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New Tamana Ramen: “Yawarakai”
The success of “Yawarakai” isn’t so much in the fact rapper Tamana Ramen sounds sadder or downtrodden, but rather how the music backing her up allows her to play around with the mood. Moving in the same direction as many of her peers in a new Japanese rap community, Tamana Ramen embraces guitar playing better…
New Foodman: “Nanika”
I often feel an exciting rush of confusion when listening to Foodman’s music. How can those sounds be turned into that!? How did he make that noise?! What’s going on???? Given the whirlwind and wonky nature of the Yokohama-based artist’s creations, it’s a fair reaction, but sometimes the sheer WTF-ery happening across a song blurs…
New YTAMO: Mad & Sad
Mad & Sad is a brief wrangling with emotions, and of getting out the bad ones. “In 2016,i was lost in sadness and i called the feeling ‘mad sad.’ I need to create something for my brighter future,” YTAMO writes alongside this three-song therapy session. And it is at its best when really wrestling with…
Polyphonic Parachute: “Smile”
This sounds like how a six-year-old kid imagines Christmas morning to be. It whizzes around, hopped up on innocent wonder and the marshmallow bits from Lucky Charms. It would be even better if the kid in question was a young Cornelius or Shugo Tokumaru. Yet they aren’t the ones responsible for this sugar high –…
YULO: “Yes”
Plenty of bands all over Japan try to mimic the Brit-rock sound that dominated the entirety of the Oughts and still sorta do. It’s a very vague style, probably best summed up as “trying to sound like that first Bloc Party album” featuring mainly guitars, though a few brave souls dragged synths into the mix…
New Firedrill: Dog House EP
The newest from Datafruits founder Tony Miller’s Firedrill starts off by going all in. “Aho House” ramps up the acid house elements from the start, but rather than settle down it keeps on stacking up, the song growing busier and scragglier as it moves along. But the groove remains, even as it Jengas itself up…
