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New Salyu X Salyu: “Jibunngainai” Live In Studio
Another week comes to a close and – confession – this one was a super-busy one around these parts. So much good stuff came out…tough to keep up! Anyway, one thing that sorta slipped by was this live version of a new Salyu X Salyu song, so let’s savor it over the weekend. Remember when…
New i-fls: “Ambiguous Reply”
Tokyo Garageband producer i-fls works best in album form, his faded memory jingles sounding best when they rub up against one another to create a well-rounded portrait of what youth, nostalgia and the suburbs feel like. Individual tracks usually sound perfectly fine, but their full impact is felt when they run together. “Ambiguous Reply” would…
New Kindan No Tasuketsu: “Manatsu No Boyfriend”
J-Pop doesn’t need to be torn down and built back up. There are lots of bad projects selling lots of albums – this week, Kanjani8 moved more than 200,000 copies of a song, making it the highest-selling single of 2014 thus far – but plenty of great stuff appears on the charts too…and even just…
Sound Of The City: YYSHIDD
シティ・ポップスは、日本経済がピークを迎えたバブルの頃に盛り上がったジャンルですが、数年前から復活の兆しを見せています。ジャパンタイムズでこの流行について取り上げられています。Things That Fadeをリリースしたデュオ、Greeen Linezを中心として書かれてるのですが、彼等の音はまるで銀座のホテルでくつろいでいるような気分にさせてくれます。最近注目している他のシティ・ポップスアーティストといえば海老名のYYSHIDDです。SoundCloudのプロフィールには、“Japanese composer/student” (日本の作曲家/学生)と紹介されています。彼の“Naomi’s Love Affair”という曲では、シティ・ポップスの醍醐味が全て取り入れられています。シンセやベース、そしてトロピカルな雰囲気を持つパーカッションが、仕事の後のリラックスタイムのような空気感を表現しています。夏の暑さを和らげてくれるようなスムーズなボーカルも印象的です。 だからといってYYSHIDDはシティ・ポップスに留まろうとしている訳ではありません。Greeen Linezのように、他のジャンルからの影響も積極的に取り入れられています。例えば、“Potato”では涼しく心地良い楽曲の上にラップがサンプルされています。視聴は以下から。
Drink Drank Drunk: Cola Drunk’s Give Me A Coke!
I don’t have particularly high expectations when looking through Bandcamp. There is just so much, and so much not-all-that-good music. Seeing an album called Give Me A Coke! from an artist named Cola Drunk felt like a waste-of-time in the making…is this gonna be a beat tape, or some kid from Omaha’s vaporwave project? Surprise,…
New Kindan No Tasuketsu: “Tonight, Tonight”
Kindan No Tasuketsu has a new album out this month, and although our interest was peaked from the announcement alone, it is now even higher thanks to “Tonight, Tonight.” Nothing at all like The Smashing Pumpkins’ song, this is a throbbing bit of electro-pop, unreletning save for a very very brief break late in the…
New Seiho: “Underwater”
Here’s your Japanese future-pop summer jam of 2012. Seiho’s “Underwater” is another fine swirl of digitally manipulated vocals and wonky electronics, this one with a few clever seasonal touches (watery sounds!). “Underwater” also highlights two of the reasons Seiho has become one of the best young music makers in Japan today. First, his songs are never just excuses to show off what his cool equipment can do. These songs go places and have structures – “Underwater” features this great build towards a bubble-powered release, Seiho adding a dash of tenseness to his music. The other detail is the bass. It sounds so precise but also so funky…so fun…that it could have come from a Zazen Boys’ song. A friend compared it to Seinfeld, but I don’t think it’s quite slap-happy enough, but he’s write about it being laid back. Listen below.
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And Now For Something Completely Different: Sumire Uesaka’s “Pop Team Epic”
If I have one huge glaring weakness when it comes to covering Japanese music and pop culture, it’s the fact I don’t watch much anime. I’d like to blame this on a lack of time, but that would be a lie — I managed to watch Paddington for the second time ever last night. I…
Slow It Down A Touch: Hylen’s Suiren EP
The title track to producer Hylen’s latest EP, via Omoide Label, is a solid enough bit of energetic dance music. “Suiren” features helium-injected vocal samples, splashes of both traditional Japanese instrumentation and Lil John samples, and a general no-hesitation rush forward. It is solid, but b-side wins the day, as the real highlight and the…
Electronic Sunday: New Releases From Daiki Hayakawa And Mavis Bacon
As the new week prepares to start up, here are two releases from a pair of Japan’s best netlabels going at the moment. Fukuoka’s Yesterday Once More initially grabbed attention for more body-thumping releases, but have been getting a bit more laid back with their latest releases. Producer Daiki Hayakawa’s Daydream Nation is a heady…
New (But Actually Old) Madegg: Drowsy Numbness (2012-2013)
Drowsy Numbness (2012-2013) by Madegg From about late 2011 to mid 2013, the Kansai region boasted Japan’s best electronic music scene…and probably the best, period, in the entire country. That might still be true…but back then, things felt really exciting, with artists such as Seiho, Avec Avec and Metome…among others…starting to catch attention. Madegg, then…
Soaking In: Kei Sato’s “More Than Anything”
Via Progressive Form, electronic artist Kei Sato recently released a new album called Wherever Waterfall, and the recently shared “More Than Anything” is a great gateway into the absorbing electronic sounds of his latest. It isn’t pure chill-out material — Sato inserts a dramatic build and plenty of electro-flair to keep this one moving, but…
New Shugo Tokumaru Videos: “Lahaha” And “Tracking Elevator”
Not to downplay the coolness of new Shugo Tokumaru music videos, but the most exciting news out of the twee-whirlwind’s universe recently is that his excellent new LP Port Entropy will be released in North America and Europe on October 18. Coincidentally, that’s about the same time the current number one movie in America The…
