“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
Note: This will be the final regular update around these parts for a bit…starting tomorrow (hopefully!) we will share MBM’s top 20 Japanese albums of the year. And then we will go on a vacation where posts will be more infrequent. Fittingly, we end with Especia. Osaka idol outfit Especia – who take cues from…
CUZ ME PAINは最近、あまりリリースをせず、ライブやレコーディングに力を入れている感じがします。それともニコラス・ケイジ出演の映画を勉強したりしてるのかな。CUZ ME PAINのプロジェクトMasculinの新曲、”Manhattan Suicide”は、ニコラス・ケイジ主演のデビッド・リンチ映画、ワイルド・アット・ハートの台詞から始まります。2分間シンプルに淡々と流れるグルーブは、リンチ・テイストが他の曲よりは抑えめかも。ワイルド・アット・ハートからの物かは確かじゃないですが、他の台詞とピアノの流れるようなフレーズがリピートされています。そのようなサウンドが楽しい雰囲気を出していて、ツイン・ピークス的か、と言えばそうではないのですが、このような遊び心のあるリリースを聴く事で、CUZ ME PAINから更なるリリースを期待してしまいます。 MANHATTAN SUICIDE by MASCULIN
The defining moment on Tokyo-based producer Ryuuta Takaki’s Stillness EP comes near the end, on the track “Phantasm.” The track opens in a relaxed and minimal matter, bordering on sounding like an electronic imitation of a peaceful meadow. Takaki’s sounds resemble the chirping of birds, and only a skittering beat really seems out of place….
Initially, it looked like netlabel Ano(t)raks was going to define itself as a destination for indie-pop music. Which it still very much does – the bulk of the artists appearing on their compilation albums over the past few months certainly skew towards the twee. Yet with latest various-artists collection World Awake, the fledgling label has…
Here’s two Tokyo artists teaming up to make a really lovely track. I’ve written at length about mus.hiba, who typically creates gorgeous synth washes featuring Vocaloid voices turned into dreamy sonic details. “Molly,” though, features only his mind-enveloping electronics, as vocal duties are apparently handled by “near Tokyo” based Akoustik Shadow, who seems to enjoy…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
Taking a break from wandering around Summer Sonic to post this month’s MAP! From Japan (yay, I remembered to do it), we focus on Clone, a Tokyo producer using Pikmin to create a galloping number. Listen to it — and a lot more music from around the globe — below. Click the play button icon…
One of the best new(ish) names to pop up frequently this year has been Lovely Summer Chan. So far, she’s released a collaborative EP with producer Yoshino Yoshikawa through Maltine Records, joined up with For Tracy Hyde and now collaborated with Uchu Nekoko on one of the better shoegaze songs I’ve heard as of late….
Sometimes an idea is so absurd it turns genius really fast. The Lasttrak…who mainly remix anime theme songs into, like, dub burners or EDM bruisers…take an extremely popular song from the trio King Cream Soda made for the cartoon Youkai Watch and mashes it up…with Daft Punk. It somehow works, and, honestly, to close out…
Orange Milk Records knows how to find them. The American label that shined a bright light on Foodman, DJWWWW and Toiret Status among others now presents Tokyo-based artist Koeosaeme, who explores similar ground as the aforementioned but ultimately finds their own path forward on the woozy Sonorant. Koeosaeme stands out because of speed — whereas…
Tokyo electro-guy Hoshina Anniversary does his remix thing on a track from spazzy chiptuner 99 Letters. “Incratible (Hoshina Anniversary Remix)” scales back the usual madness found in chiptune, favoring instead to transform the song into an 8-bit-braised club track. Hoshina Anniversary stretches it out for more than five minutes, making subtle changes here and there…
Cutesy bass music tends to embrace maximalism, so it’s nice to be reminded that keeping everything simple can be just as effective. Nakamura Sanso’s “Only You” emphasizes melody over anything else, and rather than load up every corner with sound lets the main vocal line and surrounding synth chirps carry the song forward. The MVP…