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Smany Teams Up With Nyan-Nyan Orchestra For Sayonara Hitobito / Amenone

The music Smany has been making over the years already relied on a certain amount of delicateness. Like Flau artists Cokiyu or Cuushe, or someone like Nariaki Obukuro, she has used silence as the perfect way to twist the emotions central to her work. But before she worked fully with electronic sounds of her own creation. Yet for this release, she has collaborated with a string section called Nyan-Nyan Orchestra for two songs that really ramp up the drama of her music. “Sayonara Hitobito” opens with some spoken word before SMany’s synth-generated notes wrap around violin playing Then she sings over both, and what follows almost gets too over the top…but all parties flash restraint, which just makes for great tension. That carries over to the nature-sampling “Amenone,” which proves to be more uptempo and even busier. Yet it ultimately feels like a space Smany can occupy well. Get it here, or listen below.

New SNJO: Mikai No Wakusei

A common failing of online musical movements is a lack of evolution. Nobody has to find new angles on a burgeoning sound, but at some point you end up with a lot of people slowing down or speeding up the same basic thing. That’s one of the reasons Local Visions has been such a welcome addition to the online label-sphere of Japan. The acts they’ve highlighted thus far take from the sonic and visual elements of vaporwave, retrowave, future funk…the list goes on…but no release so far has simply settled. Rather, the artists build on that as a foundation, and the result is some of the year’s most interesting (and fun!) music.

The latest from Local Visions comes from Toxxies member SNJO. Mikai No Wakusei again dips into the ever-expanding world of Web-born styles as a source of inspiration, something evident from the synth churn of opener “Portal.” Yet soon enough SNJO’s own digitally modified voice creeps in, floating over an electronic strut on the title track and zig-zagging around the ripples and sample barrages of “Spaceman.” Rappers and guest vocalists sneak into this zero-gravity party, and everything goes acid on the high-energy “Quartz.” By the end of this album, I wasn’t even sure if my original hypothesis really fit, but every subsequent listen reminds that, nope, SNJO is simply building on top of it and edging it in different ways. Get it here, or listen below.

New House Of Tapes: Drift EP

House of Tapes always gravitates towards the more cacophonous sounds, but look between the cracks and the Nagoya artist smuggles in a lot of beauty. The Drift EP offers one of the single best examples of this right away with the title track, which features buzzsaw electronics and a heavy-hitting beat. But in between those tougher elements, one of the prettier melodies House Of Tapes has thought up sneaks through, revealing charm hidden beneath punches. The rest of Drift leans closer to the aggressive — “Steps,” at least is pressure applied heavily, while closer “Karma” stews in unease via its slower beat and sudden effects. But that first moment is a heck of a hook and a reminder of the layers at play here. Get it here, or listen below.

New Mukuchi: “Reizouko”

Mukuchi excels at jolly little pop songs, whether on her own or as part of Feather Shuttles Forever. She’s the prior for “Reizouko,” and it’s a funny bit of bedroom pop to start off the new week. The music itself relies on some jaunty piano notes alongside a few more toy-like details — I swear part of this sounds like a cheap laser you’d get at a dollar store blaring off. It’s a chipper backdrop for Mukuchi’s singing, pleasant and often silly, reveling in how words sound over the run of “Reizouko.” A nice bit of fun to get going this week. Listen above.

NC4K Shares Their First Compilation, Featuring Paperkraft, Stones Taro And More

Kyoto label NC4K is nearing their one year anniversary of existence, and just in time comes their first compilation. It gathers most of the producers in Japan who have put out music via NC4K over the past year, kicking off with the airy skip of Stones Taro’s “Fall Out” before switching to a number by Paperkraft that loads up on the vibraphone notes to create a chipper tune. Pee. J Anderson serves up a highlight with the disorienting rush of “Blondes,” a house number that nails one of NC4K’s best qualities across releases — the feel that this is all one huge motion blur. That also creeps into Jank’s “Make Me Feel” and Sumorai’s wonkier across the board “Soul Circuit.” Yet it is these moments that really underline how special this label is becoming. Get it here, or listen below.