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New PARKGOLF: “Kiss Me”
Some jittery goodness coming your way from Sapporo’s PARKGOLF, who has been having a very nice 2013. “Kiss Me” is his latest display of herky-jerky electronic music, a hyperactive blast that opens with handclaps before zipping off into the main part, a disorienting passage anchored by some manipulated vocals singing the titular phrase. The best…
New Masculin: “Manhattan Suicide”
CUZ ME PAINは最近、あまりリリースをせず、ライブやレコーディングに力を入れている感じがします。それともニコラス・ケイジ出演の映画を勉強したりしてるのかな。CUZ ME PAINのプロジェクトMasculinの新曲、”Manhattan Suicide”は、ニコラス・ケイジ主演のデビッド・リンチ映画、ワイルド・アット・ハートの台詞から始まります。2分間シンプルに淡々と流れるグルーブは、リンチ・テイストが他の曲よりは抑えめかも。ワイルド・アット・ハートからの物かは確かじゃないですが、他の台詞とピアノの流れるようなフレーズがリピートされています。そのようなサウンドが楽しい雰囲気を出していて、ツイン・ピークス的か、と言えばそうではないのですが、このような遊び心のあるリリースを聴く事で、CUZ ME PAINから更なるリリースを期待してしまいます。 MANHATTAN SUICIDE by MASCULIN
New Puffyshoes: “Heatwave”
Long time since we heard from Tokyo’s Puffyshoes, and going forward who knows when (….if?) we will hear from them again. So let’s all devote a decent chunk of time to enjoying “Heatwave,” their latest feedback-touched quickie. The highlight here are the vocals, which might be hard to hear, but are so damn catchy it…
Solid Alright: Miu Mau’s “Monochrome”
This just slithers, all icy synths and vocals. Miu Mau are a new-wave trio, and on “Monochrome” they have created a prickly number that’s both catchy and a touch mysterious. It is a relatively sparse song – some leading guitar and synth bouncing, which gives way to just drum and woozy synth notes. This backdrop…
Drink Drank Drunk: Cola Drunk’s Give Me A Coke!
I don’t have particularly high expectations when looking through Bandcamp. There is just so much, and so much not-all-that-good music. Seeing an album called Give Me A Coke! from an artist named Cola Drunk felt like a waste-of-time in the making…is this gonna be a beat tape, or some kid from Omaha’s vaporwave project? Surprise,…
New Tomggg: Popteen
Not quite time to break out the year-end accolade around these parts yet…getting closer…and that’s good, because producer Tomggg just released a new three-song album via Maltine Records. Despite only boasting a trio of new material, Tomggg overloads almost every second of these numbers with sounds. Each song is named after a Japanese fashion magazine…
New Seiho: “Underwater”
Here’s your Japanese future-pop summer jam of 2012. Seiho’s “Underwater” is another fine swirl of digitally manipulated vocals and wonky electronics, this one with a few clever seasonal touches (watery sounds!). “Underwater” also highlights two of the reasons Seiho has become one of the best young music makers in Japan today. First, his songs are never just excuses to show off what his cool equipment can do. These songs go places and have structures – “Underwater” features this great build towards a bubble-powered release, Seiho adding a dash of tenseness to his music. The other detail is the bass. It sounds so precise but also so funky…so fun…that it could have come from a Zazen Boys’ song. A friend compared it to Seinfeld, but I don’t think it’s quite slap-happy enough, but he’s write about it being laid back. Listen below.
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The Let’s Go’s
Oh garage rock, never go out of style. Japan’s The Let’s Go’s do what a ton of other bands armed with guitars and cheap recording equipment do – make irreverent Nuggets era rock ‘n’ roll. No major musical push forward, but The Let’s Go’s make great, shimmy-worthy cuts. “Dance Number” stands out as some sort…
Mixjam Teams With LANCHR For W – Western Japan Compilation Featuring Native Rapper, Black Lolita And More
Kansai’s music scene has witnessed all sorts of significant changes over the last decade, from the re-implementation of the fueiho laws to their subsequent phasing out a couple years ago, to the migration of many artists from Osaka to Tokyo because…well, trends in living. Yet the W – Western Japan Compilation made between rave-born label…
New Schloder: “Electro Words”
[youtube=”http://www.youtube.com/watch?v=AYfB2cXdJGg”] For a preview clocking in at under two-minutes, Schloder sure manage to wring a whole lot out of “Electro Words” in an extremely short amount of time. This jumps from Queen-aping stadium-rock (the vocals) to U2 life affirming guitar workouts to an overly giddy chorus you’d expect from any number of young Japanese-based indie…
New Miii: Rabbitbass EP
Something called Rabbitbass…and blessed with album art like the above…can’t possibly be an aggressive blend of electronic-music styles that slaps the listener around like a particularly sassy, sugared-upped toddler, can it? Well, by posing that question you probably know where I’m going with this…Miii’s Rabbitbass EP does the above, with the attention-span of a typical…
Branching Off Into Shadows: Sapphire Slows
I wouldn’t blame you if your first reaction to hearing the music of Sapphire Slows was rushing over to the CUZ ME PAIN web page and trying to guess which artist decided they needed another identity to record bedroom music under. Though it wouldn’t be an easy guessing game – this stuff jumps between the…
New Kamisama Club: “Mamono”
“Mamono,” the latest from wonky pop duo Kamisama Club, does something all of their previous work has done, but in a much clearer way. All the ingredients of this songs feel slightly off if not downright cartoonish — electronics squiggle off in the background, random percussion bangs off back here too, and even the moment…
