“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
Not going to lie – footwork-maker Weezy’s new album On Nukes caught my attention from the rows of new Bandcamp releases because of the title. The general lack of socially aware music in Japan…especially on the always hot-button issue of nuclear energy/weapons, a topic that became relevant once again earlier this month following North Korea’s…
Finally, Tokyo trio Jesse Ruins’ debut album will come out on May 21 via Lefse Records. In advance of the album A Film, the imprint has released a new song called “Laura Is Fading” from the group, which you can hear below. It’s more immediate than many of the songs Jesse Ruins has played before,…
This just slithers, all icy synths and vocals. Miu Mau are a new-wave trio, and on “Monochrome” they have created a prickly number that’s both catchy and a touch mysterious. It is a relatively sparse song – some leading guitar and synth bouncing, which gives way to just drum and woozy synth notes. This backdrop…
Yep, still loving this song. Tokyo’s Shiggy Jr. have just released a video to go along with the City-Pop-inspired “Saturday Night To Sunday Morning,” and it puts a bit of a childlike twist on what sounded like a night-on-the-town jam. They set it at…a slumber party! Chorus still soars.
Cokiyu’s recently released Haku EP is a pretty collection of songs, highlighted by a collaboration with Los-Angeles-based-artist Baths. It is a collection very much worth your time. That said…the Tokyo mood-maker’s once-unreleased-but-now-released song “Vapor Doll” is the best track to emerge from the Haku period so far. It’s a collaboration with Tokyo-based sound artist 34423,…
I recently had a chat with someone about music in Japan. One takeaway – and an observation I’ve heard many times before in bars up to Retromania – is that some fans in Japan get super into a niche sound, and become experts of it. And that’s true! And can lead to great music! But…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
This Monday, Shibuya club Womb will host Out Of Dots, an electronic-music event featuring a stuffed lineup of Japanese artists creating futuristic tunes. There are a lot of artists performing at this shindig – enough to fill three floors, it looks like – so Out Of Dots has uploaded a compilation of these performer’s music….
The latest from Local Visions is another example where overthinking it would be a disservice to the album in question, even if it can be so fun. Omoya’s Dakede offers up six funk-leaning songs that just offer good vibes and a splash of nostalgia. The title track struts along until it reaches the hook, where…
The highlight of Hiroki Yamamura’s newest, The Game Of Life EP, comes right in the middle on the title track, one of the finest pieces the Osaka producer has put together in his hyper-speed-paced catalog. Featuring the same up-tempo pace of his better juke cuts from recent years, Yamamura drops in off-season steel drum hits…
“Slow” originally appeared on Moscow Club’s C86 compilation back in the spring, but has now been touched up a bit (hence the “Neu” in the title) and sounds a lot crisper than Elen Never Sleeps’ original version. Well, it sounds as crisp as something so hazy can sound – the song title is almost an…
The most impressive aspect of 1000say’s “Holy Rain” is how the Tokyo band doesn’t rely on trendy tropes to create a song-long feeling of nostalgia. Don’t expect any Mr. Wizard Moogs or druggy lyrics. Instead, 1000say employ the tried-and-true strategy of sounding like other bands. “Holy Rain’s” strongest musical tool is the Cure-ish keyboard showers…
The real hook with Heavenstamp’s “Decadence” has very little to do with the original song itself. The band, now down a bassist after last week, sound fine on this track from their forthcoming March release. “Decadence” doesn’t sniff last year’s excellent “Morning Glow,” the warmth of that song shuffled out in favor of something sorta…