトペ大臣と共同で数々の強力なトラックを作り出したり、J-Popのシーンにも関わったりしていました。Yukiの曲のリミックスや、lyrical school(改名前はtengal6)への楽曲提供などがハイライトでしょう。でも、そのような活動をする中で、ついに傑作”Summer Dreams”をリリースしました。 今回リリースされた9曲は、一直線なビートとラップが印象的な、プロデューサー中心のトラックに、カット&ペーストスタイルでボーカルのサンプルが使われています。今までの曲のように、ゆるい感じの物が多く、ホーンなどが使われている”poolside”のような、レイド・バックな曲が印象的です。In My Room” と”Synthesizer”も同じような雰囲気で、みんなで歌えるような曲なのに、決してそれだけでは終わらせないのが面白いところです。”In My Room”を例にあげるならば、ボーカルに一ひねり加えられていて、声が陰に隠れ、ダークな印象を生み出しています。”Synthesizer”ではボコーダーが使われ、ゆったりとした印象を強めています。 このようにtofubeatsはボーカルに多くの工夫を加えています。主に、ボーカルのサンプルを速めるという手法が使われています。”Killing Me Soft Cream” “Sweat N Dry” (AxeのCM曲) と “Work Shit”にもそのような手法が使われているのですが、Taquwamiの新しいEP、”Blurrywonder”と共通点があるように感じます。でも、tofubeatのほうがシンプルかつミニマルで、繰り返しが多いような印象です。(Work Shitを除く)。この3曲が新しいアルバムのなかでも特に傑作と言えるでしょう。購入はこちらから、視聴は以下から。 summer dreams by tofubeats
Canoooopy Teams Up With Sima Kim: “Tragicomical Sandstorm”
Here’s a nice bit of international cooperation. Japanese producer Canoooopy has teamed up with South Korean music maker Sima Kim for the moody “Tragicomical Sandstorm.” The track starts out subdued enough – just some finger-snapping percussion, some barely there voices and wisps of synths going by. Yet what seems like a just-drifting-by work suddenly blooms…
New Talking City 1994: “Love Won’t Let Me Wait”
Talking City 1994 is one of the Japanese bands having a really good 2013. After being quiet for more than two quarters of 2012, the Osaka band has come back strong, releasing a strong three-song EP and several great stand-alone tracks. They’ve come along way since when they first popped up, developing a more polished…
Mid Air: Hideo Nakasako’s Time Passes
Hideo Naksako hails from Osaka, which over the last few years has become the central hub for Japan’s burgeoning beat-music scene. That city – along with the surrounding Kansai region – has been home to many producers putting their own stamp on the beat style, plus a community helping one another out in making music…
New Elen Never Sleeps: “Slow (Neu)”
“Slow” originally appeared on Moscow Club’s C86 compilation back in the spring, but has now been touched up a bit (hence the “Neu” in the title) and sounds a lot crisper than Elen Never Sleeps’ original version. Well, it sounds as crisp as something so hazy can sound – the song title is almost an understatement, because “Slow” practically crawls, the guitars and drums sounding glacial. It’s all intentional, though, a decision meant to match up with Elen Never Sleeps repeated cries of “but you slow down/slow down/slow down,” delivered in a dejected-but-pretty voice that this project has gotten so good at utilizing. The original version was good, but this slightly fleshed-out version shows what can happen when an artist spends time perfecting their creations. Listen below.
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While We Were Out: New Cloudy Busey “Don’t Know Why You Love Me”
A lot of stuff happened while we were on vacation, and some of it we didn’t notice until, oh, minutes ago! Look, I had Jamba Juice to drink, I let my Twitter-viewing habits slip a bit. Anyway, one such late discovery was this new track from Cloudy Busey, the solo project of Ice Cream Shout’s…
New IMALU: “Uh Uh”
[youtube=http://www.youtube.com/watch?v=uUQs_1BGskU&hl=en_US&fs=1&] One of 2010’s better J-Pop surprises has been IMALU. Her song “そんな名前 欲しくないよ” has been one of the best singles of the year thus far, it’s mix of feel-good pop rubbing against her rather ennui-rich voice. Now she follows that number with “Uh Uh,” the title track to an upcoming film I know nothing…
Controlled Karaoke: Japanese Duo Do Best Simon & Garfunkel Impression
They also try out some tunes by The Stylistics and The Gypsy Kings. Dudes got the Garfunkel hair down, though. [youtube=http://www.youtube.com/watch?v=lGNPPU2DVr8&hl=en&fs=1&]
New Daoko: “Moshimo Bokura Ga Game No Shuyaku De”
I’m in Singapore for the next three days! I wasn’t going to post anything, but my phone is charging and this Daoko song is alright so…why not? I’m going to break one of my self-imposed rules and admit this is one where the video is way better than the song — though, really, that is…
Punch Up: Lady’s Only’s For All Time
For All Time bleeds energy drink, but the most charming moments come when the guarana taste recedes ever so slightly and a softer side comes through. Lady’s Only has kicked around Tokyo’s club scene for a few years now, playing high-energy sets that refused to take a breather (with the four members of the project…
New The Mari On The Beach: Play Music, Sing A Song
Osaka’s The Mari On The Beach put out a new album online last week called Play Music, Sing A Song, the follow-up to last year’s lovely lo-fi pop collection Get Out Of Making Music (advice they did not follow, thankfully). This album moves a bit away from the guitar-pop that dotted The Mari’s 2011 album,…
