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  • Where We’re Going We Don’t Need Clear Vocals: She

    Another day, another lo-fi artist (read: dude who can’t afford studio time) making fuzzy rock songs that are way better than they have any right to be. She, hailing from Gifu prefecture, makes static-ey songs where the vocals get completely swamped by feedback to the point of being barely there. Sometimes this formula fails…see “Sun…

  • New Canopies And Drapes: “Marmalade Sun”

    Canopies And Drapesの音楽には隠れたとげがあったりします。夢のような雰囲気の”Sleeping Under The Bed”にも、もっとミニマルな”The Door Into Summer”にも、ダークな雰囲気がどこかに潜んでいます。(歌詞の内容であったり、ボーカルの処理の仕方だったり)。Drapesの4枚目のカセット、”Stray Sheep’s Delight”にも何かしらそんな遊びがあるのかな?と思い聴いてみると、収録曲はグループの今までの曲の中でもずば抜けて単純明快。ビート、ギター、ベース、そしてTalk Talkの”I Believe In You”を彷彿とさせるシンセ。全てが上手く混ざり合いポップさが最大限に活かされています。聴けば聴く程難しいテーマが思い浮かびますよ。ボーカルは少し聴こえづらいものの、”my fate is in his hands”という歌詞は確認でき、楽しい曲はよりドラマチックに響きに。より時間を費やせば更なる発見もあるかもしれませんが、単純に一回聴くだけでも楽しむ事のできる良い曲だと思います。

  • New Qrion: “2 U”

    In which Sapporo’s Qrion, who has spent most of the year sharing relatively skeletal tracks that would sound at home in a misty forest, reveals her party side. It isn’t a total deviation from her other works this year…it still opens with a rush of strings and airy vocal samples, and at one point nearly…

  • New Buddhahouse: Kinki

    With any new enterprise, you want your best foot forward. DJ and producer Buddhahouse recently launched a new label called Fruit Parlor Records, and the first release to come from this fledgling operation comes from himself. Kinki includes tracks the Sapporo-born creator has shared in recent memory, making it a good one-stop for the tropical…