“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
Osaka’s The Paellas have sounded like a lot of things in the past – a dreary-eyed lot playing sad lounges, aggressive indie-poppers, shadow dwellers. Yet on new song “Golden Eye” they sound incredibly…smooth. This easy-going cut still contains the slight muffled vibe that has always given them a mysterious, late-night edge…the vocals still sound like…
This month’s Music Alliance Pact has arrived! As always, MAP finds 30-plus blogs from all over the world sharing one song from a domestic act with the rest of the bunch. Make Believe Melodies represents Japan, and this month we are putting the spotlight on ultra-pop specialist Yoshino Yoshikawa and his “I Feel You, I…
Sakanaction’s latest single “Music,” due out January 23, finds the group touching on some of their older material. The way lead singer Ichiro Yamaguchi stretches out syllables in the verses brings to mind the single “Endless,” while the late-song surge in emotion resembles another cut from DocumentaLy, “Monochrome Tokyo.” Yet this isn’t the sound of…
A little over halfway through Annie The Clumsy’s Vol. 1 collection, the singer plays a lovely little number about being with a lover, a lover who just overwhelms our protagonist with presumed swagger. Then, the proverbial shank to our thighs – “everything you do/makes my uterus ache/not my heart but my uterus ache.” Everything about…
A few days after gushing about their new album, here comes Boyish with a new song. “Sadness And Arcade” is them at their most, errr, boyish…bright, peppy melody tempered by those muffled vocals. Nothing sea changing, but good nonetheless. Listen below.
Here’s pop reduced to some very, very basic elements. Osaka’s OBUTSUDAN-SUMINO constructs something that’s both aching and catchy using a lot of space – the bulk of “Kaerou” is just him singing over a barely-there beat and some chilly synth splashes. At times the song whirrs and whoozes, but the bulk here is about space….
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
“Melt” is the key word in this band’s moniker. This three-piece manages to boil down a whole lot of musical influences on “ミライミライ,” the first single from Birds Melt Sky’s debut mini-album Birds In Space. Those opening swaths of synth bring to mind the sky-high electro of Bang Bang Balloon or √thumm, then enter the…
The end of the year is fast approaching (!!!), so let’s take a moment to appreciate all that Fukuoka’s Yesterday Once More label did in 2015. They’ve been one of the consistently solid electronic imprints over the past 12 months, with some really stellar works put out. One of those was Shigge’s SunLimeJuice, and now…
[youtube=”http://www.youtube.com/watch?v=xlkj2rzy7e0″] You probably love Pocky. If you don’t enjoy the delicious snack all the stereotypical otaku enjoy, check your head. It’s delicious. Chances are, fair reader of this blog, you also fancy the music of Yellow Magic Orchestra. Or you at least dig Perfume, who take a lot of musical cues from the group. Now,…
Japan loves shoegaze and dream pop and whatever other genre names you want to invent, meaning a yearly flood of head-pointed-towards sky swirly guitar music. Well, 2011 now has a frontrunner for “best dream pop song” and Lidery can add that distinction to their resume thanks to “Grandbleu.” J-Rock Explosion wrote about this track first,…
ΔKTR has long re-arranged songs from yesteryear into new forms, but with CAMOble the producer tries something a little different. Here he is taking the 2017 Camoflauge EP by the rapper Kyoh3i and basically remixing it, swapping out the sparse boom-bap inspired beats of the original for backdrops ripped from ΔKTR’s record collection, resulting in…
I’m all for un-Googleable band names, from Women to Girls to Spoon. But boy, trying to find a band when they have a super general name and also happen to be in Japan…near impossible. Case in point: I’ve been trying to find Osaka trio Wednesday online ever since I saw their live set at the…