CUZ ME PAINは最近、あまりリリースをせず、ライブやレコーディングに力を入れている感じがします。それともニコラス・ケイジ出演の映画を勉強したりしてるのかな。CUZ ME PAINのプロジェクトMasculinの新曲、”Manhattan Suicide”は、ニコラス・ケイジ主演のデビッド・リンチ映画、ワイルド・アット・ハートの台詞から始まります。２分間シンプルに淡々と流れるグルーブは、リンチ・テイストが他の曲よりは抑えめかも。ワイルド・アット・ハートからの物かは確かじゃないですが、他の台詞とピアノの流れるようなフレーズがリピートされています。そのようなサウンドが楽しい雰囲気を出していて、ツイン・ピークス的か、と言えばそうではないのですが、このような遊び心のあるリリースを聴く事で、CUZ ME PAINから更なるリリースを期待してしまいます。
次の月曜日、渋谷のWombでOut Of Dotsというイベントが開催されます。三回建てのクラブを埋め尽くすべく、近未来的なサウンドを放つ多くのエレクトロ・アーティストが参加予定です。参加アーティスト達のコンピレーションもアップされているのですが、なんせ２６曲もあり、全て聴くのは凄く時間が必要。もし週末お時間のある方は、是非聴いてみてほしいです。忙しい方には１６曲以降を聴く事をオススメします。Maltine RecordsのSilvanian Familiesによる”Families Walks”はとても爽やかで、Seihoの新曲、”Blue Elegant”がそれに続きます。ここでFazerockのミニマルなポスト・ダブステップが流れ、Submerse、Madeggと続きます。でも勿論他にもハイライトがあって、例えばDub-Russelの”Nagwares 2 Me”なんかは彼等らしい飛び跳ねるサウンドになっていて、Fugenn & The White Elephantsの”Thunder”も、それを追いかけるような速いペースで進みます。追加で少しハイライトさせて頂くと、Acerola Beach、Himuro YoshiteruとQuarta 330がオススメ。視聴はこちらから。
This morning, Perfume announced a forthcoming album titled Level 3. This put me in an excellent mood, and made me want to listen to some gooey pop music. I jump over to SoundCloud, spirits high, and see a new song from producer Yoshino Yoshikawa called “Kawaii Candy.” It’s labelled as “ULTRAPOP.” Bless your soul Yoshikawa….
I’m trying to finish (errrrrr, start) the official Make Believe Melodie’s “our favorite songs” feature, so in the meantime, enjoy this new song courtesy of Osaka’s Seiho. “Clipping Music” starts off quite sensual – some lovely, lounge-ready electronics playing over the sound of waves reaching the shore – but soon enters territory we are more…
Ykiki Beat includes members of Timothy Work and DYGL, two Tokyo projects who have produced some solid works in the past year. Yet I gotta know, how did Ykiki Beat end up with the best track any of the lot have presented so far? “Garden” is the sort of song that gets a band a…
I’m melting over here. Let’s put biases out front shall we…Perfume are my favorite musical entity ever, and I’ll always find some light even in their worst moments (I see you “Mirai No Museum,” what’s up “Toki No Hari”) because I’m fully entranced by what Yasutaka Nakata does. OK, we clear on that? “1mm” is,…
Dude releases tons of new material all the time but…I don’t remember Osaka’s Soleil Soleil sounding this crisp before. “Sun” sounds clearer than most of songs this producer has made before, the synths shimmering and the percussion clanking clearly, to the point that this actually sounds a lot like neighbor-to-the-north Madegg. It’s a bit more…
CUZ ME PAIN has been a little quiet as of late, the Tokyo imprint not putting out all that much new material lately. They’ve either been focused on playing live shows and recording new material…..or they’ve been brushing up on Nicolas Cage movies. CUZ ME PAIN project Masculin’s new track “Manhattan Suicide” opens with a snippet of dialogue from David Lynch’s Wild At Heart, but unlike most songs that get described as “Lynchian,” this one isn’t all that unsettling. Instead, it just grooves on for just over two minutes. It features another vocal sample that skips a little bit (don’t know if it’s also from Wild At Heart) and a piano line swoops in every once in awhile, but none of it sounds Twin Peaks worthy. A nice little track that hopefully means more CUZ ME PAIN tunes on the horizon.
Well it…certainly is. Introduced via +Ano(t)raks lovely Plus One compilation, Marquee Beach Club have gone on to share a few…cough…new songs. One is a bit overly dramatic, but “New Song” makes up for it by being a skippy number, featuring vocals glazed with the slightest electronic edge, adding just a dab of welcome unease to…
Though I’m still not sold entirely on the nostalgic beach imagery sopping from his work, I’ve got to admit Friends’ demo for “Anyone Like You” sees the beach-music-via-bedroom artist boasts a pretty catchy melody. The fuzzy corners aren’t contributing much but they also aren’t getting in the way, allowing that sweet guitar line and those…
There are a lot of disorienting moments on juke maker Foodman’s new collection, the Oiss EP. The one that has stuck with me the most so far, though, comes on “Yoru Piku Piku,” a skittery song that’s among the absolute creepiest things the Yokohama producer has ever put forth into the world. The beat moves…
サカナクションは１月２３日発売のニューシングル、”ミュージック”にて、彼らの原点を少し振り返っています。ボーカリスト山口一郎のバースでの声の伸ばし方はまるでシングル”エンドレス”のようで、曲の後半で感情がぐっと込み上げてくる感じは”モノクロトウキョー”の世界観。でもアイディアが尽きたとかそういう意味ではなく、彼らが本来持っていたコアな部分を大事にしつつ、新しい事にチャレンジしています。構成も美しく、最初は山口のボーカルをセンターに配置した寂しい雰囲気で始まり、徐々にバンドがスペースを埋め、コーラスで感情は頂点に。度々言いますが、サカナクションが日本のメインストリームで飛躍していく姿を観れて本当に光栄です。試聴はこちらから。
Sakanaction, who made this site’s second favorite album of 2011, have a new single and video (above) out now called “Yoru No Odoriko.” The song finds the group continuing to play around with the dance-friendly-verse-explosive-chorus structure they’ve been exploring for a while now, although the addition of female backing vocals is a great sounding touch….
Oh garage rock, never go out of style. Japan’s The Let’s Go’s do what a ton of other bands armed with guitars and cheap recording equipment do – make irreverent Nuggets era rock ‘n’ roll. No major musical push forward, but The Let’s Go’s make great, shimmy-worthy cuts. “Dance Number” stands out as some sort…