数年前に東京のGive Me Walletsを初めて聴いた時、踊る為の音楽というよりは、じっくり聞き込みたい、マスロック的な音楽だと感じました。マイスペースにあげられていた曲はフォールズを彷彿とさせ、好みではあったものの、ダンスフロアには適さないような気がしていました。
なので、Give Me Walletsにはよりダンサブルに、そしてエモーショナルになってくれるように期待していました。彼らの新曲、”Look After You”は、８０年代風シンセやビートで彩られ、まるで当時の曲のようでした。
また、”Look After You”のボーカルは、歌詞は聞き取りにくいものの、The Brixton Academyのように、感情的かつ情熱的でした。”Look After You”を含む、SoundCloudにあげられているGive Me Walletsの新曲は、バンドが良い方向性を見つけた事を証明しています。視聴は以下から。
The duo Soft As Snow But Warm Inside called it quits over the weekend. The pair, who have been around since July 2012, announced it on a Tumblr blog post. They didn’t release much music during their existence – two EPs and a track via Ano(t)raks – but what they did put out was very…
ブロステップ、そしてもっと広い定義で言うとダブステップは、アメリカを含む多くの国でメインストリームになってきています。SPINやRolling Stoneといった雑誌では、このダンスミュージックにおける新たな流れについて多く取り上げています。また、The Electric Daisy Carnival のようなフェスも、膨大な動員数を誇っています。デッドマウスやスクリレックス、そしてベースネクター等、多くのダブステップアーティストがトップクラスのアクトになってきていて、好きでも嫌いでも、今最も注目すべきムーブメントだというのは認めざるを得ないでしょう。 日本でも最近になってシーンが出来てきたみたいです。Inorgの”Sleep”なんかがスクリレックスのようなブロステップの日本人的解釈と言えるのではないでしょうか。曲はロックファンならおなじみの、レディオヘッドの”Fitter Happier”からのサンプルで始まります。明確な芯がありつつも、いわゆる”ダブステップ”とは違い、ソフトな空気感を持っていて、ドロップが来ても柔らかいので、ジャンルの持つ偏見みたいな物を取っ払うような斬新サウンドになっています。 色々なエレクトロ・ジャンルで実験をする東京のMiiiは、最近のリリース、”Tokyo War Trap”で、ブロステップに挑戦しています。でも面白いひねりが加えられていて、例えばタイトル・トラックでは、ブロステップと同じくらいレゲエからの影響が感じられます。”Heat Off The Floor”は、Zombyとかがやりそうな、ダブステップ愛を避けるようなトラック。でも”Anti Virus Anti”なんかが特にそうなのですが、低音重視の流れを意識しているのは明確です。ダウンロードはこちらから、視聴は以下から。 Tokyo War Trap EP by Miii もし強烈なのが聴きたいのであれば、Fazerockの”Attempted Suicide”というEPを紹介します。顔面をぶん殴るような力強いドロップと、面と向かって怒鳴ってくるようなラップがフィーチャーされています。気になる方は是非お聴きあれ。 ATTEMPTED SUICIDE by fazerock
Another day, another electronic music comp combining familiar faces with new ones, so let’s just run through this quick, yeah? The old: mus.hiba and his Vocaloid partner in art Sekka Yufu contribute “Hitori,” another slow-moving stunner in a song catalog that’s starting to overflow with great work. It’s one of his most glacial numbers yet,…
Here is White Wear at his most stripped down to date, and quite possibly the most minimalist any track to emerge from the shadows of CUZ ME PAIN has ever been. “White Six Strings” is White Wear armed with only a guitar…and save for a few edits here and there (a hiccup at the start,…
Osaka’s Metome continues his 2013 hot streak, and now he’s hooking up with some outside-Japan forces to take it all even further. He’s released a new song, “Time After Time,” on S Y Z Y G Y, a label that seems like a good fit for Metome’s color-rush of music. “Time After Time” is one…
It took some time, but Nagoya’s House Of Tapes has been starting to push himself into more interesting sonic directions as of late. The project started out as a noisy thing taking conventional dance-music structures and seeing just how heavy he could make his take on floor-filling stuff. This meant a lot of four-on-the-floor beats…
When I first listened to Tokyo’s Give Me Wallets almost a year ago, their music was more math-rock than dancey. The songs featured on their MySpace page reminded me of the precision-minded rock of a band like Foals, which was good but also not particularly tailored for the dance floor (well, maybe a really awkward one). Jump ahead a few months, though, and Give Me Wallets seem to have become a bit more dance friendly…and also a bit more willing to let down their emotional guard. Their new song “Look After You” brings to mind fellow Tokyo group The Brixton Academy, as it is full of ’80s-evoking synth and a club-minded beat, the entire track sounding like it could have come out 25 years ago. Also like The Brixton Academy, “Look After You” finds Give Me Wallets evoking emotion through the pitch of their vocals. You don’t even need to hear what they are specifically saying to pick up on the longing in the lead singer’s voice. Along with other recent uploads to the group’s SoundCloud page, “Look After You” finds Give Me Wallets moving in a nice sonic direction. Listen below.
After a series of ’80s-tinged songs released as singles, synth-pop revivalists Satellite Young have released an eponymous album. Springing off of recent posts touching on various shades of backwards-appreciating music, Satellite Young is unabashedly…and gleefully!…channeling Bubble era pop, loading it up with neon synthesizer and the type of singing that would make the golden age…
If one were to plot the sonic trajectory of Kai Takahashi on a big chart, he would be forever moving towards turning into pure Weather Channel soundtrack. He hasn’t reached that point yet, though, but he’s been getting smoother and smoother with each release…even his remixes of Parisian pop bands were smooth as heck. After…
De De Mouse always knows how to brighten up a mood. He played this weekend’s Ultra Japan 2017 festival, and his set was such a joyful blast of chopped-up syllables and keyboard twinklings. A fair amount of said performance featured cuts from the recently released Via Alpha Centauri, a bright set following up this year’s…
Two songs from Friday, from two of the most talented artists out of Osaka. Seiho shared the “short version” of a song called “Naked,” which you can hear above. After a bit of a busy opening, the song solidifies a bit and is a nice thumping tune…albeit one where bird sounds still sneak into the…
In general, the longer a trend lasts, the more exposure to it is likely to make listeners hesitant. Which is to say…the opening notes of Leave E’s Youth, full of bubbly synth building up to a big, bass-centric drop, made me think “here we go again.” This style, which you could call “future bass” bordering…
We interrupt year-end-list revelry for new Faron Square. The CUZ ME PAIN group – who landed in our top songs list, if you didn’t catch it that earlier this week – posted a new song called “Sugar Shakes” plus a The Beauty remix of the track “Turn Over The Leaves,” both available for free until…