“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
Flau recording artist Cuushe has a new album out this summer, and she has a European tour going on…right now. This is all great news, as Cuushe most certainly deserves it following the heck of a 2012 she had. But I really just want to talk about her new song “I Love You,” especially the…
This isn’t the first time Nagoya’s POP-OFFICE have covered a song…but these two latest renditions highlight what they do so well better than what they’ve done. First, they take out Sparklehorse’s “Gold Day,” itself an understated, sadness-tinged number that’s best described as very pretty sounding but with a frown hidden deep within. Well, POP-OFFICE blow…
Madegg is a tough one to pin down. The Kyoto producer has been one of the most prolific electronic artists of the last few years, to the point where keeping track of everything he’s done has become a real challenge (shouts out to whoever is keeping tabs on that for the Madegg box set). One…
Probably should do a “stuff we missed post” in the near future, because Osaka producer Metome deserves a little more shine. He’s released one of the year’s better electronic album, OPUS Cloud, and is just all around doing a lot of good work as of late. Here’s the latest song he’s made worth gushing about,…
Osaka’s Outdoorminer (also known as Cloudy Busey) has proven over the last few years he’s great at creating unsettling, late-night moods. Between his two solo projects, he’s excelled at making music for downtrodden walks home, whether they be complete with vocals or, as is the case with the Outdoorminer alias, just music. “Badmood” follows up…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
Welp, officially a trend. The past few weeks have seen a sudden increase in electronic artists in the Kansai region (the area around Osaka and Kyoto) pumping out great stuff, ranging from the hometown sun-splosion Tokuma let loose to the spaced-out blips of MADEGG. Looks like there is at least one community trying to foster…
Don’t expect the “(Kosmo Kat And HVNS)” part to be up in the titles too much longer. The pair, working under the moniker Iivvyy, have established their own liquid-metal take on techno, all Terminator like, over the course of three songs. “Look” marks the third, and it’s as strong a statement a vision as the…
Another day, another lo-fi artist (read: dude who can’t afford studio time) making fuzzy rock songs that are way better than they have any right to be. She, hailing from Gifu prefecture, makes static-ey songs where the vocals get completely swamped by feedback to the point of being barely there. Sometimes this formula fails…see “Sun…
Two weeks ago, an event called Jersey Fight Club happened at the Tokyo club Batica, featuring a handful of DJs playing nothing but Jersey Club music. I didn’t make it out because it happened on the same weekend I went on a vacation to the countryside (relaxing!), but even from a distance it seemed like…
Tokyo’s LLLL is prepping the next installment of the Chains series for a December release, and “For F” shows a continued commitment to the shadowy but ultimately hopeful sound that has defined the bulk of this project. The music here comes off as among the heaviest things LLLL has created as part of this series,…
The thing about Especia is…they still sound like Especia. The group’s actual structure changed radically this year — an idol group being transformed into a more…focused? What’s the opposite of idol?… trio shedding the idol tag, featuring a new member. They basically became brand new, reflected in a new visual style that rejects A E…