“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
Few sounds get me more ramped up than that skittery “PICNIC WOMEN” sample that pops up in every song the Japanese footwork creator makes. Doesn’t matter what comes before or after (though that also tends to be good) – when I hear those four syllables, I get excited. Seiho played a Picnic Women song at…
Ever do a double take when listening to an album? Like, it sounds as if the artist behind the record is getting into this groove…and then the very next song is a total flip, said artist totally spinning off in a new direction. Pretty cool, right? For Tracy Hyde haven’t been around that long, yet…
One of the reasons Tokyo’s mysterious i-fls has become one of the most intriguing music makers of the year thus far is his ability to stick to a sound – in his case, Garageband-crafted melodies that usually last no longer than two minutes – and wring out a plethora of emotion from them. The various…
Talking City 1994 is a very talented Osaka-based band, but the individual members are insanely talented too. Soleil Soleil has been creating fidgety dance music of all sorts over the last few years and has probably been the most visible individual player in the group. Yet right up there is the band’s guitarist Ryo Arimura,…
Might as well end a banner year with a bang, right? Tanukineiri and House Of Tapes both had strong years – and they’ve basically been tied together in 2013, House Of Tapes being one of two obvious candidates as the label’s major musical representative (the other is May.e). So, for the Nagoya producers third album,…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
Suiyoubi No Campanella has a new album — her fifth, technically, though given a recent increase in her profile in the Japanese mainstream, one that feels like it has more stakes than her previous releases — out in November, and she’s shared one of the songs set to appear on it, “Nishi Tamao.” It touches…
Michiyo Honda’s “single a month” plan for 2011 marches on, this time triumphantly towards the Kansai region of Japan courtesy of “Chonmage Disco Goes West.” The title deceives a little bit – this isn’t particularly disco-ish, more like slightly funky electro-pop with some goofy retro synths added in. Though “Chonmage” does boast some cheesy stuff…
Released earlier this month, the VREATH VOL.1 compilation features songs merging the digi-singing of Vocaloid with EDM. This isn’t a breakthrough by any means necessary — ever since the idea of a drop reached wide-spread visibility, producers have been trying to work synthesized singing under the umbrella term — and for the most part this…
The 100% Silk label…a relative of American imprint Not Not Fun… are set to start touring around Japan soon, as this handy YouTube video lays out. To celebrate, they’ve released a special 100% Silk CD, featuring some remix work from Sapphire Slows (who is signed to Not Not Fun). She takes on the song “Found…
Check the past few posts on this blog. Notice any similar threads running through them all? It’s all sorta…light stuff. Don’t get me wrong, I love shoegaze and twee-pop as the next sissy. I just need something with a little more kick every once in a while. So today, here’s the polar opposite of indie-pop…hardcore….
Couldn’t we all take things a bit slower? Maybe that’s just the first week back working talking, but that was one of the initial draws of listening to producer Takeda Soshi’s SlowFusion, a two-song set inspired by “80’s late fusion that I listened to at the end of last year was good, so I made…