Make Believe Melodies’ Favorite 2019 Japanese Albums: #20 – #11

Make Believe Melodies’ Favorite 2019 Japanese Albums: #20 – #11

#20 Chelmico Fishing Take a moment to appreciate how timing really is everything, and how many artists could have shot down a different path entirely if you wind the clocks back or forward just one year. It’s not hard to picture a reality where Chelmico are closer to idols like Lyrical School or Rhymeberry if…

Make Believe Melodies’ Favorite 2018 Japanese Albums: #10 – #01

Make Believe Melodies’ Favorite 2018 Japanese Albums: #10 – #01

#10 Suiyoubi No Campanella (Wednesday Campanella) Galapagos I shouldn’t be surprised by anything KOM_I of Suiyoubi No Campanella does, yet back in the early days of summer I watched slack-jawed as she left the stage at a quaint venue near Mt. Fuji and wandered into a field that had been set on fire sometime during…

Suiyoubi No Campanella Teams Up With Chvrches For “Out Of My Head”

Link for video viewable outside of Japan here Well here’s an unlikely collaboration. Chvrches capped off a recent swing through Japan for the Fuji Rock Festival by sharing a new song featuring…Suiyoubi No Campanella (I mean…just KOM_I? Kenmochi Hidefumi involved, because it sure sounds like Chvrches). Hey, now that’s a nice profile raiser. The song…

New Suiyoubi No Campanella (Wednesday Campanella) And Moodoïd: “Matryoshka”

New Suiyoubi No Campanella (Wednesday Campanella) And Moodoïd: “Matryoshka”

“Matryoshka” features the most jarring moment yet in Suiyoubi No Campanella’s career to date. It comes early, when a voice that isn’t KOM_I’s enters, stage right. It comes courtesy of Pablo Padovani of French group Moodoïd (and…I didn’t know this until the video dropped…was part of Melody’s Echo Chamber). But it could have been Hatsune…

Make Believe Melodies’ Favorite Japanese Albums 2017: #10 – #01

Make Believe Melodies’ Favorite Japanese Albums 2017: #10 – #01

#10 Ame To Kanmuri Nou Welcome to the top ten, where a common thread emerges in the releases Make Believe Melodies loved the most. This year was defined by artists who have been around for a while now hitting the sweet spot of their respective sounds, along with performers who crafted their own little fully-realized…