“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
No nonsense here – here’s a Japanese outfit out of Sapporo that provides info but not too much information about themselves. They put on a party every once in awhile, and have a few songs online that came out prior to “Queen Anne.” But man oh man, “Queen Anne.” This is direct, bouncy pop, no…
The first Music Alliance Pact of 2014 has arrived! To kick off the new year, over 30 blogs from around the world have selected a track to share with the rest of the globe. For Japan, Make Believe Melodies is highlighting the fidgety “Bishop’s Rising Sun” courtesy of Osaka’s Metome. Listen to it…and a lot…
Seiho just wrapped up a tour of Japan with LuckyMe artist Obey City, and in support of that tour/because why not take the opportunity to do so the pair released a four-track album called Shochu Sounds. You should get the whole thing over here, but for now let’s focus specifically on the Osaka producer’s “Double…
Geez, man, I don’t even know, ya know? I tweeted out something about Dempagumi.inc being the most based idol-pop group in Japan right now…a group whose background (or gimmick) is that the members all are former/still sorta are otaku, one of the more loathed sub cultures in Japan today. One of them, Moga, used to…
It’s time for the Music Alliance Pact, where blogs from more than 40 countries share a fantastic track from an artist in their nation. Make Believe Melodies decided to showcase Nagoya outfit CRUNCH and their Radiohead-inspired-but-so-much-more “Mori No Naka.” Listen to it – and a lot more – below. Click the play button icon to…
Time for two indie-pop acts to take us into the weekend. First up, The Weddings. This duo, who have released several lovely lo-fi shambles in the past, reemerge after some time with “Mixtape For My Friends.” It is a slight track, built off of chimes and tweets and the duo’s far-from-pretty-but-still-intriguing crooning. The lyrics cover…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
It’s tough to talk about kawaii bass…or any hyper-crowded electronic music to come out of Japan over the last year and a half…without bringing up YUC’e. Her “Future Candy” is one of the defining songs of the sub-style, a catchy pop number that goes lightspeed at various points…but always manages to return to that main…
The most interesting developments for Kyary Pamyu Pamyu pop up outside of the music on “Kimiga Iine Kuretara.” Dig into the credits here and you discover this single came out via a company with the same name as the song itself, rather than Warner Music Japan (no idea what that means, and have no official…
Rock group Riddim Saunter announced on their website they will be calling it quits. They posted a hand-written note to their official site earlier today announcing their break up. The band will hold a farewell party on Saturday, September 3 at Nakano Sun Plaza. The group, who formed during their high-school years, released their debut…
OK, now this is more like the House Of Tapes I remember. The Nagoya producer recently released a short EP that found him moving towards more vaporous, beat-removed sounds and it sounded like a welcome diversion from his usual suffocating bang-bang. “Strange Mercury” returns to that, though, and is strong reminder that House Of Tapes…
In an effort to reflect the dominant trends in Japanese indie music, we chose Osaka indie-pop outfit Wallflower to appear in the May 2012 edition of the Music Alliance Pact. There “Cure Your Heart” is one of the peppiest songs with twee DNA to pop out of the country this year…and there have been many….
In 1992, Switzerland selected the song “Soleil Soleil” to represent the country in that year’s Eurovision contest, the annual event where European countries play out diplomatic misgivings with one another by voting against their bad pop music. Performed by Geraldine Olivier, the song was eventually disqualified by the Swiss and replaced by something else. This…