“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
東京のデュオ、LLLLの新しいビデオ”Because Of My Eyes”は、まるで週末に夜遊びしているかのような光景。眩しいライトやビデオエフェクトは酔っぱらっているような気持ちにさせてくれます。全て白黒で撮影されていているこの作品では、街を散歩したりクラブで踊ったり、気づけば女性がこちらを眺めていたり。J-Popからの影響が強いものの、LLLLらしい少しダークな雰囲気で日本のパーティーライフを体験できます。ビデオは上から。
I’m still getting over my SXSW-induced hangover (both mentally and physically), so I’m happy Osaka’s Magical Mistakes released a new song that’s perfect for someone who involuntarily woke up at 4:30 this morning because of jet lag. Like a lot of Erik Luebs’ previous songs, “Fashionable Thumb Pianos” leans closer to the meditative rather than…
This month’s MAP is here, and we feature Buddy Girl And Mechanic, who put out one of 2013’s first great albums. Check all this stuff out ya’ll. *collapses from South By Southwest schedule* Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a…
One of the tougher parts of putting together a year-end feature – like our “favorite songs of 2012 lists” – is cutting it down. This means some really great stuff gets left outside…and last year, one of the toughest omissions to make was Tokyo murmur-pop dude Elen Never Sleeps, whose “My Aquamarine/Spinning Wheel” single featured…
“Hey! Hey you, over there! With the frown on his face! What’s got you down? You hate the world? You think everything is pointless and the human race is doomed? Reading too much Tumblr? You watched the Emmys, geez why did you do that? Look, I got the thing just for you. Ya ever hear…
group_inou skirts that line between Japanese rap I write about and Japanese rap I do cover. I am far from knowledgeable about Japanese hip-hop today except for a very general idea of what’s popular in the more serious “rap” scene…and then the one corner I do write about a lot, pop acts taking elements of…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
I won’t dwell on my workload anymore, but…this extremely busy and active cut from producer Fellsius, released via Trekkie Trax, is welcome at a time when I could use all the energy I can get. The 18-year-old producer based in Tokyo loads up his take on house with as much detail as he can, from…
Japanese indie legends Bloodthirsty Butcher’s take things one frame at a time in the video for “OCEAN,” the first single from there (to this point unknown to me) new album out next week (!). Who says Tuesday has no good surprises? The video focuses on one doll taking his craft-store-and-bed-ridden buddy out on a wild…
The Picnicdisco project has been going since 2010, and has released a lot of material in that time (this album is a good [and available!] entry point, and features a song called “Haino Keiji Is Playing At My House” so you know it’s good). They are pretty madcap, jumping from synth-guided numbers to rap bouncers…
Maybe indie-pop just hits better on late afternoons, especially on busy days where you kind of rather would just be sprawled out on a couch, but Suibots’ recently released Selfish Youth EP sounds particularly nice today. It is a brief four-song set, a synth-accented collection borrowing from the melancholy and, at least on “April Youth,”…
I’m not sure why Taquwami has decided to focus on creating miniature journeys as of late, but the producer has really struck on something good. His “Aj Mo Ka” introduced the multi-part concept, and now “Ka Ao Um” takes it even further (and appears to be bundled alongside the former on an upcoming release). It…
I stumbled across Kyoto DJ/producer Handsomeboy Technique looking for remixes of Thieves Like Us’ “Drugs In My Body.” Handsomeboy (a.k.a. Yoshitaka Morino) somehow made the nocturnal strut of the original into something strangely triumphant. Check it out at his MySpace page. He has a new album of remixes available titled Discommunication Breakdown including the “Drugs”…