CUZ ME PAINは最近、あまりリリースをせず、ライブやレコーディングに力を入れている感じがします。それともニコラス・ケイジ出演の映画を勉強したりしてるのかな。CUZ ME PAINのプロジェクトMasculinの新曲、”Manhattan Suicide”は、ニコラス・ケイジ主演のデビッド・リンチ映画、ワイルド・アット・ハートの台詞から始まります。２分間シンプルに淡々と流れるグルーブは、リンチ・テイストが他の曲よりは抑えめかも。ワイルド・アット・ハートからの物かは確かじゃないですが、他の台詞とピアノの流れるようなフレーズがリピートされています。そのようなサウンドが楽しい雰囲気を出していて、ツイン・ピークス的か、と言えばそうではないのですが、このような遊び心のあるリリースを聴く事で、CUZ ME PAINから更なるリリースを期待してしまいます。
Kansai outfit Post Modern Team’s first song made available to the world’s ears was a little ditty called “Never Let You Down.” It was one of 2012’s finest tracks, a breezy song featuring one of the sweetest hooks to come out of Japan’s indie-pop scene – “never let you down,” they sang, like whispering into…
Sometimes a bunch of good electronic music comes out all at once in Japan, and it ends up being easiest to feature it all in one nice post. Today is one of those days. Osaka’s Cloudy Busey is no stranger to making heavy-feelings dance music – his Only Devotion mixtape under the moniker Bobcat showcases…
boy from HOTEL MEXICO on Vimeo. Hotel Mexico’s new album Her Decorated Post Love dropped yesterday, and definitely worth your time. The Kyoto group also released a video for that album’s lead-off track, “boy,” yesterday, which you can watch above. This song bares a slight resemblance to Hotel Mexico’s older “Starling, Tiger, Fox,” what with…
このEPは日本インディー・ポップ界のとても強力なタッグから生まれています。”Heartbreak”や”Never Let You Down”等、2012年度最高峰ともいえる曲をリリースした大阪のPost Modern Teamと、元Candy EyesのDai OgasawaraによるTwangy Twangyが、Canata Records(BOYISH, Elfs In Bloom)からスプリット・EPをリリースしました。 Post Modern Teamの”She Does Something To Me”では、彼らの普段のスタイルから離れ、新しい手法を模索しているようです。Sloppy Joeに近いテイストを感じます。ザ・スミスやザ・キュアー等のインディー・ポップとも比較されそうですが、曲を通して細かいディテールが詰め込まれていますし、コーラスも決してアンセムのような物ではありません。 Twangy Twangyの曲は電子楽器とアコースティック・ギターで構築されています。つぶやくようなボーカルにもう少しヴォリュームが必要かな、とは感じますが、とても美しい曲で、暑い八月中旬にはもってこいでしょう。ダウンロードはこちらから。また、視聴は以下から。 Where The Action Is EP by Canata Records
J-Pop doesn’t need to be torn down and built back up. There are lots of bad projects selling lots of albums – this week, Kanjani8 moved more than 200,000 copies of a song, making it the highest-selling single of 2014 thus far – but plenty of great stuff appears on the charts too…and even just…
Moscow Clubは本当に素晴らしい。最初に我々が注目した”Daisy Miller Pt. 1″ は、ヘンリー・ジェームスの物語からの引用で、作品同様の感情的な雰囲気を醸し出しています。今回SoundCloudにアップされた曲は、”火星年代記”や、”華氏451″等を執筆したSF作家、レイ・ブラッドベリ（レイ、 数々の素晴らしい作品をありがとう。安らかに眠れ。）へのトリビュート精神が。Moscow Clubの新曲は”華氏451″の英語タイトル、”Fahrenheit 451″で、”Daisy Miller”の曲のように文学的に攻めるのではなく、あくまでレイドバック。悲しい過去の物語を語るのではなく、ちゃんとダンスフロアにそぐうように作曲されています。シンセが良い味を出しているこの曲はMoscow Clubの今までの曲よりも打ち込みがメインになっていて、この３分程の遊び心溢れる作品は、Toro Y MoiやKissesを連想させます。コーラスが実に美しい。試聴は以下から。
CUZ ME PAIN has been a little quiet as of late, the Tokyo imprint not putting out all that much new material lately. They’ve either been focused on playing live shows and recording new material…..or they’ve been brushing up on Nicolas Cage movies. CUZ ME PAIN project Masculin’s new track “Manhattan Suicide” opens with a snippet of dialogue from David Lynch’s Wild At Heart, but unlike most songs that get described as “Lynchian,” this one isn’t all that unsettling. Instead, it just grooves on for just over two minutes. It features another vocal sample that skips a little bit (don’t know if it’s also from Wild At Heart) and a piano line swoops in every once in awhile, but none of it sounds Twin Peaks worthy. A nice little track that hopefully means more CUZ ME PAIN tunes on the horizon.
Despite her going viral* on Vine for hopping around during a Zelda-fied remix of “Bandz A Make Her Dance,” Hokkaido artist Qrion’s biggest strength is understatement. Her best songs never overload, but always leave ample space (here’s her finest example). Qrion’s remix of American artist How To Dress Well’s “Repeat Pleasure” draws from this approach,…
Cornelius has returned, and he sounds at home with the current state of J-Pop. “If You’re Here” is the first song from Mellow Waves, his first original album since 2006’s Sensuous. And similar to the numbers on that full-length…and prior release Point…”If You’re Here” uses abrupt breaks and just-off rhythms to construct a song. Bits…
[youtube=”http://www.youtube.com/watch?v=I6qreZH5yhU”] If you have even a vague idea who Maximum The Hormone is, figuring out the big surprise awaiting in the video for their new single ends up being a pretty easy task. If that name means nothing to you it could be a little trickier – this new song opens with an idiot bounce,…
It isn’t necessarily made clear here, but if you follow Make Believe Melodies on Twitter or on Tumblr, you’ll pick up on the fact that J-pop idols are responsible (or, at least represent) for some great music. This outlet…which, in theory, focuses more on the independent/not-mainstream side of Japanese music except, uhhh, when it doesn’t…hasn’t…
Hakushi Hasegawa can sometimes sound a little too structured for my ears. At his best, he constructs zippy numbers exuding charm without going full frantic like so many other modern Japanese electronic artists. Other times, his work can come off as a little too music class, more interested in showing off dexterity than delivering something…
Ever so often, a wonky and downright goofy band will change things up to try to get more major-label attention, usually when the Japanese music industry is enjoying a band boom. Sometimes, it works and other times it results in an interesting group turning into Spitz Jr. Thankfully, Group2 remain just as odd on new…