インディー・ポップ・アーティストMemory Girlsによる”Our Freedom, Our Darkness”については、公開された２０１０年の６月に紹介させて頂きましたね。２年ほど経った今、なんとその曲がダブリンのThe Choir Invisibleとのスプリットとして、Dufflecoat Recordsからのリリースが決まったようです。なんで見つけるのにそんなに時間がかかったのかは分かりませんし、いつリリースされるのかも確かでないのですが、嬉しいニュースですよね。Dufflecoatのバージョンは確かに丁寧にプロデュースされているのですが、当時聴いた時と同じ気分にさせてくれます。「晴れた日にツリーハウスで聴くのに最適な、童心に戻らせてくれるインディー・ポップ」と紹介させて頂きましたね。
It hasn’t even been a week since I went into a tizzy writing about May.e’s album Mattiola, one of the year’s most stunning releases and one rich in FEELINGS. Turns out May.e is a restless soul, and also capable of churning out high-quality music at will – you can hear a new song of bare-bones…
ここ２年ほど前から、CUZ ME PAINレーベルのアーティスト達が暖めてきた、幻想的な空気感を持つダンスミュージックが、東京のシーンで注目を集めています。 このようなテイストは、Sapphire SlowsやLLLL等、同じように海外のブログで話題になっているアーティスト達からも見受けられるかもしれない。でも、CUZ ME PAINが放つJesse Ruinsの海外から受けている賞賛が大きな原動力となり、東京のインディーシーンを活性化させているのは確かです。 この夏にDead Funny RecordsからデビューEP、”Wisteria”をリリースした埼玉のデュオ、Fancy Booksのバイオグラフィーにも、CUZ ME PAINの名前が上げられています。 確かにオープニングトラックの”Twilight Memory”や”Ermine”では、シンプルなビートの上に温もりのあるシンセサイザーが渦を巻き混ざり合っていて、この比較も納得できるな、と感じます。 具体的にFancy Booksが、CUZ ME PAINのアーティスト達とどう違うかというと、”Wisteria”等で聴ける、ポップで楽しいボーカルがフィーチャーされている所でしょう。また、今回の目玉ともいえる”Sister Carry Stars” は、電子音やベースなどだけでも美しく表現できていただろうけれど、女性ボーカルが加わる事により、温もりのある、暖かいトラックへと見事に変貌しています。 CUZ ME PAINの中でもダントツにポップで聴きやすいJesse Ruinsでさえ、ミステリアスな世界観を演出する為にボーカルに工夫を加えています。しかしFancy Booksは”Sponge Boy”等で聴けるように、あえて自然なボーカルを導入する事で、新鮮さを出してきています。 “Wisteria”はCUZ ME PAINからの影響を上手く取り入れ、新しい可能性を追求した作品と言えるでしょう。 Fancy Books EPの視聴はこちらからまた、購入はこちらから:
“Now making [new album].” Well that’s an exciting development from Osaka producer Metome’s camp. To give us a little preview of what he’s working on, he’s posted a new song called “Bshop’s Ring Sun,” which can also be downloaded for free over this way. It is a reminder that Metome is one of the finest…
Merry Christmas (close enough!) from Make Believe Melodies. We are going to relax…I SWEAR…until after the holiday, but before kicking back and opening our presents, let’s listen to some special Japanese Christmas songs! Producer De De Mouse sets the seasonal mood just right…using Vocaloid software. He’s booted up Hatsune Miku to tackle “Sleigh Ride,” and…
Welcome back! We are back from sorta vacation, and kick off 2013 with a new song from one of our favorite musical outfits going in Japan right now, Kyoto’s Hotel Mexico. They released a new single, called “A.I. In Dreams,” near the end of December, but the official recording can’t be found online at the…
At their best, The Paellas…especially the lead singer…sound like they are in the same room as you as their music unfolds. The bulk of their material up to this point has sounded like the work of a doomed lounge band, the group’s words muffled by fuzzy recording. Everything is a little more clear on new…
Indie-pop outfit Memory Girls originally posted “Our Freedom, Our Darkness” back in June 2010 – we wrote about it then (remember that design?). More than two years later, that lovely little song will be released on English imprint Dufflecoat Records, as a split with Dublin band The Choir Invisible. Not sure when the actual record comes out…or why it took so long for someone to notice the song…but exciting news nonetheless. The Dufflecoat version (listen below) sounds better produced than the song I remember from 2010, but still retains the elements that prompted me to write that the song was the “stuff of childhood naivety, skippy indie-pop perfect for soundtracking the construction of a treehouse on a clear day” a long time ago. Treehouses, really? Geez I hope I’m doing better at this now.
Trekkie Trax mostly hosts young artists emerging from the Japanese (and beyond) electronic scene, but they can pull in some veterans too. This release pairs long-running Japanese artist DJ Kentaro (a turntable champion) with younger Portuguese producer Holly for two songs, acting as a nice little connection between generations. “Jaran” finds them playing with restraint,…
Ahhhhh, feel that crispness in the air? It’s an indie-pop autumn, alright. And one of Tokyo’s finest twee-leaning outfits around, Boyish, have a new album out on Dead Funny Records next month. “Sketchbook,” above, is the first taste of Sketch For 8000 Days Of Moratorium (!!!!) and it is a longer-than-usual look at how they…
Nothing Very Vanilla Video do strikes as particularly strange. Electro-heavy rap featuring a few Mr-Toad-like turns into more traditional song and tinged with a bit of irony isn’t catching anyone off guard, not while Die Antword pull in Interscope dough. Yet every new song on their MySpace leaves me scratching my head…this shouldn’t be weird,…
The artist formerly known as Athena continues to piece together a great run of music. Following the icy electronica of Diamond True, the producer is back with “CH3COOH,” which Google tells me refers to acetic acid. It is a song that feels like it is dissolving at times, with noises skittering off and leaving slight…
Acidclank seems to have grown quite a bit since last checking in with them. A while back, it was a solo project that leaned towards shoegaze, albeit in a way more interested in catchy melodies than waves of distortion. With new single “Rocks,” Acidclank appears to have a full band behind him, and the sound…
Tokyo’s Villa!! are in no rush on “Diablada.” The band, in some way connected with fellow acoustic-leaning outfit William Wilson, make the most of this fading season, all lazy guitars and lyrics about summer festivals, trying to make the most of whatever is left. RIYL: feeling wistful for things that might not even be over….