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Make Believe Melodies’ Favorite 2017 Japanese Albums: #30 – #21
#30 She Talks Silence Sorry, I Am Not She Talks Silence started as a solo project plucking away in the shadows, before becoming a duo moving ever-so-slightly forward, before this year returning once again as just Minami Yamaguchi, somehow taking a bigger step forward but also becoming harder to hear. Sorry, I Am Not is…
AAPS
Our look at the Good On The Dancefloor collective marches on today with the slipperiest in regards to genre labeling, AAPS. The only constant running through the three tracks up on their MySpace is “noisy.” “To Pieces” takes a modern rock guitar riff and submerges it in distortion to give it a much more sinister…
New Half Mile Beach Group: “Twilight”
Zushi’s Half Mile Beach Group left a deep impression with the windswept “Yankee” last month, and now they are triggering fuzzy memories with “Twilight.” Like “Yankee,” the outfit get a lot of mileage out of slightly manipulated vocals, as the singing here sounds buzzy and possibly coming from behind a layer of cheesecloth. It’s breezy…
New Daichi Miura “Excite” And Dotama “Honne”
Trekkie Trax had a pretty big 2016, the high-charged netlabel gaining more and more visibility across the board with their take on contemporary electronic styles. Now, it seems like more established names are taking notice. In the same way that Maltine Records — the community-building online entity that came up the generation prior) — and…
Solitary Skitter: MMEEGG And Abelest’s Lonly You
Acting surprised that a label describing itself as “a platform for free expression” released a skittery pop song seems silly, considering they can do whatever they want. Free expression! But still, up until Midnight Cult has primarily leaned towards darker juke collections, including a set from Traxman and a 2017 highlight via Weezy. “Lonly You”…
Nite Jewel Remixes Cuushe’s “Shadow”
This blog has been singing the praises of Cuushe for a while…whether in her solo state or working under the Neon Cloud name…so you probably don’t need more sentences here gushing about one of Japan’s best dream-pop makers going (hmmmm, lot of praise in that sentence, already too late). Well, here’s a reminder that her…