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New Oyubi: Aspirations EP
Part of juke producer Oyubi’s charm lies in how prolific young creator can be. Their 2018 output registered as #17 on our favorite albums list, and it helped that Oyubi put out so much to show all the various sides to their approach to the Chicago-born style. No wasting time in 2019 — the Aspirations…
New She Talks Silence: “Walks Out From The Voice”
Tokyo’s She Talks Silence has always been a bit of an evasive artist, the sort of musician who would rather the music do most of the talking instead of her. Save for a Japan Times article, an irregularly updated blog and a Twitter account that didn’t come into being until a long while, STS has…
Round-Up Post: Shigge, Pasocom Music Club, Think-Chan, Itadaqi And 3tos
After a whirlwind trip to Bangkok (the fruit of which can be seen here), I’m finally back and sorta rested in Tokyo. As usual, lots of great songs appeared online while I was busy wandering the streets of Thailand’s capital, and here are a handful of them. – Yesterday Once More continues to shine, with…
Drawing In: QQIQ (Plus Yuki Yoshida Remix)
Trying to figure out what QQIQ’s deal is has proven to be tougher than I thought. From a bit of Google scouring (potentially not good Google scouring), they appear to be a band of college students. They upload music to a YouTube channel, ranging from guitar covers of various Japanese songs (and Elliot Smith), to…
New Boys Age: “The Highest Moon”
There was a time when Saitama-based outfit Boys Age released songs on a weekly basis, and dropped albums just as quickly. Over the last year, the project has slowed down and taken its time putting out new material, and it has managed to make the songs that do appear all the more urgent. Which is…
Another Spazzy Day: CUSTOM NOISE’s “Candy Girl”
Ho hum, another day and another Japanese band working in jittery rock full of group shouts and stuttering guitar. Kyoto’s CUSTOM NOISE join the likes of Africaemo and fellow all-caps users NOKIES! in making manic music almost seemingly ready to explode into a thousand different directions with each passing second. Unlike the previous two acts…and…