“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
1. Man, Especia better be breakout J-Pop stars in 2014 or I will be hyper sad. 2. LUVRAW is one half of LUVRAW & BTB, a goofy rap duo that coat their rhymes in copious amounts of talk box. They have, for me at least, always been too cheesy, the vocal manipulation coming off as…
I have just gotten back to Tokyo after going to the Fuji Rock Festival for four days. It was a hectic (albeit fun!) event, that involved a lot of running between stages and working areas, many times in the middle of rain. It was not particularly easy to focus on music at this music festival,…
I’m not going to make any sort of “best of 2013…so far!” list because let’s just wait until December comes along and we can see what really stuck (plus, I took part in this). Kobe-born producer tofubeats’ Lost Decade, though, will probably appear somewhere on that list, because it’s a heck of an album, a…
It’s tempting to excuse the relatively lukewarm “Mirai No Museum” because of its commercial obligations. This, maximalist-pop-trio Perfume’s newest single, serves as the theme song for the upcoming Doraemon film which seems to involve some sort of “future museum” (which is what you get when you translate the title). After a string of songs in…
This month for the Music Alliance Pact, Make Believe Melodies is putting the spotlight on Kobe-based electronic outfit Cosmosman and their “Unique Fun Fiction.” Listen to it…and a bunch of other great songs from around the globe…below. Click the play button icon to listen to individual songs, right-click on the song title to download an…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
The poorly named outfit HOT HOT SEX combines indie-rock staples with dance elements. Great opening sentence for an essay, right? Unfortunately, this isn’t 1985, so this statement needs to be explained a bit. They don’t do dancepunk, and you couldn’t label much of HOT HOT SEX’s music as “nu-rave” (though “655321” comes close). It’s really…
So remember when Tomggg remixed Porter Robinson’s “Flicker,” and transformed it into a twinkly little wonder? Welp, turns out that was part of a bigger project. Maltine Records just released a collection of “Flicker” remixes, including Tomggg’s playroom reworking, all done by Japanese producers. It ranges from relatively straightforward brostep chaos (Bugloud’s jarring take) to…
Galileo Galilei, like their sonic forefathers BUMP OF CHICKEN, work best when they shoot for big-gesture rock. Give them huge choruses and an accompanying video full of people staring at the camera, and you’ll probably end up with a standout track. It’s a double edged sword though – this very same drama can also leave…
Two weeks ago, an event called Jersey Fight Club happened at the Tokyo club Batica, featuring a handful of DJs playing nothing but Jersey Club music. I didn’t make it out because it happened on the same weekend I went on a vacation to the countryside (relaxing!), but even from a distance it seemed like…
Do you think Fukuoka is always like this? A sort of eternal summer…well, maybe an eternal mid-September…where everything is generally laid back, and most likely equal amounts chill? I’ve never been and don’t know when I ever will, so for now I’m just living through new indie-pop group Num Contena, hailing from the Western side…
Despite being a staple in the INNIT scene, Magical Mistakes (the project of Erik Luebs) doesn’t live in urban Osaka, but rather a tiny forested village in Miyazaki Prefecture. When I talked to him a few months ago, he said how his remote home gave him ample time to record material, and that the natural…