“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
The artists associated with Osaka’s INNIT party have spent the last few years spreading their sounds across Japan, building up from a once-in-awhie party held in basement venues to being able to hold down their own stage at Tokyo’s edition of Sonarsound and tour with all sorts of international names. Not to mention to branch…
Over the past few weeks, Tokyo’s Moscow Club have been trying to raise funds to put together their first vinyl LP. You can chip in over at Indiegogo, where you can also learn more about the project featuring some of Tokyo’s best (and, uhhhh, me, far from the best) telling you why you should throw…
Tokyo-based guitarist Dustin Wong already had a strong first half of 2013, teaming up with Shibuya-kei staple Takako Minekawa to produce an album that took both artist out of their comfort zones. Now he’s primed for the rest of the year too, as he has a solo album (Mediation Of Ecstatic Energy) due out on…
Wow, has it really been two years since this? That was the moment Merpeoples – an up-to-that point good band who had a few solid tracks but seemed like a perpetual “pretty good” outfit – jumped to a new level, showing they were capable of not only turning a lame-as-hell ‘80s cut into something wonderful,…
In his relatively brief career, Tokyo’s Taquwami has explored a lot of sonic ground. He’s made maximal sounds, fragile songs, sample-heavy dance numbers and heady tunes that sound like holding a particularly trippy seashell up to your ear. And that’s not even counting the directions he’s splintered off with his Occult You project. His latest…
The video teaser for “Just Wanna Feel” – click the image above to watch it – spends most of its time focusing on Tokyo’s Sapphire Slows. She stares at the camera and is usually in the center of the frame, a departure from her more shadowy image from 2011 where she played with a mysterious…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
I had to turn my apartment heater on for the first time Sunday evening, which means winter is probably still a month away for people with a normal tolerance to colder weather. Yet in preparation (and, well, for me now, I guess), producer MPEG_& (formerly known as Athena) has a new three-song album called Diamond…
Cemetery is the project of Kota Watanabe, who plays with (or is associated with, at least) the Ariel-Pink-worshipping project Batman Winks. Yet, as demonstrated on “Vit,” Cemetery takes its time to establish an unsettling vibe. The song wisps forward, a persistent beat and vocal samples of a conversation lurking just underneath. It isn’t quite there…
Maison Book Girl making a play for international listeners is kind of unexpected, though fitting. They just wrapped up a tour of England, and are even signed to a new British labeled focused on Japanese music, and really if any post-BiS (version 1.0) idol group deserves that shot it’s the one with the most interesting…
Tokyo outfit LLLL released one of our favorite albums of 2014 with Paradice, released via American label Zoom Lens. Now, that imprint is planning to release a new remix album of Paradice on December 16 called Paradice: Revisited By Friends And Lovers. And Make Believe Melodies is excited to announce that we will be premiering…
If all weeks could start with a springy new album courtesy of Foodman, life would probably be easier all around. Well, until that glorious future arrives, savor Mondays like this. The ever-wonky producer put out a new collection with London-based label Plastic Bags titled Pokopoko, which features six songs sporting that same title. Tracks here…
South African indie-pop outfit Desmond and The Tutus‘ album Tuckshop saw release in Japan recently, and tucked away at the end of the album are a few remixes by some Japanese artists. Cubismo Grafico tackles the song “Old Girls,” while dance trio-soon-to-be-duo 80kidz get their hands on the harmonica-heavy pop of “Kiss You On The…