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Hey America!: Molice’s “Romancer”
Rarely do really good Japanese bands see albums released in the United States. So when one manages to get across the Pacific and sneak it’s way into select stores…get the new Shugo Tokumaru album in October people!…it really shouldn’t be ignored. Which is to say that Molice’s Catalystrock comes out in the States today. Heck,…
Floating Free: Swan High’s Islands
Sendai band Swan High mostly take it easy on Islands, though their sort of laid back ultimately translates as a chance to try out whatever they want. Across the eight songs here, the group dabble in a variety of rock stylings, most of them on the softer side of the spectrum. “Find A Way” channels…
Not Quite Post Postrock: Sgt.’s “Cosgoda”
Lost amongst the talk about the revival of the saxophone or how Kreayshawn managed to become something more than the next “Friday,” 2011 has seen a small upswing in postrock. Godspeed You! Black Empire reunited and played some shows, while Mogwai and Explosions In The Sky released new albums (even if the latter ended up…
New Villa!!: Pout Goddess EP
Folksy indie-pop duo Villa!! create easy-going music that is easy to relax to, but features enough of a kick to keep it from turning into snoozin’ music. They recently shared the four-track Pout Goddess EP, and its bookended by some dusty numbers, the previously released “Nut” and “Doom,” a spritely cut, what with that name….
Seiho’s Beat Is Stranger EP
Seiho is one of the many artists circling around the INNIT galaxy, an Osaka electronic music maker dabbling in the same future-leaning sounds artists like Madegg and Avec Avec (who appears in the band Sugar’s Campaign, also featuring Seiho). Yet Seiho isn’t just making music, he’s also trying to get it (and other artist’s sounds)…
Bright Riser: Kingyo’s Sunset
Omoide Label has a knack for finding artists capable of finding new angles on hyperactive electronic music. Producer Kingyo’s Sunset is a brief shot in the arm, featuring a particularly chipper take on future bass that promotes the rush and fizziness of the style above all else. That’s best captured on the title track, a…
