New Lillies And Remains: “You’re Blind”

It’s gone from sorta neat to kinda annoying to pretty impressive that the 80’s remain such an artistic inspiration to so many musicians. Remember, this is a decade most people want to forget, or at the very least lampoon – VH1 greenlit a 10-part series about making fun of the ’80s. Yet just like how that show mutated into a strange nostalgia love fest, the music of the Reagan years has also become a “things were better then!” deal. Lillies And Remains new song “You’re Blind” can only be described as “inspired by the 80’s” before breaking out a list of era-appropriate comparisons. Let’s start with the irresistible guitar line running through this song, which could have been inspired by countless tracks but mostly reminds me of “Beat It.” Yet, as Lillies And Remains tend to do, they soon take “You’re Blind” into slightly darker territory with plain-spoken vocals reminiscent of…A Flock Of Seagulls. The rest of the song cycles between those two worlds, with a few glowey synths glowing in the background. It’s influences are super transparent, but Lillies And Remains pull the style off well enough that “You’re Blind” stands as a solid 3:08 minutes of music. Plus, you can download it for free here so that’s kinda cool.

Similar Posts

  • New PLASTIC GIRL IN CLOSET: “Pretty Little Bag”

    In which PLASTIC GIRL IN CLOSET score the iconic scene from American Beauty where some people watch a plastic bag blowing in around before calling it “life affirming” or something something. I mean, this COULD score such a mundane happening – the genres called shoegaze afterall, named after the literal fact people would just stare…

  • Dead Funny Records Prep New Compilation Album Featuring The Paellas, Fancy Books, Boyish And More

    コンピレーション・アルバムはレーベルのカラーを提示するのに打ってつけな手段と言えるでしょう。サポートするアーティストからレーベルの特色が分かりやすいので。Dead Funny Recordsは大阪のThe Paellas、埼玉のFancy Booksや東京のJappers等、素晴らしいアーティストたちを輩出しているわけなのですが、今回のコンピに関してはレーベル自身のアイデンティティもちゃんと表現しています。この50分程のコンピレーションには、ギターを多用するロック・バンドが日本中から集められていて、少し激しめのPOP-OFFICEの”End Of Summer”から、それよりは甘めのOld Lacy Bedの”Little Girl”とHomecomingsの”Special Today”等、若干バラエティーがあるものの、明確な基準があります。Boyishは両者のコンピに参加しているのですが、アルバム全体を考えるとAno(t)raksとも違った音楽性になっていますよ。 Dead Funnyのハイライトの1つがThe Paellasなのは非常に納得しています。この大阪のグループは数年前から自分たちに最も適したスタイルを追求していて、聴く度に都会の朝(4時くらいかな?)を連想させてくれます。”Fall Even Further”ではボーカルの良さが際立ち、彼らの曲の中でも特に優れた作品だと言えるでしょう。コンピ1曲目のアーティストtalkはもっと注目されるべきだと思います。”In Refrain Rain”の跳ねるようなインディ・ポップはベルやコーラス等で味付けされ、淡く爽やかで、とても優しく心地の良い曲風です。福岡のHearsaysによる”The Blind”も非常に良く、日曜日の朝に聴きたくなるポップになっています。 Fancy Booksの”Nephogram”はこのDead Funnyコンピの中でも異端な存在感を放っています。ギターを使わずに、ボーカルと打ち込みのレイヤーで、幻想的で浮遊感のある世界を表現しています。どのレーベルにもこのような異なるテイストを持ち、新しい方向性を開拓してくれるアーティストが必要なんではないでしょうか。購入はこちらから、試聴は以下から。

  • Make Believe Melodies’ Top 50 Japanese Songs Of 2011: 30-21

    30. Michiyo Honda “Paradise Lost” J-Pop remains an easy punching bag in 2011 because most of the criticism lobbed at Japanese mainstream music ring true. A large chunk of acts crowding the upper reaches of the Oricon chart are 90’s holdovers with appropriately bland tunes. Labels seem to be in an arms race to see…

  • New Metoronori: Poolscape

    Metoronori has become a master at making melodies and rhythms emerge from seeming chaos. She’s been displaying this for years, though the Tokyo artist achieved it better than ever on her latest album released earlier in 2016, discombobulated beats and electronic spores interlocking together to create an intimate, other-world pop. Her latest release, Poolscape, features…

  • Right Prescription: Amino_CH’s “Pi11” And “Mr.Blue”

    Amino_CH’s “Pi11” popped up on YouTube a little over a week ago, and has been bouncing around in my head ever since it first appeared in the ol’ feed. The style this Tokyo artist embraces is becoming quite normal, at least among more online-centric musical communities. She raps, but also plucks elements from indie-pop, dance-pop…