“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
September is offering up a lot of meditative, dreamy music for folks to get blanketed by. The highlight would probably be a resurgent Mazzy Star releasing a new album next week, but fans of hazy music could also turn to artists like Keep Shelly In Athens or Pure Bathing Culture (OK, it came out in…
Hey, summer going a little too well for you? Having too much fun in the warm weather? Welp, Kansai indie-pop outfit It Happens have the perfect bummer jam to make you wistful. “Track And Field” is an extremely lonely song, just some guitar strumming and downtrodden singing that’s near impossible to understand due to how…
It has been an amazing year for bedroom musicians in Tokyo, and as the year winds down, here is one more song to add to the ceiling-bursting pile. First up is a tune from Kasumi Hasegawa called “These Are The Days I Forgot To Write Down,” and the title should clue you into what to…
The “list a bunch of your favorite acts” trick is a classic approach to songwriting – some folks who have indulged in it include Daft Punk, The Tough Alliance, LCD Soundsystem, Daft Punk again (sorta). Tokyo’s Alloapm pulls this card on the opening track to their new EP Wavepop. Over an upbeat assortment of synths,…
全く予想していなかった事が起きました…東京のCanopies And Drapesがヒップ・ホップに挑戦したみたいです。最近できた新しい音楽ブログ、Lights + Music(見てね!)が最近インタビューしたのですが、”Chocolate Song” という新曲にはなんとゲストとして、オノマトペ大臣が参加しています。Canopies And Drapesの可愛らしくドリーミーなサウンドはそのままに、ラップ・ビートを使って、オノマトペ大臣がその上にラップできるように作られています。でも正直言うと、Canopies And Drapesの曲をバックグラウンドに使う場合、ラップよりも歌もののほうがマッチする気はします。一番印象的だったディテールはというと、Canopies And Drapesが数回 “Lay yourself beside me”と歌うところで、Weekendの影響かな?と思いました。この可愛らしいディテールが、彼女のタレントを改めて感じさせてくれます。
Man, has it been almost two years since Nagoya’s The Moments caught our attention with “Short Trip.” The Japanese indie-pop boom was just getting underway, and that was one of the first songs to earn dozens upon dozens of repeat listens, and even pop up on our monthly music mix (remember that thing). Now, a…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
Vocaloid is, in itself, a deeply interesting instrument. Problem is, few producers have approached the singing-synthesizer program as that, something to be played around with and bent around. Rather, they see it as an honest-to-goodness singer. Blame Crypton for creating Hatsune Miku maybe, but a lot of Vocaloid music just sounds like typical rock or…
I have no idea who Cool Japan is, even though I THINK I know who it is (rhymes with “mofu wheats”), but that’s just a sinking suspicion with no real proof. Damn you journalistic conscience. Whoever Cool Japan is, they’ve released a fair amount of material…the bulk of it being vaporwave, the outfit itself cheering…
Some artists release music at such a rapid pace that finding the right track to spotlight…whether they are an established act (Lullatone, who have been releasing a song a week this year and I just don’t know what to do without turning it into a weekly fixture) or a relative newcomer. Keita Sano isn’t super…
A dozen compilations strong now, the Fogpak series still manages to be the best introduction to young electronic producers in Japan (and, as of late, beyond). Fogpak #12 starts off especially hot, kicking off with the sad stylings of Inazawa’s Yasuha’s “Missing You,” which mines similar sonic techniques as Seiho and Parkgolf (Fogpak alums, natch)…
Erik Luebs’ recent full-length album as Magical Mistakes, Everything Uncertain, blurred the line between dance music and psychedelic sounds, resulting in an absorbing album blending beat music with something more swirly. He’s posted a new song to SoundCloud, though, different from anything on that full-length though…appropriate seeing as he wrote on Facebook that the track,…
She Talks Silence releases the follow-up EP to last year’s excellent Noise & Novels, Some Small Gifts, tomorrow, but starting right now you can hear a new song. She’s released a video for the track “Vanished Vacances” which you can watch below. STS still has got it…”it” hear being catchy music obscured by the decision…