New Polysics: “Let’s Dabadaba”
[youtube=”http://www.youtube.com/watch?v=qK6eDIVMbTo”]
Watch it above.
[youtube=”http://www.youtube.com/watch?v=qK6eDIVMbTo”]
Watch it above.
Exist brings the energy, but makes space to stir emotions too. Spire’s new EP via Omoide Label drills right from the start, with the title track built around relentless machine beats just buzzing away at the listener, only interrupted by samples of voices talking about logging in to things or sudden bursts of white noise….
Sync Sweep would be worth a mention for his generosity alone. Dude has gone and posted all 14 songs from his forthcoming album Silent Message for the masses on MySpace to enjoy. Added bonus – the album sounds good! I realize describing everything as “perfect for the season” can quickly turn annoying (cut me some…
1. The first time I talked to Erik Luebs…who records under the name Magical Mistakes, it was for an article about INNIT, the party he and several other electronic producers (Seiho, And Vice Versa, MFP and more) were throwing in Osaka. At the time, he lived on Kyushu, Japan’s Western most island,so I asked him…
So remember when Tomggg remixed Porter Robinson’s “Flicker,” and transformed it into a twinkly little wonder? Welp, turns out that was part of a bigger project. Maltine Records just released a collection of “Flicker” remixes, including Tomggg’s playroom reworking, all done by Japanese producers. It ranges from relatively straightforward brostep chaos (Bugloud’s jarring take) to…
This song, held down by two six-year-old kids and a talking dog, sold more singles than a few AKB48 and Girls’ Generation songs…and neither of those groups had a quiet 2011. This tune went double platinum in ringtone sales, introduced the world to a Macarena-aping dance and now holds the record for longest charting single…released…
After spending two days at an EDM festival, it seems fitting to feature a song from producer Miii loaded up with crushing bass whirlwinds and a lot of electronic tension. When I hear that style of drop, I’m sometimes tempted to dismiss it as being too predictable, too commonplace in electronic music…but then I actually…