Local Visions Presents Mega Drive Featuring Pasocom Music Club, i-fls And Many Morey

Mega Drive takes a lot of expectations and flips them around. The compilation serves as fledgling label Local Visions’ first release, and gathers artists from Japan and abroad together to dabble primarily in styles that would be seen as niche genre by most — and with arguably the main sounds being touched on across Mega Drive being pretty internet centric. But the jumble of artists here makes for the most interesting perspectives. Vaporwave signifiers appear frequently, and tracks such as Cat System Corp’s “iColluseum YamaDew” (it’s a pun!) opt for the laziest form of that sound, slowing some forgotten Japanese number down and…hit upload. Yet other artists — many actually from Japan — hit on something different, or even strange. Toyohirakumin manages something more dramatic on their contribution, while Pasocom Music Club manage a different kind of exotica on the jaunty synth number “Jogae,” stylized in Hangul and featuring Korean vocal samples. Boogie Idol slows things down on the dusk-ready “Compass Point,” while i-fls conjures up emotional elevator music on “Eventide Blue.” There’s a lot going on here — I could write a post entirely about the album standout courtesy of AOTQ, a breezy slow burner that just makes me want to rent a car and drive along the coast — and offers a nice rounded perspective on a lot of now-familiar ideas. Get it here, or listen below.

Similar Posts

  • New Native Rapper: Trip

    We’re firmly in a post-netlabel world. Everything is “internet music” now, and the idea of online as a potential alternative to existing lanes of music has vanished as major players crowd up what seemed like new alternatives. Sure, corners remain for artists to develop their own world, but they are getting blotted out by the…

  • Perfect Touch Closes Out The Week With The Very Welcome Peace Of Mind: A Compilation Of Calming

    Well this is definitely welcome. Osaka label Perfect Touch shared a soothing collection of songs from producers hailing from all over the place, and the title really does just sum it up — Peace Of Mind: A Compilation Of Calming. It is near-ambient music, all fizzes and space, with very few moments that pull you…

  • | |

    Review: Perfume’s “Spring Of Life/Communication”

    “Spring Of Life,” Perfume’s 20th single and first for Universal Music Japan, sold 49,448 copies on the day of its debut, giving the techno-pop trio their highest first-day sales ever. The song also saw digital release in 50 countries, and coinciding with “Spring Of Life’s” release, Universal gave Perfume their very own label, Perfume Records….

  • Pleasant Surprises: Lil’ Yukichi’s Ghetto Pop Idol

    私はちょっとした理由からJ-Popのリミックスにはあまり興味を持てません。というのも、本来のJ-Popのままで十分なのでリミックスは必要ないからです。あと、J-Popがジャンルとして劣っていると示唆していたり、それを直接的に伝えていたりするから、というのもありますね。中にはチョップド&スクリュードやテクノ・リミックスやらなんやらをしないと楽しめない音楽だと思ってる人もいるのでは? でも最近Ghetto Pop Idol を聴いた時は驚きました。この5曲入りの作品ではLil’諭吉というアーティストが、有名なJ-Popの曲をヒップホップ・ビートで奏でています。嬉しい事に、私の好きなきゃりーぱみゅぱみゅとPerfumeが使われています。これにはついつい惹かれてしまいました。ただ、それだけじゃないんですよ!きゃりーのキラキラしたトラック”ぎりぎりセーフ”も、Lil’諭吉が切り刻んで手を加えれば幻想的なビートに一新。他のプロデューサー達が単にテンポを遅くして満足しているのとは訳が違い、原曲の良さを残したまま新しいものを作り上げています。彼がリミックスした“Plastic Smile”も個性的。Perfumeのボーカルを1秒程の長さにカットして、それを上に重ねたり、連続させたり。更なる目玉はAira Mitsukiの”ニーハイガール”のリミックスなのですが、オリジナルに使われている多すぎる電子音を強調してみたり、逆にメローにしてみたりして、曲の中に強弱を付け、上手く展開させています。これがJ-Popの本当のリミックスの仕方です。試聴はこちらから。