Seiho、MFPやAnd Vice Versa等を2012年にリリースし注目を集めている大阪のレーベル、Day Tripper Recordsから新しいフル・レングスアルバムがリリースされました。東京のLeggysaladというアーティストのVerde Planedetoというアルバムで、現在その中から2曲、”Reunion”と”Sleeping Beauty”が、Soundcloudから視聴可能です。”Reunion”では飛び跳ねるピアノにアコギのパーカッシブなストローク、そして後半にはチャイムが使われていて、Day Tripperからリリースされた今までの作品よりもかなり穏やかなので驚きです。”Sleeping Beauty”はチョップされた女性ボーカルが随所で聴けるものの、こちらもかなり物静かな印象です。しかし、２曲ともドラムが曲全体に力強さを与えていて、レーベルのカラーもひそかに持っています。視聴は以下から。
There will come a day where Japan’s electronic music scene will be a little too full. It’s already starting to happen, as with each new FOGPAK compilation…and with it a longer playtime…it becomes clear that, even though there are lots of young producers worth listening to, there are also a lot who just don’t have…
Notes on Windoswill Of Persception, i-fls’ new album out on Niphlex that you should obviously download right away: – Suburban life/childhood/adolescence is often remembered as a simple time in one’s life, relatively carefree days (at least in comparison to adulthood) that has in 2013 become nostalgia, Buzzfeed list after Buzzfeed list of “remember when?” Yet…
Sakanaction’s latest single “Music,” due out January 23, finds the group touching on some of their older material. The way lead singer Ichiro Yamaguchi stretches out syllables in the verses brings to mind the single “Endless,” while the late-song surge in emotion resembles another cut from DocumentaLy, “Monochrome Tokyo.” Yet this isn’t the sound of…
Sweet, another opportunity to tell you to go get your hands on spazzkid’s Desire, which might very well be my favorite non-Japanese album of 2013 so far. OK, got that out of the way…one of Tokyo’s most intriguing home-based producers i-fls has gone and made an unofficial remix of spazzkid’s “Getting To Know You,” transporting…
「自分が歌うつもりが無い曲を書くのにいつも罪の意識を感じてる。」と語るのは、Cloud Buseyことボブ・ワイリー。Lights ＋ Musicにて新曲、”havUever”について解説しています。この曲はジャスティン・ビーバーの曲にしてもいいんじゃないか、と言い、もしジャスティンが見つけたなら提供する、との事。確かに”havUever”の輝くようなシンセとビートは、ジャスティンのボーカルが際立つような物になっています。 でもまあ”havUever”にはボブのボーカルが一番しっくりくると思います。ビッグネームのポップ・スターが歌ったらまた違った物になるんじゃないかな。Cloudy Buseyのトラックでもそうですし、特にIce Cream Shoutの”Tattooed Tears“なんかでは、ボブのボーカルは心に触れてくるような、暖かい真心を感じるような物では決してないものの、現実的で冷ややかなその表現は、同じような経験を持つ人から、より大きな共感を得られるでしょう。Cloudy Buseyの新作からも分かる通り、ボブのボーカルはどんどん説得力を増していてます。ジャスティン・ビーバーが歌っても良いのかもしれないけれど、ボブの歌う”havUever”は、独自の美しさで溢れています。
At their best, The Paellas…especially the lead singer…sound like they are in the same room as you as their music unfolds. The bulk of their material up to this point has sounded like the work of a doomed lounge band, the group’s words muffled by fuzzy recording. Everything is a little more clear on new…
The latest full-length release from Osaka label Day Tripper Records is a fragile affair. The imprint, responsible for releasing 2012 highlights by the likes of Seiho, MFP and And Vice Versa, now offers up an album by Tokyo producer Leggysalad, Verde Planedeto. Two tracks, “Reunion” and “Sleeping Beauty,” can be heard now at Day Tripper’s SoundCloud. The prior starts with channel-hopping piano before being joined by some acoustic guitar strums and, a little later, some bell chimes. This combination sounds surprisingly delicate for something released on Day Tripper, though the serenity doesn’t last long as Leggysalad conjures up a drum beat that smashes through the glassiness. From there, “Reunion” turns into a nice cut-and-slice vocal workout. “Sleeping Beauty” similarly opens softly, though the most prominent addition to this Leggysalad track is a female vocal that has been chopped into syllables, like he has taken a J-Pop drama and gone surgeon on it. Just like “Reunion,” drums eventually kick in and add some force. Listen to both tracks below.
Could the world soon see another surge in artists relying heavily on video game noises? It’s possible…Crystal Castles just dropped a highly touted LP, and album-of-2010-thus-far Cosmogramma by Flying Lotus pushes 8-bit sounds into new far-out realms. So maybe chiptune raver 99 Letters can get a little attention from this could-be trend. He’s got another…
Despite the heavy leaning on goth imagery, PLASTICZOOMS music has always been distinctively dreamy. Regardless of how much noise they piled onto their music or how much eyeliner they dabbed on…which, hey, I see ya below video…they always, at their core, have sounded like The Cure and not the sonic equivalent of Robert Smith’s hair….
[youtube=”http://www.youtube.com/watch?v=CHpbmE3RPoE”] The video for Osaka musician Oorutaichi’s “Moeru Himitsu” features various crudely filmed scenes of everyday life edited together in nearly nonsensical order, creating a weird clip where ordinary shots of orange juice and chickens take on a slightly disturbing appearance. It’s kinda like that one Charlotte Gainsbourg video without all the quirky indie bullshit…
It felt like for, like, a month there that Dubb Parade didn’t release a new album. Which, given his prolific output so far in 2014, was kind of a shocker. Well, as we all sprint towards next year, he’s got at least one more EP of material to share, this one on Tokyo label Anti…
There’s no shame or anxiety or worry pulsing through Tokyo producer Pinky Tech Music Lab’s “Morning After,” only wide-eyed optimism and a rumbling electro bass line. Therein lies the secret to this number — for all the piano plonks and string swings, “Morning After’s” best attribute is the way it skips forward, proving to be…
Yesterday Once More returns with a new split release from Hiroki Yamamura and DJ NHK Guy, each contributing an original cut and then remixing the other. For their own numbers, each create retro-tinted juke, Yamamura moving in a slightly more fragmented direction (and feeling very out of time in the process) on “Mask,” while DJ…