“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
Three songs to take you into the weekend (oh thank goodness it is here!). Let’s get into it: – Kobe’s tofubeats had a really busy 2013, and he appears to not be slowing down as the calendar turned over. “CHNGEYRHRT” though finds him stepping away from the nearly all-original sounds that dotted his music last…
The titles of i-fls’ albums always seem like clues to what’s going on, but strangely enough his latest throws me for a loop. It has a title within a title – he is referring to a cassette named “Awareness To The Winter,” although I have no idea what that really means. Actual relic of the…
Over the past week, prominent Tokyo netlabel Maltine Records has released two excellent (and free!) releases worth more than the 30-some seconds they take to download. First came the imprint’s 117th release – Carpainter’s hyper-colorful Double Rainbow EP. Maltine describe this one as sounding “future,” and they are certainly onto something – the four songs…
The Music Alliance Pact brings together blogs from over 30 countries, with each one sharing one artist from their respective location. This month on MAP, we’ve chosen Kyoto’s Hotel Mexico, one of the finest bands going in Japan today. Listen to their “A.I. In Dreams”…and a bunch of other good tunes…below. Click the play button…
“Soft As Snow (But Warm Inside)”は1988年にリリースされたMy Bloody Valentineのデビュー作、”Isn’t Anything”のオープニング曲。そんな名前を持つバンドが登場しました。シューゲイザーを連想せずにはいられなかったのですが、ボーカルがミックスの奥に配置されている事以外、ケヴィン・シールズのバンドとはあまり共通点は見受けられません。デュオの記念すべき一曲目、”Vogue”では、そんなSoft As Snow But Warm Insideの個性が発揮されています。ギターは陰に潜み、代わりに幻想性を持つシンセや、ハードなドラムマシーンの音色が目立ちます。ボーカルも美しく、”one fine day, 1969/I said goodbye to all the world”という歌詞や、宇宙飛行士の喋りがサンプルに使われている事からもわかるように、宇宙旅行がテーマになっています。Soft As Snow But Warm Insideはバンド名ゆえの期待感を上手く裏切り、誰を真似する訳でなく、独自な世界観を表現しています。視聴は以下から。 Vogue EP by Soft As Snow But Warm Inside
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
Looks like the person behind the Stuck In Summer project isn’t just locked in to one season – new song “Wasting Time” focuses on the foolishness of unrequited love, as Stuck In Summer sings “but i should not go back to your side/all things I’m holding are lies,” not to mention the title (only time…
Given his presence in the harder-edged world of Trekkie Trax and the current Tokyo electronic music scene, it’s easy to forget Carpainter shines when he’s moving swiftly. “Orange Wind,” his new single released via Secret Songs, breezes ahead, Carpainter using space as a tool to bring out the sensuality hiding in the corners. Which isn’t…
Perhaps this is kind of a put on, with the name of the artist and the general hyper-energy of the song being some sort of wry commentary on what the kids are listening to. More likely, this really is the work of a 17-year-old Japanese producer who fancies filling up every inch of their music….
Still not actually sure if Toyohirakumin is from Sapporo or is just pretending to be from Japan, but I’m going to continue taking risks in the hope that their is finally a vaporwave artist who actually lives in the country. Music In The Air, released through vaporwave imprint Dream Catalogue, collects several songs that have…
Up until now, Tokyo’s LLLL has featured one primary singer, from Japan. With “Transcribe,” a single released via Bad Panda Records, that changes — it features the voice of Meghan Riley, a Montreal singer-songwriter. Despite that, “Transcribe” still manages to be peak LLLL — unnerving, fragile, absorbing. Listen above.
We are inching closer and closer to the release of Seiho’s Collapse, out via Leaving Records on May 20, and Thump has shared another song from the fractured collection called “Exhibition.” Similar to “Peach And Pomegranate” before it, this is a jagged affair building up to a release that bursts the song apart, only for…