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Ano(t)raks Release New Compilation Upwards And Onwards, Featuring Post Modern Team, Canopies And Drapes, JAM The MOD And So Many More
There are a few new few twists to be found over at Ano(t)raks, the online label specializing in Japanese indie-pop. The Upwards And Onwards EP, the follow-up compilation to last year’s excellent Soon collection, features sounds just outside of the collective’s usual twee leanings. Tokyo’s Canopies And Drapes shows up with her bouncy, Night On…
New tofubeats: “No.1” Featuring G.RINA
I’m not going to make any sort of “best of 2013…so far!” list because let’s just wait until December comes along and we can see what really stuck (plus, I took part in this). Kobe-born producer tofubeats’ Lost Decade, though, will probably appear somewhere on that list, because it’s a heck of an album, a…
New Fraqsea: “Trippin'”
Thanksgiving is almost over here, but we are going to go on vacation for the weekend. Before we leave, here is a new video from Fraqsea, for teh song “Trippin.’” Watch above, and have a great holiday/rest of your week.
Jesse Ruins’ Nobuyuki Sakuma Makes Soundtrack To Isabelle: Isabelle X
I have never seen the film Isabelle, and am not even sure if this is the film Nobuyuki Sakuma is referring to with his Isabelle X project. Here’s a trailer…seems like it could be! Sakuma has gone and created an “imaginary soundtrack” to the film, and even at 22 minutes it is a disorienting listen….
New i-fls: Diary Of Spectre
Memories are imperfect things. That’s something home-recording artist i-fls understands so well, especially on his latest collection Diary Of Spectre. We like to treat nostalgia as something warm, something that gets stirred up in us and reminds us of simpler times. Yet that’s just the stuff of movies – nostalgia, once treated as a disease,…
Japanese Music Round-Up Post: Cold Name, Pop-Office And Miii
So much stuff came out while we were on vacation, we’ve decided to just do a quick catch-up post highlighting some of the best stuff that appeared. Away we go! Jesse Ruins’ side-project Cold Name dropped two new cuts late last week, and they continue fleshing out Cold Name’s unsettling sound. “Intent To Kill” and…
New Seiho: “Underwater”
Here’s your Japanese future-pop summer jam of 2012. Seiho’s “Underwater” is another fine swirl of digitally manipulated vocals and wonky electronics, this one with a few clever seasonal touches (watery sounds!). “Underwater” also highlights two of the reasons Seiho has become one of the best young music makers in Japan today. First, his songs are never just excuses to show off what his cool equipment can do. These songs go places and have structures – “Underwater” features this great build towards a bubble-powered release, Seiho adding a dash of tenseness to his music. The other detail is the bass. It sounds so precise but also so funky…so fun…that it could have come from a Zazen Boys’ song. A friend compared it to Seinfeld, but I don’t think it’s quite slap-happy enough, but he’s write about it being laid back. Listen below.
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Personal Punch: TACOBONDS “BPM4”
[youtube=”http://www.youtube.com/watch?v=KflT2ugLWjQ”] Not to turn this into an oversharing Tumblr, but goodness gracious did I personally need a song like “BPM4” in my life. This is metallic repetition transformed into relentless brutality, military drumming backing up steely guitar darts. When TACOBONDS’ vocals creep in everything becomes even sharper, escalating into a stinging missile of music that…
Make Believe Melodies’ Top 50 Japanese Songs Of 2010: 20-11
20. Your Gold, My Pink “Adolescence” Back in May I saw Your Gold, My Pink play the Nara Street Style Music Festival, going into their late-day set absolutely jazzed to see what they could do live. An hour later I wanted to hightail it to the McDonald’s across the street to drown my disappointment in…
New Emamouse: “Floating Wide Luffa”
The smallest alteration can create a significant ripple in Emamouse’s world. Much of the sonic architecture found on Floating Wide Luffa feels familiar — synthesizer melodies stumble about on songs such as “Matsuri No Yoko No Ie” and “Fusen No Makoto,” while Emamouse’s own vocals still sound as wonderfully wonky as ever, especially when sampled…
Gloomy Day Beats: Hiroto Kudo’s Irises
The weather — which dictates the sort of music I choose to listen to more than I’d like to admit — is pretty gloomy today. It stopped raining, but the sky is still grey in an smudged way that makes the idea of going outside seem ridiculous (also knowing it is probably stupid humid doesn’t…
Stuff We Missed 2012: CRZKNY And Atomic Bomb Compilation
2012年12月16日、日本の現状を一変させる可能性のある重要な選挙が行われます。もちろん大きな話題になっていますよね。しかし、それとは裏腹に、ポリティカルな音楽はあまり聴かなかったような気がします。原発に関する問題は未だに議論されていますし、大勢の人が”No Nukes!”というサインを掲げてデモに参加していましたが、抗議の音楽はごくわずかしかリリースされなかったのではないでしょうか。そのような中で、Goth-Tradの”New Epoch”は福島の問題に関しての憤りを表現していて、音楽を通して意思表明をした貴重な作品のうちの一つと言えるでしょう。しかしもう一人のダンス・ミュージックプロデューサーも、今年一番とも言えるほどアンチ・原発な作品を発表しています。 広島のCRZKNYは主にjukeやfootworkといったジャンルの音楽を通して原発について問題提示しています。”I HATE JAPANESE NUCLEAR MAFIA” とは彼のBandcampに記された強いメッセージ。無料で提供されている彼の数々のEPにも同じく強い気持ちが込められています。サンプルが多く散りばめられた”Struggle Without End”は、Casetteboyに似たスタイルなものの、日本の政治家や福島関連のニュースからのサウンドバイトやサウスパークからのサンプリングも使った”FUCK JAP GENPATSUはかなり強烈です。このEPのほとんどがこのような内容なのですが、下に敷かれた楽曲もさらなる奇妙さを足しています。ファンキーかつ不気味な”Radiation”ではボーカルサンプルが奇妙かつ不自然に加工されていて要注目です。CRZKNYが8月にリリースした”ABC EP (Atomic Bomb Code)”ではサンプルよりも楽曲重視に。1曲目の”1102″は今年聴いた曲の中でも圧倒的に気味の悪い曲。不穏な電子音の上で奏でられる風鈴は、まるで荒廃した場所の記憶のよう。”The World Five Minutes From Now”と”Statement”は早めの曲で、Juke特有のユニークは陰に潜み、激しく、かつ混沌としています。”ABC EP”はGoth-Tradが”New Epoch”で表現した事に、より緊急性を加えたような作品。Goth-Tradは”Departure”、CRZKNYは”Escape”という曲を持ち、共通の論点も聴く事ができるのではないのでしょうか。ダウンロードはこちらから。 “ABC EP”に収録されている楽曲は、”Atomic Bomb Compilation”という、8月にリリースされた長崎と広島についてのjukeコンピレーションにも収録されています。このコンピの曲の多くは不快さや恐怖を表現していて、あまり聴く事の出来ない、jukeの面白い可能性を追求しています。他の曲はよりアンビエントなものの、核燃料が引き起こす狂ったパラノイアのような雰囲気。日本の現状は決して上手くいっていないのに何故アーティスト達は対抗しないのか?と疑問に思っていたのですが、かなりの数が存在する事を知りました。それも一カ所に。ダウンロードはこちらから。
New Shigge: “Trapa”
Even Shigge at a more relaxed pace turns wonky really fast. New single “Trapa” finds the Fukuoka producer leaning towards warmer climes, and the opening passage of this song goes all in on piano twinkles and bongo hits, followed by slightly warped (but hardly jarring) vocal samples. So far, so chill. But then everything gets…
