“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
Nagoya’s Noah already has teamed up with one American artist (Sela) for her first release of the year, and now for number two (which…is named TWO) she’s hooked up with Houston rapper/vaporwave producer Siddiq. Whereas her first 2013 release was a split, this finds the two musicians working together, Noah presumably providing the beats while…
This morning, Perfume announced a forthcoming album titled Level 3. This put me in an excellent mood, and made me want to listen to some gooey pop music. I jump over to SoundCloud, spirits high, and see a new song from producer Yoshino Yoshikawa called “Kawaii Candy.” It’s labelled as “ULTRAPOP.” Bless your soul Yoshikawa….
Whimsy might not actually be the right word for what Nohtenkigengo does. Sure, the bulk of the music this solo project creates involves the sort of instruments that make one’s twee radar go off like mad, including xylophone, accordion and all sorts of other cutesy sounds. This sonic choice…along with the voice singing all the…
It’s a simple trick, but one that young music-maker Gloomy pulls off well on “Roller Girl.” It’s the old “upbeat meets crushing” formula, of mashing something sunny against something not so bright. On “Roller Girl,” the sunshine comes courtesy of Gloomy’s vocals which practically skip, even when she starts to adopt a cadence bringing to…
Canadian cassette label Memory No. 36 Recordings is no stranger to showcasing great Japanese music flying under the radar. They released Elen Never Sleeps dreamy Silver EP earlier this year, and are working with Boyish on a new tape due sometime in the near future. They are releasing their first compilation this Friday (April 19…
We (basically) just put a bow on 2013, and now a slew of albums appear online that are already jostling for 2014 list positioning. Geez, I was gonna take a vacation now, can’t do that. Osaka’s Metome is the latest artist to drop a new album at the very end of the year, and this…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
One of the elements that made Le Makeup’s Hyper Earthy such a striking album was the emergence of the Osaka’s own voice on the album. Since then, Le Makeup has been playing around with how their singing can be deployed over beats and acoustic guitar. Aisou finds the artist getting even better at using their…
This is the first Toiret Status release that doesn’t overwhelm, but benefits from a close listening. This hasn’t been the case before, and that was a pretty great thing in regards to Omaru or Nyoi Plunger, albums that felt like dozens of different sounds criss-crossing like broken TV signals into a pattern that made something…
Tokyo’s LLLL make their music video debut with the above clip for “Drowned Fish,” from this year’s still-splendid debut EP. If you like bathtubs full of flower petals or jump rope…or really good music blurring the line between pop and experimental sounds…check it out.
The last three posts around these parts have been about INNIT-related artists, which might seem like overload unless, like me, you believe that what’s happening out in Kansai stands as the most thrilling music scene in Japan today. MFP posted two new tracks online yesterday, each one reflecting a different mood. “Shining Innocence” sounds like…
The zanily-upper-cased joyEL7 don’t hide their influences very well. Besides sprinkling the name of the band that inspired them all over their MySpace like oh so many sparkly GIF files, the opening seconds of any of their songs sonically ask “hey, remember that first Arctic Monkey’s album? And a lil’ of the second one?” This…
After a year that has seen the wide-spread release of an album and a stint in Los Angeles, DYGL look to close out 2016 with a new single. “Waste Of Time” is a shambling rock number, delivered in English and featuring a slightly tipsy vibe that seems to look back at the past, both lyrically…