New World’s End Girlfriend: “Plein Soleil”

Virgin Babylon Records has had one of those banner years a label can only dream of, so it’s fitting that the guy running the whole operation gets in on it too. Katsuhiko Maeda’s World’s End Girlfriend project has a new album out — their first in six years — at the end of the month, and the dramatic “Plein Soleil” is the first peak into it. Befitting of an album grappling with some big issues — it explores his personal philosophy and life in a post 3/11 / terrorism era, according to the description, which is pretty ambitious even for press material — “Plein Soleil” features swelling strings and choir-worthy vocals, the song building from sparse prayer to something thunderous when electric guitar squall enters and nearly overpowers everything. Listen above.

The label has a lot of other stuff in the works too — Have A Nice Day! already dropped one of our favorite albums of the year, and now they have another coming soon. Watch a video for their latest song below, along with a preview of their forthcoming Jun Togawa / Vampillia collaboration.

Similar Posts

  • New Hoshina Anniversary: “Everybody Plays The Music”

    A lot of words get mushed together on Hoshina Anniversary’s new track “Everybody Plays The Music.” Yet it’s the titular phrase that manages to escape unscathed and take center spotlight, emerging from the throbbing electronics to serve as the song’s (intelligible) chorus. The rest of “Everybody Plays The Music” features sliced-up vocals (or French???) that…

  • New Yoshimi: Atavism

    Yoshimi doesn’t see Tokyo in a positive or negative light — the producer just hears the city beat. Atavism is the follow-up to last year’s pulverizing Tokyo Restricted Area, a set gazing back on the capital’s ancient past — and summoning traditional Japanese instruments and singing styles — while also placing it into its claustrophobic…

  • Live Must: Ningen OK

    Ningen OKは是非ライブを観てほしいバンド。彼らについてあまり詳しく知らなかったものの、先週末のライブセットは最近観たライブの中でも特に印象に残っています。手作りの白いピラミッドのようなオブジェに囲まれて彼等は演奏を開始。ギターTakurou Yamashitaは大量のペダルの前で演奏し、ドラムのKen-ichi Sakaguchiは時折ボコーダーを使用し、怪しい機械的なボーカルを披露。言葉が無いインストでもこのデュオには高度な一体感があり、ロックなグルーブ感を出しています。 ライブハウスだけで輝くのではなく、録音された作品も同様に素晴らしいです。”体温の行方”は静けさを打ち砕くカオスみたいなものが上手く表現されていて、Ningen OKの核となるスタイルを知るにはもってこいな曲(フィードバックを是非体感してほしいです)。試聴は以下から。最近リリースされた同タイトルのファーストアルバムからの曲なので、もし気に入ったら通して聴く事をオススメします。要するに、Ningen OKの音源にはライブから感じる事の出来る素晴らしさが詰まっています。是非ブックマークを。