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Canoooopy Teams Up With Sima Kim: “Tragicomical Sandstorm”
Here’s a nice bit of international cooperation. Japanese producer Canoooopy has teamed up with South Korean music maker Sima Kim for the moody “Tragicomical Sandstorm.” The track starts out subdued enough – just some finger-snapping percussion, some barely there voices and wisps of synths going by. Yet what seems like a just-drifting-by work suddenly blooms…
New Moscow Club: “Fahrenheit 451”
Moscow Clubは本当に素晴らしい。最初に我々が注目した”Daisy Miller Pt. 1″ は、ヘンリー・ジェームスの物語からの引用で、作品同様の感情的な雰囲気を醸し出しています。今回SoundCloudにアップされた曲は、”火星年代記”や、”華氏451″等を執筆したSF作家、レイ・ブラッドベリ(レイ、 数々の素晴らしい作品をありがとう。安らかに眠れ。)へのトリビュート精神が。Moscow Clubの新曲は”華氏451″の英語タイトル、”Fahrenheit 451″で、”Daisy Miller”の曲のように文学的に攻めるのではなく、あくまでレイドバック。悲しい過去の物語を語るのではなく、ちゃんとダンスフロアにそぐうように作曲されています。シンセが良い味を出しているこの曲はMoscow Clubの今までの曲よりも打ち込みがメインになっていて、この3分程の遊び心溢れる作品は、Toro Y MoiやKissesを連想させます。コーラスが実に美しい。試聴は以下から。
Lux Life: group_inou’s “Mansion”
group_inou skirts that line between Japanese rap I write about and Japanese rap I do cover. I am far from knowledgeable about Japanese hip-hop today except for a very general idea of what’s popular in the more serious “rap” scene…and then the one corner I do write about a lot, pop acts taking elements of…
New Predawn: “Keep Silence”
Predawn’s music has always been ace at capturing the smallest details of life – on her last EP, she captured the span of seconds where relationships bloom and wither excellently – and new song “Keep Silence” does it again. It’s about a pretty common experience, waiting for someone to call you back on the phone…
Only One: May.e’s Mattiola
I’m usually not drawn to the acoustic guitar. Too often, it’s the tool of choice for snobs and hucksters, the preferred instrument of people doing acoustic covers of rap songs (ya know, because it’s not real music in its original form) and dorm-room Lotharios. I’ve heard countless covers of “Wonderwall,” and every time I want…
Rising Girls: CRUNCH And Jesus Weekend
2012年にインターネットで急速な成長を始めたインディーポップシーンは、男性アーティストによる男性の為のものになってしまっている。2ヶ月前のにJolie Joliを紹介させて頂いた時にそう書きました。でも10月になった今、女性中心のバンドが多くでてきて、良いバランスになってきたと感じてます。Jolie Joli、Old Lacy Bed、The HomecomeingsやFoodie等が登場したり、Les Glass GlaceやMemory Girls等の以前から存在したバンドも活躍が目立ちます。そして新たに2組のグループ、名古屋のCRUNCHと大阪のJesus Weekendがシーンにでてきてました。 CRUNCHは新参者というわけではないようで、ツイッターを見る限りでは2010から活動しているようです。なぜ今になって注目したかというと、今週SoundCloudを始めて、”Simple Mind”という曲をアップロードしたからです。今のシーンに上手くなじむこの曲は、他のバンドよりもマイナー調なのが特徴的で、ギターの奏でるエコーが美しいです。試聴は以下から。 大阪のJesus Weekendは本当の意味でのニューカマー。結成したばかりのこのグループは、来月にAno(t)raksからEPをリリースする予定みたい。今聴ける音源はかなりローファイなので、レーベルのカラーに合わせてどう磨きをかけるのか、楽しみです。アコースティックギターの目立つシンプルな構成の”Puberty Bell”は、音質のクオリティの悪さも気にならないような愛らしい曲になっています。試聴は以下から。
New Elen Never Sleeps: “Slow (Neu)”
“Slow” originally appeared on Moscow Club’s C86 compilation back in the spring, but has now been touched up a bit (hence the “Neu” in the title) and sounds a lot crisper than Elen Never Sleeps’ original version. Well, it sounds as crisp as something so hazy can sound – the song title is almost an understatement, because “Slow” practically crawls, the guitars and drums sounding glacial. It’s all intentional, though, a decision meant to match up with Elen Never Sleeps repeated cries of “but you slow down/slow down/slow down,” delivered in a dejected-but-pretty voice that this project has gotten so good at utilizing. The original version was good, but this slightly fleshed-out version shows what can happen when an artist spends time perfecting their creations. Listen below.
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New Metome: Dialect
Time just keeps on slipping. Not many years ago, there was this moment in the Kansai region where electronic music coalesced into something special. It was a moment where a musical community starts hitting a stride at the same time — you had INNIT, you had Day Tripper, you had parties scattered across the rest…
Disorienting Symphony: Moscow Room’s “Swim”
There’s something wonderful about being knocked off balance. Tokyo trio Moscow Room create something disorienting on “Swim,” a number really maximizing space and sudden noise better than most numbers I’ve heard in 2018. Everything starts like its coming out of a seashell, the vocals and synths just out of reach. But as everything lurches forward,…
New Spangle Call Lilli Line: “Red”
Sinking into the familiar can be so rewarding. The pace of life in the digital age puts a premium on the new, of celebrating sudden pivots that eventually lead to more pivots, until everyone involved is just dizzy. Perhaps this comes colored from working primarily in the media industry — which pinballs from idea to…
Special Message: Please Help The Victims Of The Earthquake In Japan
A 9.0 magnitude earthquake struck Japan this past Friday, the strongest ever experienced by the country, triggering a 23-foot tsunami. This has caused as-of-now unknown amounts of damage, yet the images and videos coming out of the affected areas show mass amounts of devastation. Many have been killed, and countless more have been injured or…
Pop-Office Tease New Song “You Found Me,” Hint At New Album Later This Year
[youtube=”http://www.youtube.com/watch?v=AztSMDU9s5Q”] Lot of news coming out of the Pop-Office, uh, office at the moment. They recently posted a new song called “You Found Me (Primitive Version)” (maybe that means, like, a demo?), which is sorta a change-up from this Nagoya group. Up until now I’ve associated them with bleak, 80’s rock packed tight with a…
New OOIOO: “O O IAH”
Yoshimi P-We’s OOIOO project has a new album on the way and here’s a first taste of the madness sure to be contained on the desk. The Muppet-like chanting going on throughout this all-over-the-place track becomes surprisingly catchy after a few spins, though you need to give this a few listens to catch all the…
