“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
Not sure what Fancy Books has been up to since they captured our attention (and hearts) last year, highlighted by one of 2012’s best songs in the dizzying “Sister Carry Stars.” We do know, though, what male half of the group Mitsuomi has been cooking up. He recently unveiled his new solo project Para Omi,…
So this is music blog, and I rarely spend too much time talking about music videos because I prefer for Make Believe Melodies to focus on the sounds themselves. I’m positive I’ve broken this self-imposed rule before…but I won’t do it here, for the new Kyary Pamyu Pamyu single “Mottai Night Land” for two reasons:…
Memories are imperfect things. That’s something home-recording artist i-fls understands so well, especially on his latest collection Diary Of Spectre. We like to treat nostalgia as something warm, something that gets stirred up in us and reminds us of simpler times. Yet that’s just the stuff of movies – nostalgia, once treated as a disease,…
Kansai outfit Post Modern Team’s first song made available to the world’s ears was a little ditty called “Never Let You Down.” It was one of 2012’s finest tracks, a breezy song featuring one of the sweetest hooks to come out of Japan’s indie-pop scene – “never let you down,” they sang, like whispering into…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
Yasutaka Nakata was starting to test my faith a bit. After a run of great Perfume singles and the lovely Capsule full-length Player, dude clearly started getting a little bored of pop-leaning production and embraced his dance side. He masterminded Capsule’s World Of Fantasy last year, a club-centric album that mostly embraced the abrasive sounds…
Predawn’s always sounded intimate, the folk-leaning songs on her Ten Minutes With Predawn EP and her 2010 longplayer A Bird In The Hand coming off like personal journal scribblings. Yet even on those sparse and confessional tracks, the Tokyo artists never sounded particularly fragile – even on the downtrodden “What Does It Mean?” she kept…
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Tokyo’s LLLL has launched a new project entitled Chains, which will involve the release of a new song every month for the next 12 months, divided into four parts (and featuring an EP compiling three tracks at a time when the moment comes). Kicking it off is the shifty “Dance & Kill,” featuring fellow Zoom…
“Collapse” seems to be a word popping up with a bit of frequency in the Japanese electronic music scene this year. Seiho’s recently released Collapse is the most obvious, an album that gets its name from a deliberate move to break down his style and rebuild. Nagoya’s House Of Tapes latest album is called End…
Tokyo-based label Noble recently released this special two-song collection from Serph and the duo N-Qia (which is Serph and vocalist Nozomi), which they write is a charity single where all proceeds earned will be donated to relief efforts in Kumamoto following last month’s earthquake. Little Helper features two lush numbers, starting with Serph’s skittery but…