インディー・ポップ・アーティストMemory Girlsによる”Our Freedom, Our Darkness”については、公開された２０１０年の６月に紹介させて頂きましたね。２年ほど経った今、なんとその曲がダブリンのThe Choir Invisibleとのスプリットとして、Dufflecoat Recordsからのリリースが決まったようです。なんで見つけるのにそんなに時間がかかったのかは分かりませんし、いつリリースされるのかも確かでないのですが、嬉しいニュースですよね。Dufflecoatのバージョンは確かに丁寧にプロデュースされているのですが、当時聴いた時と同じ気分にさせてくれます。「晴れた日にツリーハウスで聴くのに最適な、童心に戻らせてくれるインディー・ポップ」と紹介させて頂きましたね。
東京のデュオ、LLLLの楽曲には良い意味で不穏な空気感が漂っています。セルフ・タイトルのデビューアルバムも、続くシングル”Spider Web/Drafting Still“も、何かが陰に潜んでいるようなスリルを感じさせてくれます。今月リリースされたデュオの最長作品、”Mirror”というミニアルバムでは、目の回るようなサウンドがさらに強調されていて、それでいて今までの作品よりもポップさが増しています。一曲目の”Oddness”のイントロでフィーチャーされているシンセからすでにホラー・映画のような雰囲気が感じられ、後に出てくる音色も、スピード感に変化を与えていたり、曲に深みを足しています。色気のあるボーカルも上手く抜けていますし、曲をキャッチーで聴きやすい物にしています。 次の曲、”I Wish You”は、ボーカルの処理の仕方や、それに絡むダンス・ビート等、構成がスウェーデンのザ・ナイフを彷彿とさせています。このグループもエレクトロ・ポップをダークな新しい物にしているので、共通点が多く見受けられます。”Mirror”に収録されている他の曲も、安定してポップかつキャッチーで、それに加えられたダークさがLLLLの最大の武器かつ個性で、作品に深みを与えています。 Mirror by LLLL
I recently had a chat with someone about music in Japan. One takeaway – and an observation I’ve heard many times before in bars up to Retromania – is that some fans in Japan get super into a niche sound, and become experts of it. And that’s true! And can lead to great music! But…
This month’s MAP is here, and we feature Buddy Girl And Mechanic, who put out one of 2013’s first great albums. Check all this stuff out ya’ll. *collapses from South By Southwest schedule* Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a…
(Editor’s Note: I’m moving to a new apartment in two days, so posts might be on the briefer side. Gotta pack!) Footwork producer FOODMAN already released one great off-the-wall album of music recently…and now he’s back with another on Hiroshima’s Dubliminal Bounce. Are Kore opens on the harsher end of the spectrum and along the…
Talking City 1994 are one of those outfits that is constantly releasing new music, uploading new songs to SoundCloud at a very fast clip and forcing anyone interested in them to always be on their toes. It can oftentimes feel like they are just spitting songs out into the online void, without much cohesion. Plenty…
I’m usually not drawn to the acoustic guitar. Too often, it’s the tool of choice for snobs and hucksters, the preferred instrument of people doing acoustic covers of rap songs (ya know, because it’s not real music in its original form) and dorm-room Lotharios. I’ve heard countless covers of “Wonderwall,” and every time I want…
Indie-pop outfit Memory Girls originally posted “Our Freedom, Our Darkness” back in June 2010 – we wrote about it then (remember that design?). More than two years later, that lovely little song will be released on English imprint Dufflecoat Records, as a split with Dublin band The Choir Invisible. Not sure when the actual record comes out…or why it took so long for someone to notice the song…but exciting news nonetheless. The Dufflecoat version (listen below) sounds better produced than the song I remember from 2010, but still retains the elements that prompted me to write that the song was the “stuff of childhood naivety, skippy indie-pop perfect for soundtracking the construction of a treehouse on a clear day” a long time ago. Treehouses, really? Geez I hope I’m doing better at this now.
Hello! Project turns 20 this year, and everyone celebrates in their own way, I’m sure. If you are Japanese artist Dale Nixon, you call up your Tokyo rapper friend Valknee and you record a hip-hop EP celebrating the agency behind Morning Musume and many others. Hello comes advertised as “HelloHop,” and Dale Nixon exclusively samples…
A common failing of online musical movements is a lack of evolution. Nobody has to find new angles on a burgeoning sound, but at some point you end up with a lot of people slowing down or speeding up the same basic thing. That’s one of the reasons Local Visions has been such a welcome…
Noah’s latest collaborative project finds the singer/songwriter/producer teaming with…well, the producer Teams and Repeat Pattern. A full-length album is on the way, and “Miminashi” offers a preview of what to expect. Drums and sudden splashes of 8-bit noise guide the track forward, replacing the more spacious backdrops Noah has used in the past. Yet what…
It isn’t a total move into the sunlight, but “Orange” finds Paellas moving the curtains back a little bit. It is there first “digital single,” so I suppose they wanted to avoid the backstreet glow of breakout “Shooting Star” this time around. A synth-melody pops along for most of the song, while the drum beat…
Exist brings the energy, but makes space to stir emotions too. Spire’s new EP via Omoide Label drills right from the start, with the title track built around relentless machine beats just buzzing away at the listener, only interrupted by samples of voices talking about logging in to things or sudden bursts of white noise….
Here’s a good case study in how to make a sample really work for you. Pavilion Xool’s latest builds itself around a sample from Ariana Grande’s “Forever Boy,” specifically a few lines that are mostly tightened up, with an emphasis on the breathing noises she makes between words. Yet Pavilion Xool builds a woozy, pitch-shifted…