Virtual Idols: Maltine And Tokyo Girls’ Style Team Up For Original Material, Featuring Avec Avec, Fazerock, Gigandect And More

Idol-pop and the Internet are made for one another. The former deals in fantasy and blurred lines, of selling people a very lifelike dream. The web, meanwhile, is the perfect place for an artist to drop into and create a new…well, anything. The two have been slowly merging over the last few years, and that process has accelerated this year, as more and more producers who have been staples in the Japanese netlabel scene start making music for groups of teenage pop stars. Maltine Records leaped out last year when they got some of their biggest names to remix tracks from Tokyo Girls’ Style. And now they’ve made a huge leap forward as an imprint and in pushing the online-music community of Japan forward with the Maltine Girls Wave project, launched yesterday. What this ultimately entails isn’t clear yet – a CD for sure, and presumably a DVD, though Maltine’s design favors random splashes like an old Windows’ logo – but the first preview of this project comes via five original songs, finding some of Japan’s best young producers teaming up with individual members of Tokyo Girls’ Style to make original tracks.

It is a strong starting line-up. Osaka’s Avec Avec brings his tipsy candy-coated approach to “Day By Day,” featuring Yuri from Tokyo Girls’ Style. Avec Avec has proven over the past year and a half that his aural taffy sounds great when accompanied by a vocalist, and he tailors this song to match up with Yuri’s smooth singing, resulting in a gummy dream of a track. Chiptuner Gigandect brings his cascading bleeps and bloops to a song featuring a bouncy vocal courtesy of Mei Shoji (with best title – “Kawaii Rave”). Banvox and Dancingthruthenights provide propulsive beats, the prior more dramatic and the latter more in the mood to party. The best track here comes from the usually chaotic Fazerock, on the Ayano Konishi featuring “Spica.” No wubs or drops here, as he just crafts a lovely, spacious backdrop for a solid ballad (and rap). Listen to all the songs here, and stay tuned for more notes from this project.

Similar Posts

  • The Best Time Of The Year: NUBACK’s Goodbye Summer, Again EP

    Ahhhhhh, people flocking to beaches, cicadas chirping off in the trees, Twitter folk whining about the heat. Summer is here! And, soon enough, it will be gone. After a few years where a lot of Japanese acts (and, honestly, a bunch of groups from around the world) tried to capture an endless summer through music,…

  • New De De Mouse: “Floats And Falls”

    “Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。 “Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。