CUZ ME PAINは最近、あまりリリースをせず、ライブやレコーディングに力を入れている感じがします。それともニコラス・ケイジ出演の映画を勉強したりしてるのかな。CUZ ME PAINのプロジェクトMasculinの新曲、”Manhattan Suicide”は、ニコラス・ケイジ主演のデビッド・リンチ映画、ワイルド・アット・ハートの台詞から始まります。２分間シンプルに淡々と流れるグルーブは、リンチ・テイストが他の曲よりは抑えめかも。ワイルド・アット・ハートからの物かは確かじゃないですが、他の台詞とピアノの流れるようなフレーズがリピートされています。そのようなサウンドが楽しい雰囲気を出していて、ツイン・ピークス的か、と言えばそうではないのですが、このような遊び心のあるリリースを聴く事で、CUZ ME PAINから更なるリリースを期待してしまいます。
It makes sense that Taquwami would offer up a remix of a Ryan Hemsworth track on the Canadian producer’s new EP Still Awake. Besides the obvious fact that Hemsworth has been upping Tokyo’s brightest producer for a while now and has included him in various mixes before, the two share a similar genre-blurring approach to…
最近ツイッターで村上春樹についての会話をよく目にします。激しい議論の中、支持する人は彼の表現する「美しい日常」を絶賛しているようですね。確かに村上春樹特有の、ありふれた日常をいかに美しいものにするか、という表現は素晴らしいと思います。私もそのような感性は好きですし、日本のアーティストのi-flsも普通だったら忘れ去られるようなテーマを音楽を通して表現しています。物やサービスがテーマだったり(“Twitter,” “Vocaloid,” “Family Restaurant”)自然がテーマだったり(“Summer Breeze,” “I Saw Raindrops”) 女性の名前が含まれていたり(“Satomi,” “Chiaki Gazed You,” “Yui”)。Garagebandで作られたボーカルレスな楽曲達は、驚く程少ない数の楽器から構成されていて、短くもノスタルジック。まるで気持ちをスケッチしたかのような。i-flsはここ数ヶ月だけでも数多くのリリースをしているのですが、Enhanced GardenというEPに収録されている、飛び跳ねるような”No Adventure”、幻想的な”Stardust”、そしてまるで好きな女性が自分を見つめているような気持ちにさせてくれる”Chiaki Gazed You”がオススメです。”Chiaki Gazed You”は嬉しくも不安なあの気持ちを上手く表現できているのではないでしょうか。i-flsの楽曲はまるで日記のようにシンプルで、日常を美しいものとして表現しています。
One of the weirder things to happen…or, more appropriately, not happen…in the realm of Japanese music is the near lack of music relating to the 3/11 earthquake and tsunami or the Fukushima nuclear incident following it (and still going as strong as ever). I’m not talking about outright political songs addressing the government or TEPCO…
1. Man, Especia better be breakout J-Pop stars in 2014 or I will be hyper sad. 2. LUVRAW is one half of LUVRAW & BTB, a goofy rap duo that coat their rhymes in copious amounts of talk box. They have, for me at least, always been too cheesy, the vocal manipulation coming off as…
Tofubeats already has one great album and a handful of well-produced singles for other artists under his belt this year…and, welp, he has another gem now with “Don’t Stop The Music.” Here, the Kobe producer embraces a more laid back structure compared to the often manic tracks on this year’s Lost Decade, letting the music…
In a Japan Times’ story about her label Flau, the head of Flau reveals that Cuushe’s last EP was intended to get the artist pegged as “dream pop” rather than “electronic pop.” Mission accomplished I believe – who knows how many times I’ve referred to her songs as “dreamy.” Yet newest cut “Twilight,” in advance…
CUZ ME PAIN has been a little quiet as of late, the Tokyo imprint not putting out all that much new material lately. They’ve either been focused on playing live shows and recording new material…..or they’ve been brushing up on Nicolas Cage movies. CUZ ME PAIN project Masculin’s new track “Manhattan Suicide” opens with a snippet of dialogue from David Lynch’s Wild At Heart, but unlike most songs that get described as “Lynchian,” this one isn’t all that unsettling. Instead, it just grooves on for just over two minutes. It features another vocal sample that skips a little bit (don’t know if it’s also from Wild At Heart) and a piano line swoops in every once in awhile, but none of it sounds Twin Peaks worthy. A nice little track that hopefully means more CUZ ME PAIN tunes on the horizon.
Note: We take a break from our songs list to give out some more awards that might make you pissed. Pity Auto-Tune. The pitch-correcting software became pop music’s boogeyman sometime late in the 2000s, joining “they don’t play instruments” and “all they do is rap about guns and women” as easy ways to avoid talking…
Japanese Summer Orange gets sober on “The Ones,” a reflective number revealing new depth to the project. Up to this point, the semi-slacking outfit has been about stumbling about and feeling the hangover the next day, but “The Ones” heads out with a clear mind and a lot on its mind. The bedroom-recorded quality remains,…
One of the most charming qualities of chillwave back during the sun-dappled heyday of 2009 was the sense of familiarity the music coming out of this world conjured up. Takeaki Oda goes the next step on his new Loop EP, by incorporating a whole lot of familiar samples into the hazy music he makes (chillwave…
It has only been a few weeks since Anna shared something new, but she isn’t slowing down. “Again, Again” again (sorry) finds her crafting a lurching pop number that takes a pretty familiar formula and lets the shadows creep in. I’d go to bat for everything on Tonite over this, but as a continuation it…
Tokyo’s Moscow Club are literary buffs. They originally caught our attention with a song called “Daisy Miller Pt. 1,” (followed up with a “Pt. 2,” both on this lovely album) named after the Henry James’ story of the same name and nailing a similar emotional vibe as the novella. Now they’ve released what their SoundCloud…
The ’80s…or at least sounds heavily inspired by the ’80s…are never going away. So let’s embrace the artists who know how to capture shiny wonder in all its glistening beauty? Last year’s Schau=Essen 2 did the neon-soaked sound well it landed in our top-15 albums list, and now here comes the latest in the series,…