“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
It makes sense that Taquwami would offer up a remix of a Ryan Hemsworth track on the Canadian producer’s new EP Still Awake. Besides the obvious fact that Hemsworth has been upping Tokyo’s brightest producer for a while now and has included him in various mixes before, the two share a similar genre-blurring approach to…
Talking City 1994 are one of those outfits that is constantly releasing new music, uploading new songs to SoundCloud at a very fast clip and forcing anyone interested in them to always be on their toes. It can oftentimes feel like they are just spitting songs out into the online void, without much cohesion. Plenty…
Not content with one of the best J-Pop tracks of the year, Kansai idol unit Especia have another new single out before the calendar turns over. “Our Sp!ce” is released in cahoots with the music retailer HMV, yet the group don’t settle for anything here. Production unit Schtein&Longer keep Especia honest, crafting a whirling song…
Geez, man, I don’t even know, ya know? I tweeted out something about Dempagumi.inc being the most based idol-pop group in Japan right now…a group whose background (or gimmick) is that the members all are former/still sorta are otaku, one of the more loathed sub cultures in Japan today. One of them, Moga, used to…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
[youtube=”http://www.youtube.com/watch?v=4eJ0zuXIkwo”] Two thoughts: 1. I’m shocked how few “Empire State Of Mind” parody/reworks there are. If LMFAO can release like a bazillion different versions of “I’m In Miami Bitch” simply by replacing “Miami” with whatever city they think can move iTunes units, you’d think more YouTube “superstars” would try to put on for their city…
The piano isn’t the only instrument Osaka duo Sayutony’s rely on – the vocals and sudden drum beat erupting midway through “In Your Heart” give that ballad its punch – but it is the central tool to their whimsical little songs. Indie-pop standout “Dog Skip” follows the jaunty piano’s lead for four minutes, rarely straying…
Here’s another album to get excited for in 2015 — DJ Obake, a producer who in recent years has become best known for being the production half of the J-pop duo Her Ghost Friend, will release his new album H on January 8 via American imprint Zoom Lens. The first taste of that one can…
Well, it’s more like producer Tomodati blurring a new fidgety number into an ’80s Japanese gem…but when your base is BaBe’s “Give Me Up,” you are off to a good start. Dude basically just loops the chorus over and over again and builds something new from there, featuring his fast-paced singing and various party-ready interludes….
One of the driving themes of CHAI’s music thus far — made all the clearer after talking to them — is inclusiveness, of celebrating the unique characteristics we all possess. “I’m Me” isn’t quite a manifesto for the four-piece — that remains the herky-jerky “N.E.O.” — but it’s definitely them at their most direct, avoiding…
[youtube=”http://www.youtube.com/watch?v=r9fetf6Hkfc”] Sloppy Joe’s “Portrait” doesn’t require much dissection. It’s pretty straightforward indie-pop with a bit of a Smith’s swagger to it courtesy of the guitars. Plus its loaded up with trumpet. Just because “Portrait” carries all the hallmarks of twee past, though, doesn’t mean it’s bad. Sloppy Joe clearly studied up on how to create…