Similar Posts
New Kenie_T: “Stop The World…”
The title implies a desire for inactivity, for everything to just cease for a bit and presumably allow the speaker to get off our lovely little planet. Kenie_T’s latest, though, doesn’t allow much room for thought. Sure, the young producer fits in some very delicate synths on “Stop The World…,” in particularly the fine-china strokes…
New Cloudy Busey: “havUever”
「自分が歌うつもりが無い曲を書くのにいつも罪の意識を感じてる。」と語るのは、Cloud Buseyことボブ・ワイリー。Lights + Musicにて新曲、”havUever”について解説しています。この曲はジャスティン・ビーバーの曲にしてもいいんじゃないか、と言い、もしジャスティンが見つけたなら提供する、との事。確かに”havUever”の輝くようなシンセとビートは、ジャスティンのボーカルが際立つような物になっています。 でもまあ”havUever”にはボブのボーカルが一番しっくりくると思います。ビッグネームのポップ・スターが歌ったらまた違った物になるんじゃないかな。Cloudy Buseyのトラックでもそうですし、特にIce Cream Shoutの”Tattooed Tears“なんかでは、ボブのボーカルは心に触れてくるような、暖かい真心を感じるような物では決してないものの、現実的で冷ややかなその表現は、同じような経験を持つ人から、より大きな共感を得られるでしょう。Cloudy Buseyの新作からも分かる通り、ボブのボーカルはどんどん説得力を増していてます。ジャスティン・ビーバーが歌っても良いのかもしれないけれど、ボブの歌う”havUever”は、独自の美しさで溢れています。
Youth Genius (NOKIES! Solo-Member Project)
関西のロックバンド、NOKIES!がデビューフルアルバム、”Between The Blinks”をFlake Recordsとタワーレコードからリリースしました。Los Campesinos!のようなインディーポップが特徴的な彼等でしたが、今作品では良い意味で幅広い層から好かれそうな雰囲気。タワーレコードからのリリースも違和感なく、これからバンドはどんどんメインストリームなロックバンドとして成長していきそうですが、ボーカルのクメユウスケはそのような方向性とは違ったものをYouth Genius(Youth LagoonとPerfume Geniusの融合みたいな感じかな?)として表現しています。 Soundcloudには、”All of the songs is inspired by peculiar atomosphere created by the streets and youth of Kyoto city,”(京都の若者やストリートが持つ独特な空気感が楽曲に影響を与えている。)と書かれているのですが、その通り京都の若者達は個性的なスタイルを表現していて、Youth Lagoonは少しばかりのエレクトロ要素を持つインディーポップと、跳ねるようなファンクを融合していて、哀愁とワイルドさのバランスを上手く保っています。”Explains”は直球勝負なインディーポップで、センターに配置されたキーボードがとても良い存在感。”Behind You”と”Stay Above The Clouds”は多くの打ち込みが使われていて、今年に国内でリリースされたインディーポップの中でも特に目立っています。そして”We Keep Kissing”はクラブ的アノラックサウンドが、The Brixton Academyが本気を出してダンサブルな楽曲を作ったかのような印象。Youth Geniusみたいなプロジェクトがあることで、NOKIES!の方向性もどんどん進化していきそうですね。
New Sakanaction: “Music”
Sakanaction’s latest single “Music,” due out January 23, finds the group touching on some of their older material. The way lead singer Ichiro Yamaguchi stretches out syllables in the verses brings to mind the single “Endless,” while the late-song surge in emotion resembles another cut from DocumentaLy, “Monochrome Tokyo.” Yet this isn’t the sound of…
If They Are To Bloom: A Canata Records Compilation Featuring Atlanta Girl, Little Ripple, Lake Michigan And More
On the surface level, Canata Records seems like a pretty rigid netlabel sonically. “We believe that freedom is pop,” goes one of the slogans on their Bandcamp page, and a cursory look at the artist names, album and song titles indicate the label deals mostly in twee. Yet what has made them one of the…
Weekend Round-Up: New Tracks From Eadonmm, Hisamokuden-kow, Tofubeats And Guchon
A lot of good stuff came out over the past few days – let’s do a quick round-up of the finest new tracks from across Japan. – Kyoto’s Eadonmm just keeps on creeping on. His latest song is called “If You Melted,” and it gets more sinister from there. It is a rumbling, skeletal song…
New Seiho: “Underwater”
Here’s your Japanese future-pop summer jam of 2012. Seiho’s “Underwater” is another fine swirl of digitally manipulated vocals and wonky electronics, this one with a few clever seasonal touches (watery sounds!). “Underwater” also highlights two of the reasons Seiho has become one of the best young music makers in Japan today. First, his songs are never just excuses to show off what his cool equipment can do. These songs go places and have structures – “Underwater” features this great build towards a bubble-powered release, Seiho adding a dash of tenseness to his music. The other detail is the bass. It sounds so precise but also so funky…so fun…that it could have come from a Zazen Boys’ song. A friend compared it to Seinfeld, but I don’t think it’s quite slap-happy enough, but he’s write about it being laid back. Listen below.
Similar Posts
Make Believe Melodies’ Favorite Japanese Albums Of The Year: 10 – 6
Again, not my art, just clip art, bless it forever. 10. Emerald Four Nothing Can Hurt Me “Nothing can hurt me.” Imagine it as a mantra, a sentence muttered to build confidence in otherwise bleak moments. It’s easy to imagine those four words running through someone’s head while listening to Emerald Four’s album of the…
New Shortcake Collage Tape: “✈Empire≈Beach☼”
Shortcake Collage Tape sounds best when his music seems recorded straight to VHS. New song “✈Empire≈Beach☼” (sorry, no symbols from here on out) resembles the excellent “Polaroid Full Of Kisses” from earlier this year, as SCT filters the whole track through fuzz. It has a tropical vibe to it, “Empire Beach” sounding like it could…
New Fraqsea: “Always With U”
We are waist-deep in year-end season, but let’s peel back from the lists for a second (ours to come next week maybe if I don’t melt into a puddle!) to look at 2016. It’s already shaping up to be an interesting year — that was before Utada Hikaru announced her spring comeback to music —…
Year-End Find: LSD March
Add one more band to the “Japanese groups that apparently made great music in 2009” heap. The appropriately named LSD March churn out glazed over psych-sludge rock that’s bleak and captivating. The fine folks at CMG listed the Himeji band’s Under Milk Wood as the 47th best album of the year, and listening to a…
New Wallflower: “Nowhere”
Note: I’m in Seattle for the next few days, which means posts might be less frequent than usual…especially accounting for the less-than-stellar wi-fi in my room. Despite all the trends present in Japanese indie rock…how quickly scenes appear and vanish, how different non-Japanese acts end up being massive influences for stretches of time (today: Mac…
New World’s End Girlfriend: “Meguri”
World’s End Girlfriend don’t keep things simple. The project’s new song “Meguri” clocks in at nearly ten minutes, and finds Katsuhiko Maeda crafting a dramatic slow burner. The first half is all build — Maeda arranges strings and piano to create a dizzying climb upward, pretty but also a touch unsettling. It’s when the electric…
