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Category Archives: Music

Punch Up: Lady’s Only’s For All Time

For All Time bleeds energy drink, but the most charming moments come when the guarana taste recedes ever so slightly and a softer side comes through. Lady’s Only has kicked around Tokyo’s club scene for a few years now, playing high-energy sets that refused to take a breather (with the four members of the project every bit as amped up as the tracks themselves). It’s something that can be overwhelming even in the context of a club (or, gasp, I’m getting old), and a four-track EP of barraging bass could be a risky proposition. But it’s the moments where they tone it down that makes For All Time work…even if they don’t come too frequently. “Digital Tattoo” and “Systema Breathing” are rave ups, both featuring a consistent pound and samples woven in to ratchet up the energy considerably. On their own, it would be too much, but as precursors to the back half of For All Time, it’s a good rush. The title track calls on China from the project Xyloz to add some singing during the wispier passages of the song, which intersplice between more wild passages, turning the number into a proper journey rather than a shot. Same goes for “Sunset Stroke,” which finds time for piano alongside slippery bass. This is how you pace yourself…sometimes, a little water is good between the shots of that weird German liquor they sell at every Shibuya club now. Get it here, or listen below.

Still Jukin: DJ Kaoll’s “Cloudy To Rain”

Revisiting the Japanese Juke & Footworks Compilation from 2012 — one of several hyper-vital comps put out around that time capturing Japan’s take on juke music — reminds of how many notables took part in that collection. Better still, the bulk of them are still going strong in 2018. Kaoru Nakano contributed a track late to that set, and the Osaka artist — now going as DJ Kaoll — has released plenty of solid juke tracks in the time since. “Cloudy To Rain” adds a dash of late-200s UK dubstep into the mix, starting with a smokey beat that only grows more shadowy as everything rattles ahead. And then late in the song comes another beat, which throws some new energy in and works in some familiar juke flavoring to it. Listen above.

Ratchet & Clank: Inktrans’ At Last.

Leading off with a Bandcamp description isn’t going to win me a Pulitzer, but Inktrans’ profile simply saying “nostalgic!” is too good to pass up on. The four-song At Last. release offers some sweet melancholy via straightforward songs backed by far more fidgety electronic sounds. Opener “hjmr” sways back and forth, but it is the woozier touches on the edges that make it a touch more interesting than similar pop-adjacent projects, while “Lp” transforms a stroll into a clattering number that feels even more wrenching. Nothing wrong with a simple pop song, but sometimes hearing it done against an off-kilter backdrop is all you need for it to really shine. Get it here, or listen below.

New Le Makeup: “Plea”

Le Makeup’s pivot from Bala-Club-indebted bangers to more reflective numbers came because of a renewed focus on everyday life, especially in times that often seem nigh apocalyptic. For the most part, Le Makeup has celebrated the small things and captured daily living, but sometime even that can push you towards some sort of reckoning. “Plea” ramps up the intensity ever so slightly for Le Makeup, the guitar-assisted music still weaving in and out like a daydream but the vocals come out clearer and quicker than before, tipping on the edge of frustration. They get extra punch from Le Makeup’s beat picking up intensity as he barrels through the words. Angry…not really. But a spike visible. Get it here, or listen below.

Orange Milk Shares Some Tour Memories With Foodman, CVN And More

America’s Orange Milk recently wrapped up a tour of Japan and, despite a few setbacks — mainly, the lack of Giant Claw — they put on a great set of experimental loopiness (well, at least at the Tokyo leg at WWW I attended). As they are central to the label as a whole, the performances gave plenty of space to Japanese artists. Orange Milk Japan Tour Compilation, fittingly, does the same. It leads off with numbers from co-founders Keith Rankin (Giant Claw) and Seth Graham, and the highlights producers such as CVN (delivering a melancholy rumbler dotted with vocal samples pitched down to be near unrecognizable) and Metoronori (“The Ivy Acrobat” offering one of the more playful tunes she’s done recently, guided by a crystalline synth melody under which she sing-whispers). It gets a bit wild — Toiret Status’ “#69” flies off the rails in the best way, offering the most cacophonous version of their sound yet — but ends on a solid note via Foodman’s “Toki No Tabibito,” a sweltering groove that finds all the unsettling elements pushed to the corner in favor of something to move to. Get it here, or listen below.