“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
Osaka’s Outdoorminer (also known as Cloudy Busey) has proven over the last few years he’s great at creating unsettling, late-night moods. Between his two solo projects, he’s excelled at making music for downtrodden walks home, whether they be complete with vocals or, as is the case with the Outdoorminer alias, just music. “Badmood” follows up…
Plenty of bedroom-based musicians do not deserve your time, but when a good one pops up, they are special. Japan’s introduced a lot of good ones into the musical conversation over the last year, and even more continue to pop up online. Out of the digital ether comes Juliana Paris, a project whose latest track…
Moscow Clubは本当に素晴らしい。最初に我々が注目した”Daisy Miller Pt. 1″ は、ヘンリー・ジェームスの物語からの引用で、作品同様の感情的な雰囲気を醸し出しています。今回SoundCloudにアップされた曲は、”火星年代記”や、”華氏451″等を執筆したSF作家、レイ・ブラッドベリ(レイ、 数々の素晴らしい作品をありがとう。安らかに眠れ。)へのトリビュート精神が。Moscow Clubの新曲は”華氏451″の英語タイトル、”Fahrenheit 451″で、”Daisy Miller”の曲のように文学的に攻めるのではなく、あくまでレイドバック。悲しい過去の物語を語るのではなく、ちゃんとダンスフロアにそぐうように作曲されています。シンセが良い味を出しているこの曲はMoscow Clubの今までの曲よりも打ち込みがメインになっていて、この3分程の遊び心溢れる作品は、Toro Y MoiやKissesを連想させます。コーラスが実に美しい。試聴は以下から。
Cubismo Grafico has gotten reflective plenty of times in the past, but this new cut is especially rich in ennui. It’s a slow stroll of a song featuring some looped samples (lending this some “Shibuya-kei in the twilight” vibe) and sung in…French, at times. Perfect for an end-of-the-day beer. Listen below.
Privacy-loving outfit Sotaisei Riron released a new album last week, Town Age, which I have a feeling will be landing on our top albums of 2013 list when that time comes. More on that later…but here is the new video for Town Age highlight “You & Idol.” Watch above.
It is a soundtrack made for commuting between different places in large urban spaces, filled by swarms of people shoaling and funneling across intersections, subway stations and central hubs like corpuscles pulsating in the cities veins, conducted by invisible algorithms in the symbiotic superorganism that is a metropole. – Submerse, about his new EP Algorithms…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
Tokyo got its first snowfall of the year today, and you best believe I haven’t stepped out of my apartment once today. Instead of braving several centimeters of snow on the ground — this has thrown the Tokyo train system into chaos — I’m going to catch up on some good electronic music that came…
What separates Baroque from the rest of the Kidz Rec stable is pure dark matter. Most of the folks on 80kidz’s label, including the duo themselves, produce club-ready jams that, though abrasive at times, always keep one eye on the dance floor. Baroque understands sometimes people just want to cut loose, but he’s gonna force…
Aya Gloomy’s initial foray into music after joining up with Tokyo’s Big Love Records was to create a buzzing, unsettling number that gave just enough room for her singing to come through clearly, even if the whole song felt like it was being sucked into a whirlpool. Now she has her proper debut album out…
Erectricmole aren’t just writing songs, they’re creating entire worlds. Houka No Hirune, the young group’s recent debut for the fledgling Flawless World imprint, takes the idea of electro-pop being loud techno-leaning feet movers and inverts it, turning the synths inward to create intimate sonic worlds. Erectricmole give their creations plenty of color and life, beats…
Moscow Club’s official blog is a hodgepodge of English, Russian and Japanese (the latter being the language of their actual home country), an appropriate mix given their preference for the sort of indie-pop that transcends cultural barriers and goes straight for the heart instead. New track “Daisy Miller Pt. 1” further backs up this universal…
Not everything has to be in a rush. Producer Amunoa’s Rusty Door finds the Trekkie Trax affiliate taking things a little bit easier — or at least just turning the tempo down — with their sliced-up-vocal approach to dance music. Opener “Laser Lips” features a steady trickle of stuttering syllables, but Amunoa chooses to let…