昨年、当サイトのベストアルバムランキングで２位に選ばせて頂いたサカナクションが、夜の踊り子という新曲をリリースしました。ビデオも公開されていて、それはこの上からご覧になって下さい。ダンサブルなバースに極めてキャッチーなコーラス、という今までと同じスタイルを貫いているのですが、新たな試みとして、女性バックアップ・ボーカルが使われていて、新鮮さも感じられます。ビデオはローディングに時間がかかるのですが…簡単に説明すると、メンバーが日本の伝統衣装を着て富士山付近にいます。
Cool journalistic work on display: I googled “Talking City 1994 SoundCloud” and this song came up! Boom, hire me New York Times. The Osaka outfit (probably, or at least someone associated with them) is responsible for “We Can Ride The Boogie,” which dips into one of the pop music’s finest tracks…Michael Jackson’s “Rock With You”…to…
This isn’t the first time Osaka’s spacey Seiho has produced a track for a hip-hop artist…he also worked with insufferable rap unit LUVRAW & BTB on a track that is best forgotten to time. The end result is a lot better when he teams up with rapper Klooz for “Find You.” Seiho is way less…
Atlanta Girl emerges from the ashes of the band Colorado Coronado, a duo who didn’t release much music during their time together but what did trickle out was pretty absorbing. Their one release Far Away, on netlabel Canata Records, showcases a group who takes their time playing with an idea, clearly influenced by the slow-building…
Part of the thrill of listening to Japanese juke producer Picnic Women’s music is the moment you realize, “holy shit, it’s that song!” Yet this isn’t like when you listened to Girl Talk as a freshman in your dorm, freaking out because Neutral Milk Hotel and Juelz Santana finally came together on a song. Nope,…
東京のデュオ、LLLLの楽曲には良い意味で不穏な空気感が漂っています。セルフ・タイトルのデビューアルバムも、続くシングル”Spider Web/Drafting Still“も、何かが陰に潜んでいるようなスリルを感じさせてくれます。今月リリースされたデュオの最長作品、”Mirror”というミニアルバムでは、目の回るようなサウンドがさらに強調されていて、それでいて今までの作品よりもポップさが増しています。一曲目の”Oddness”のイントロでフィーチャーされているシンセからすでにホラー・映画のような雰囲気が感じられ、後に出てくる音色も、スピード感に変化を与えていたり、曲に深みを足しています。色気のあるボーカルも上手く抜けていますし、曲をキャッチーで聴きやすい物にしています。 次の曲、”I Wish You”は、ボーカルの処理の仕方や、それに絡むダンス・ビート等、構成がスウェーデンのザ・ナイフを彷彿とさせています。このグループもエレクトロ・ポップをダークな新しい物にしているので、共通点が多く見受けられます。”Mirror”に収録されている他の曲も、安定してポップかつキャッチーで、それに加えられたダークさがLLLLの最大の武器かつ個性で、作品に深みを与えています。 Mirror by LLLL
Sapphire Slows’ has a new album out in November called Allegoria, and here’s the first track to come out from that album, “Dry Fruits.” It’s a slinky number, a reminder that she comes from a scene every bit as interested in dance music as they are more shadowy sounds. Just listen to that particularly wet…
Sakanaction, who made this site’s second favorite album of 2011, have a new single and video (above) out now called “Yoru No Odoriko.” The song finds the group continuing to play around with the dance-friendly-verse-explosive-chorus structure they’ve been exploring for a while now, although the addition of female backing vocals is a great sounding touch. The video…which takes forever to load…finds the band clad in traditional Japanese clothes standing near Mt. Fuji.
The sudden arrival of streaming music services in Japan — for a bit it looked like they’d literally never arrive, and now we have like five Spotify-ish ones going right now — has been good, probably, though I’ve realized I’m the sort of person who wasn’t built for the wilds of streaming — give me…
Forget telephones – this sounds like fax machines getting drunk and invading a bounce house. Kyoto whizz-kid MADEGG’s latest upload brings up all the same words I’ve already spat onto this WordPress page before – imagine the word “space” repeated on loop, complete with semi-creepy vocal sample. What’s slightly different here is how buzzing MADEGG’s…
This song, held down by two six-year-old kids and a talking dog, sold more singles than a few AKB48 and Girls’ Generation songs…and neither of those groups had a quiet 2011. This tune went double platinum in ringtone sales, introduced the world to a Macarena-aping dance and now holds the record for longest charting single…released…
Can’t tell if this is self-referential or what, but hey…Waater with a song called “Ocean!” Getting over the cuteness of the name, this splash of their next EP offers one of the most immediately pleasing indie-pop cuts they’ve put together yet. The fuzzy edges remain, but now that noise doesn’t get in the way of…
Not positive who to attribute this gloopy-bass-heavy track to. Takuma is a member of the group Sugar’s Campaign and I arrived at the SoundCloud page featuring “PLUSminus” by going from that group’s MySpace to a Twitter to…well SoundCloud. Yet Takuma seems to be the only one taking credit for this tune? Yeah, not sure, but…