“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
Flau recording artist Cuushe has a new album out this summer, and she has a European tour going on…right now. This is all great news, as Cuushe most certainly deserves it following the heck of a 2012 she had. But I really just want to talk about her new song “I Love You,” especially the…
Drop-loving producer Miii has been teasing new tracks online for the last few weeks, and now they all come together on Maltine Record’s 128th release, Everything Happens To You. His aggressive sound is intact, but he’s pushing his songs to new lengths…the first two tracks here clock in at over seven minutes. Yet they all…
東京のデュオ、LLLLの新しいビデオ”Because Of My Eyes”は、まるで週末に夜遊びしているかのような光景。眩しいライトやビデオエフェクトは酔っぱらっているような気持ちにさせてくれます。全て白黒で撮影されていているこの作品では、街を散歩したりクラブで踊ったり、気づけば女性がこちらを眺めていたり。J-Popからの影響が強いものの、LLLLらしい少しダークな雰囲気で日本のパーティーライフを体験できます。ビデオは上から。
After a triumphant year that saw her release one of the year’s absolute stunners, May.e has decided to end the year by releasing a second full-length album called Shiseikatsu for free online. It, seemingly, is built in very much the same style as her debut Mattiola. She plays an acoustic guitar and sings. Her voice…
So much stuff came out while we were on vacation, we’ve decided to just do a quick catch-up post highlighting some of the best stuff that appeared. Away we go! Jesse Ruins’ side-project Cold Name dropped two new cuts late last week, and they continue fleshing out Cold Name’s unsettling sound. “Intent To Kill” and…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
Chalk it up to years spent watching the netlabel scene or just suspecting it of any imprint whose released music from cartoon-theme-remix barons The Last Trak, but I’m genuinely surprised this new compilation of juke music from Omoide Label isn’t loaded with skittery anime samples. Rather, this collection finds a bunch of the stronger…and wonkier…producers…
Let’s hope this trend continues – J-Rock bands backed by relatively well-known labels creating music that also takes plenty of inspiration from the world of dance music. Last year, Sakanaction released what has thus far been the definitive album of this electro-rock wave…and, while we are tossing around hyperbole, the best J-Rock album of the…
Kosmo Kat’s new EP Square came out yesterday, and he shared one of that collection’s finest songs last night. “Pterosaur” features guest vocals from Brooklyn’s Trust In Love, her hushed singing resulting in one of the dreamiest (yet still thumping) cuts the Tokyo-based producer has made. Hopefully, I’ll have more on the EP as a…
Previously Nayutanayuta has sounded like a group aiming for deep space, and on new song “Sorrow,” they continue making the most of that electric vocal glaze to great effect. “Sorrow” is — swerve — one of the bouncier and more upbeat sounding songs they’ve recorded in 2015, pushed forward by neon keyboard notes and a…
It seemed like Osaka indie-pop outfit Wallflower were keeping quiet for a bit, but turns out they were just releasing individual songs across various different compilations over the last few months. Out To Sea collects four of those tracks into one place, and makes for a very cohesive EP. That’s thanks to the groups sound,…
Now, I’m not a brave enough soul to say the mainstream J-pop scene has undergone a paradigm shift over the last two years — save for the ongoing band boom, the Johnny’s projects and middle-of-the-road idol groups of the country continue to soak up way too much space for music that is an afterthought —…