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Make Believe Melodies’ Favorite Japanese Albums Of The Year: 10 – 6
Again, not my art, just clip art, bless it forever. 10. Emerald Four Nothing Can Hurt Me “Nothing can hurt me.” Imagine it as a mantra, a sentence muttered to build confidence in otherwise bleak moments. It’s easy to imagine those four words running through someone’s head while listening to Emerald Four’s album of the…
Parisian Flair: Yomo-da’s Chloé
Producer Yomo-da brings a bit of Parisian flair to latest release Chloé. Via Omoide Label, it’s a brief one — three tracks total, with one being a just-over-a-minute outro — but packs a lot of warmth into its run. Yomo-da mixes piano and bubbly synth on upbeat opener “Asa Dayo,” a jaunty intro that leads…
New Nazoyama Meisoun: Magic Teapot
Producer Nazoyama Meisoun isn’t making outright trippy music, it just happens to have a few zonked-out elements on the periphery. Magic Teapot collects four electronic numbers from the composer and oil painter (check the cover art!), each of them offering up immediate thrills underlined by some wonkier details. “Vintage 4K Monitor” just rumbles ahead, an…
Goofy Times: You Said Something’s You Said Something EP
Ahhhhh, so that’s what has been missing from Japanese indie-pop for a while now – silliness. Nothing wrong with embracing the sentimental and lovey-dovey, as the bulk of indie-pop bands who have emerged across the country in the past few years have. This blog has celebrated plenty of them, and stands by how good most…
Blurred Lines: Black Bass’ “LFP”
So what exactly is this? Black Bass are a musical collective that have been kicking around for a couple years now, hitting a stride in 2018 with the bobbing “Looop.” The constant use of rap hands in that clip might offer a hint where Black Bass see themselves, but the sound isn’t really anything you’d…
New Toiret Status: “#47”
Last year in Japanese music, for me at least, was defined by the experimental meaning-we-do-not-need-no-meaning-here wonder of producers such as Foodman, DJWWWW and Toiret Status. Their chaotic but delightfully dizzying exercises in exploring sounds — regardless of how out there those noises got — crystalized the most head-spinning movement in the country going, and made…
