Spot On For Something Everyone Does: The Cigavettes “Ready To Leave”

Look, I don’t really want to drag the fashion choices of The Cigavettes’ guitarist into a discussion about the group’s single “Ready To Leave” but – when you wear one of those name shirts (ya know, like this) that clearly honors The Beatles in the attached music video, I’m going to go in and make the obvious comparison. “Ready To Leave” sounds like an early, super poppy Beatles song. Now, if I saw someone write “sounds like the Beatles” when describing music, I’d sorta of guffaw either because 1.) SO MANY musicians sound like them that using the Fab Four as comparison seems lazy as heck or 2.) because so many folks bust out The Beatles reference for music that doesn’t deserve it. Have you ever met someone who says The Beatles’ started rap music because of the drumming on that Sgt. Pepper’s “Reprise?” There aren’t enough drops in the world to relax my eyeballs after so much rolling.

Yet “Ready To Leave” legitimately warrants that comparison, and thus my eyes remain still. This might be because, based on my interactions with Japanese people at the local karaoke box, the only Western artists to really leave a dent on the psyches of the nation were The Beatles, Michael Jackson and The Carpenters. Yet, more likely, “Ready To Leave” just sounds the part. Relatively simple guitar chords organized in such a way as to replicate a sunny day bounce along while The Cigavettes’ lead singer does his slightly-dubbed thing. It’s easy-going stuff, but catchy enough that it should end up in some sort of clothing store commercial this summer if ad people in Japan are on top of their games. On the spectrum of credible Beatles sound-alikes, this doesn’t come close to touching on the arty aspirations of Elephant 6, but also comes off as more fun than, say, Oasis. Plus, that damn shirt. Listen below.

[youtube=”http://www.youtube.com/watch?v=UtfNfx8DvxM”]

(Credit to Neaux for spotting this first.)

Similar Posts

  • New House Of Tapes: Trip Science

    名古屋のHouse Of Tapesのデビューアルバム”Trip Science”はとても奇妙で、初めて聴く時は少し戸惑うかもしれません。皮肉でも何でもないのですが、この激しく至って暗いサウンドは凄く独特なのです。House Of Tapesの音楽はいつでもまるで耐重力訓練のようで、Gasper Noeの映画を全て通して観ているようなダンス・ミュージック。単純に”House”とカタゴライズできる程シンプルでないのです。 でも”Trip Science”はアルバムとしての完成度が高い事は確かです。“Chaos Tape”に使われたチャイムの音が繰り出す美しくポップな不気味さはHouse Of Tapesらしいギミックですし、“Faint Light”での激しいビートや打ち込みはまるでブラック・ホールに吸い込まれて行くような感覚。去年リリースされた“Starting Point”や分かりやすいタイトルの”Noise Attack”は未だに新鮮さを失わず、アルバムにも違和感無く収録されています。凄く挑戦的な音楽ですが、聴くのは決して挑戦にはなりませんよ。ダウンロードはこちらから。

  • New Boyish: “Dreaming Boogie”

    Tokyo indie-pop outfit have fleshed themselves out a bit in recent times, going from a fuzz-shrouded indie-pop band who sounded like they were recording under several blankets to a band who, on “Dreaming Boogie,” break out the saxophone. Coming from the soon-to-be-released Strings, “Dreaming Boogie” finds the group embracing lusher sounds, from the aforementioned sax…