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Heartland Daze: CeeeSTee’s Toe / Chimney Up Bow

Building off a yesterday’s celebration of a nascent label, let’s turn our eyes to Kyoto’s NC4K. They’ve become a hub for some of Kansai’s more intriguing dance acts, having released highlights from Paperkraft and Stones Tarro. Now comes a two track set from CeeeSTee that pushes into delirious acid. Both “Toe” and “Chimney Up Bow” sound a touch faded, but the acid house touches add a sharpness and physicality to these songs that raises them above pure meditation (and which give them a real swing, like how “Chimney Up Bow” just loses itself as it keeps building and building). It’s another new side to NC4K, even if the main point is to remind that Kansai remains on top of the electronic game. Get it here, or listen below.

New Tenma Tenma: “Rehearsal”

While still quite young, Local Visions has stood out among Japan-based labels in 2018 thanks to one of my personal favorite mish-mashes of recent times. They dabble in the same sound and (sigh) aesthetic of internet niche genres such as vaporwave or future funk, but owing to the fact the bulk of artists thus far to release through them are Japanese, they add some welcome confusion to styles often finding non-Japanese artists pretending to be Japanese for appearances. But now everything gets mixed up, and besides some fun confusion Local Visions’ music offers a new perspective on digital-age sounds. See the charming elevator sounds of E-Muzak or the shimmering midnight delight of Crystal Cola’s L8 Nite TV.

Tenma Tenma’s “Rehearsal” serves as another curveball from the label. After several relatively laid-back offerings, “Rehearsal” jitters along like a bad TV connection. The beat features plenty of bright touches, but it also ripples and twists frequently, giving the song a dizzy feeling that only intensifies when Tenma’s own singing comes in. Digitally manipulated, it moves up and down in pitch and helps disorient the song further. But all of that unstable movement just makes the song more fun, the whole thing feeling like a tipsy dream. It’s another side to a label to keep close tabs on. Get it here, or listen below.

New Goto Nao Featuring Kakoi Nizimine: Yume Ni Ochiru

Goto Nao has shown their skill with the UTAU Kakoi Nizimine before, and on “Yumne Ni Ochiru” they only further show how singing-synthesizer technology can create something otherworldy. Their latest moves between dreamy passages that make the most of the digital vapor trail coming off of Kakoi’s voice, building up to a more rumbling release peppered with EDM details. And this release gets rounded out by two strong remixes, one courtesy of MSS Sound System and the other from Gaburyu. Get it here, or listen below.

New tofubeats: “Run”

Going “off the grid” — which, in 2018, means going somewhere with unreliable wi-fi and distracting yourself with a lot of time-sensitive work — can be great in a lot of ways, but boy is the return to the real world jarring. I spent the last five days at the Fuji Rock Festival, and couldn’t really keep up with…anything during that time. While not as pressing a concern as I come back to a daily routine — that would be being behind on work, sorry all my editors — the feeling of trying to catch up on everything that came out in Japanese music these past few days feels particularly daunting Tuesday morning. But one release rose above while out in the wilds of Niigata. That would be tofubeat’s new song “Run.”

The balancing act tofubeats has always performed is being a producer and being a performer in the spotlight. He’s navigated that tightrope well thus far, though last year’s Fantasy Club saw him edging back towards the center. And his 2018 output has only underlined that more. “Run” gives tofubeats space to step into a rap role that he’s long fancied in his career, and the end result is one of the giddier raps he has made, moving beyond the self-doubt found on last year’s album but also being a bit more serious than freebies like “Drum Machine.” “Run” also avoids the typical Japanese hip-hop pitfall of trying too hard to sound like an American artist, opting for something a bit more in tofubeat’s own lane thanks to the digi-pizzicato and general bounce. Plus, at just under two minutes, it wastes no time. Listen above.

MATSUANDTAKE Teams Up With Imai For My Life, Out There

This weekend is Fuji Rock Festival 2018, and I’m heading up to the mountains today! So this is more of a housekeeping post that updates might be sparse over the next few days. To tide you over, this new release from Maltine Records should hold you over, as it brings together two good producers (plus some solid remixes) for an energetic set. Get it here, or listen above.