“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
Ahhhhhh, hip-hop beats that would actually be expert-level setting to rap over. Tokyo producers Lidly and Canooooopy aren’t strangers to the type of heady music that would leave even Lil’ B scratching his head about what to do with it. The two have teamed up for a new EP of heady stuff titled Geomysteric Psyborg,…
Notes on Windoswill Of Persception, i-fls’ new album out on Niphlex that you should obviously download right away: – Suburban life/childhood/adolescence is often remembered as a simple time in one’s life, relatively carefree days (at least in comparison to adulthood) that has in 2013 become nostalgia, Buzzfeed list after Buzzfeed list of “remember when?” Yet…
Dustin Wong – formerly of frantic Baltimore outfit Ponytail and also Ecstatic Sunshine, and currently operating as a solo artist signed to American label Thrill Jockey – recently moved to Tokyo. Which means…he’s fair game for us at Make Believe Melodies! His first bit of new material since relocating in Japan’s capital comes as part…
I’m usually not drawn to the acoustic guitar. Too often, it’s the tool of choice for snobs and hucksters, the preferred instrument of people doing acoustic covers of rap songs (ya know, because it’s not real music in its original form) and dorm-room Lotharios. I’ve heard countless covers of “Wonderwall,” and every time I want…
Flau recording artist Cuushe has a new album out this summer, and she has a European tour going on…right now. This is all great news, as Cuushe most certainly deserves it following the heck of a 2012 she had. But I really just want to talk about her new song “I Love You,” especially the…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
Hasami Group is one of those names that comes up from other artists in Japanese underground music. Fuji Chao covered them on one of her 2017 releases, for example. Turns out they’ve remained active, albeit without much publication. Recent EP Atsui No Haru gathers songs recorded from 2011 and 2018, making for a kind of…
Memory Girls belong to the indie Let’s Be Adult label, and I can’t think of a more misleading label name for this band to be associated with. There is nothing “adult” about Memory Girl’s debut tracks “Our Freedom, Our Darkness” and “Lazy Blues.” This is the stuff of childhood naivety, skippy indie-pop perfect for soundtracking…
Wasabi Tapes continue to be the go-to destination in Japan for nerve-frying experimental music, and the label’s two newest albums highlight two sides to their approach. PF’s Dreamscape recalls the chaotic sample-deluge of DJWWWW and N. Brennan’s Scary Moments series, with sounds sourced from radio station bumps, movies and video games (MONSTER KILL) colliding together….
Tokyo trio Monotoons have shared their first new song of 2016, the driving “Peace?” It’s a song of sonic extremes, on one end the tar-pit bass chug and on the other the more hopeful vocals — accented by a sprinkling of synthesier — of the group’s main vocalist (and one of our favorite Japanese rappers)….
The Fuji Rock Festival announced its first wave of performers for this summer’s remote, tree-day fest. The big Japanese acts so far include Boom Boom Satelites, toe and Riddim Saunter. As for the foreign acts, heavy hitters include LCD Soundsystem (prepping a new album, Broken Social Scene (ditto), Belle And Sebastian (heading into the studio),…
One of the Japanese albums we were most looking forward to this fall is streaming over at Red Bull Music. Kyoto producer Madegg’s clanging New is up, and you can listen over here.