“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
Last year, a duo made up of two teenaged girls living in New York but originally from Osaka appeared online. They called themselves BenZel, and claimed they met one another over a message board thanks to a shared love of J. Dilla. This seemed like a stretch. Naturally, the first song they ever released featured…
It’s been a long time coming, but it’s finally arrived – Jesse Ruins’ proper debut album has finally arrived, and The Fader is streaming it all right now. A lot has changed since the CUZ ME PAIN label emerged from the shadows of MySpace – Jesse Ruins has evolved from a solo-project of Nobuyuki Sakuma…
The Fogpak compilations, albums collecting songs from independent electronic artists all across Japan, have been getting a lot longer with each new installment in the series. The sixth edition featured 33 tracks, and that already felt like a challenge to get through. Now comes the seventh in the series which ups the ante with 48…
When talking about anything White Wear…or, honestly, anything that has emerged from the CUZ ME PAIN label over the past few years, from Jesse Ruins to The Beauty…does, I tend to include the word “unsettling.” That’s a trait he’s really good at conveying in his music, and has made the two EPs released under the…
So…vaporwave. It is (was?) one of those Internet-spawned genres that sounds interesting written down…accelerationists! Trash music! Capitalism!…but gets confusing fast when you start trying to figure out what vaporwave actually sounds like. Even if you settle on a sonic definition of what it is…to me, I consider it music built out samples taken mostly from…
This one is only around for a little while longer, so lets not dilly dally – CUZ ME PAIN project White Wear (formerly :visited and part of Faron Square) has followed up his A Black From White Space EP with another trio of songs, this one titled Night In Blue. You can download the EP…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
The cosmic-eyeing beat days seem to be over, at least for Hideo Nakasako. He caught our attention two years ago with the spacey set Tiny Place a post-INNIT collection of wobbly beats featuring NASA samples. He’s put out music since, but this month’s Phonograph signals a total shift away from the depths of the universe…
Himuro Yoshiteru has been making electronic music since the ’90s, and he’s been putting out his jazz-influenced works at a good clip over the last decade and a half. He’s not slowing down yet — his new Fushigi Man EP comes out via King Deluxe, and features four crackling numbers that are a treat for…
Producer and roman-numerals-aficionado T4CKY created one of 2017’s more promising debuts in the form of XIX. Now they continue flashing their potential with two new songs. “I” is the one that is more readily available to all, as it is up on SoundCloud (and you can hear it above). It’s a touch more restrained, opening…
LASTorder “Temporary Sympathy feat. Piana” Official MV from “Allure” PROGRESSIVE FOrM from rm on Vimeo. It’s a pretty recurring thing around these corners – an artist exists on the corners of this blog’s (read: just my) attention, often getting pigeonholed, and very rarely getting attention all their own, more likely to be linked to someone…
Some Japanese rock band named Kishidan recently did an interview with MTV Japan. Most of the time, nobody except maybe really die-hard Kishidan fans (do those exist?) would give a care. But said interview featured the group wearing uniforms resembling the clothes members of the SS wore in Nazi Germany. This has spurred Jewish human…
“Overcame The Sun” came out back in 2013, on a very solid collection called Wait In The Shade. And now, around two years later, the indie-pop number from Osaka’s Cloudy Busey has a video, which you can watch above. And it is a fantastic excuse to revisit both the song and the album it came…