“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
Osaka’s Metome continues his 2013 hot streak, and now he’s hooking up with some outside-Japan forces to take it all even further. He’s released a new song, “Time After Time,” on S Y Z Y G Y, a label that seems like a good fit for Metome’s color-rush of music. “Time After Time” is one…
Notes on Windoswill Of Persception, i-fls’ new album out on Niphlex that you should obviously download right away: – Suburban life/childhood/adolescence is often remembered as a simple time in one’s life, relatively carefree days (at least in comparison to adulthood) that has in 2013 become nostalgia, Buzzfeed list after Buzzfeed list of “remember when?” Yet…
Pure neon sounds here. Tokyo’s Alloapm has labeled this a “summer version,” but really this is a song designed for the night, preferably while cruising through the city, potentially while holding onto some ~feels~. It is, sonically, a relatively simple number – a flurry of synths, a beat, bass and some Vocder-ized singing propelling the…
Ahhh Picnic Women, that jokester. The title to his latest collection of juke cuts comes off like the punchline to what he pulls off the title track, “II Women.” On that song, Picnic Women takes Mariah Carey’s and Boyz II Men’s “One Sweet Day,” specifically the vocals from Boyz II Men, and pitches them both…
How Dorian’s new album Midori got lost in the 2013 shuffle isn’t clear, but it did…part of the problem might have been the fact no full-length audio of any of the album’s tracks appeared until the end of January 2014 (a sampler had been released, but a minute of material isn’t enough to really dig…
In his relatively brief career, Tokyo’s Taquwami has explored a lot of sonic ground. He’s made maximal sounds, fragile songs, sample-heavy dance numbers and heady tunes that sound like holding a particularly trippy seashell up to your ear. And that’s not even counting the directions he’s splintered off with his Occult You project. His latest…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
There exist two Oku stations in Japan…one in Okayama prefecture, and one right before Ueno station in Tokyo. Given that Beef Fantasy hails from Saitama, it feels safe to say that “O.K.U” — and the sample opening up the song — comes from the capital. It appears to be a pretty boring station, which might…
Haven’t heard much from Birds Melt Sky in a long time…2010, to be exact…which explains why I completely forgot what they sounded like. I originally wrote a post about “Oneday, Someday,” noting how it marked a change in style for the group because the beat was more prominent, making the song more physical, more danceable…
Voices come to the forefront on this split EP between NC4K mainstays Paperkraft and Stones Taro. Samples of singing and of humans just generally generating noise have popped up in their releases, but the Rally Hard EP pushes them to the front in a way that none of the other releases from the label has…
For this month’s Music Alliance Pact, Make Believe Melodies has decided to highlight one of the most interesting new projects in Tokyo in 2012, LLLL. It was tough choosing one song from the twisted dream that is LLLL’s self-titled debut…so why not run with the opening track, “Because Of My Eyes.” Listen to it…and a…
Glitz can sound really interesting when parts of the charm feel just off. That’s something rarely — sometimes, but rarely — found in the current crop of smoothed-out rock performing well in Japan’s mainstream. The project Abenie shows how a little bedroom-pop charm can go a long way. “Metropolis” moves at a dazzled-by-the-lights pace, and…
This one benefits a lot from seeing tofubeats perform it live last week in Shibuya. His latest digital single doubles as the theme song to TV Tokyo drama Video Girl AI, which is about a woman who pops out of a television to live with some guy. The verses to “Fumetsu No Kokoro” feature a…