“Restraint”(制御)という単語をDe De Mouseと結びつける事などないと思っていました。彼の音楽は通常、ボーカルを切り刻み、その切れ端をスピード感のあるビートの上に乗せるようなスタイル。任天堂DSの音楽ゲームだったら最大級の難易度ですね。ドラムンベースの影響が薄い曲に限っての話ですが。新作Sky Was Darkからの曲、”Floats And Falls”は何と9分もあるのですが、今回はただ速いだけではありません。逆にスローなこの曲では、シンセが上手く曲を展開させて行きます。ボーカルのみにスピード感があります…というよりは、跳ねるようなスタイルがそう聴こえさせるのかもしれませんが。
“Floats And Falls”は5分が経過したその時点で既に完成された曲なのですが、それだけで終わらないのが今回の注目点。曲は不意に展開し、ビートが消えてボーカルとシンセのみのパートになります。その後も次々に新しい音色が加えられ、曲を終わりへと導きます。長くも飽きのこない、優れた工夫が施された作品だと感じます。De De Mouseの曲の中でもダントツで平和な、広々とした空気感を放っていて、彼の新しいスタイルを象徴した、新しい始まりを感じさせる曲になっています。ビデオは以下に。
It sometimes feels stupid to describe a song as being “perfect for Summer” (or any specific time), like it’s a cop out in regards to poking deeper into a piece of music. Even when the artist advertises it as so! Yet here I am, confronted with Osamu Ansai’s “Woman,” a Maltine-backed track, that really begs…
Tofubeats doesn’t really bother introducing himself on Lost Decade, his first original album out on a major label. He’s been kicking around the Japanese music scene since 2006, grabbing attention for his indie-level beats and his work with mainstream J-Pop idol groups like Lyrical School (formerly sex-toy-sponsored Tengal6) and 9nine. Even though this will be…
Seapunkは本当に良い音楽を追求したジャンルなのか、一部のアーティストの集まりが楽しむ為のジャンルなのか。ツイッターのハッシュタグにおいてもそんなに目立っていなかったSeapunkですが、ジャンルの持つ個性的なサウンドに魅了されたアーティストも勿論います。ここ日本で活動しているUmioもそんなイルカ好きの一人で、新曲のタイトルも”Yunoochi to Seapunk”といいます。水の音など使われているものの、そこまでSeapunkというわけでは無いような気はするのですが、興味深い曲なのは確かです。アニメと思われるサンプルから始まり、若干こもりがちでゲームチックなシンセが入ってきます。曲が進行するにつれてドラムンベースから調のパーカッションや、ニューエイジ風の展開も。アヒルのオモチャを握りつぶして音を出したようなこの曲は、何と呼べば相応しいのかも難しいところですが、新しい発見のある貴重な5分間となる事でしょう。試聴は以下から。
Not sure what Fancy Books has been up to since they captured our attention (and hearts) last year, highlighted by one of 2012’s best songs in the dizzying “Sister Carry Stars.” We do know, though, what male half of the group Mitsuomi has been cooking up. He recently unveiled his new solo project Para Omi,…
At their best, The Paellas…especially the lead singer…sound like they are in the same room as you as their music unfolds. The bulk of their material up to this point has sounded like the work of a doomed lounge band, the group’s words muffled by fuzzy recording. Everything is a little more clear on new…
“Restraint” isn’t a word I’d normally associate with producer De De Mouse. His music usually dices vocal snippets into half-second squeaks, and then he rearranges them into speedy patterns that at times sound like something you find on the hardest difficulty of a Nintendo DS rhythm game…and those are the tracks lacking drum ‘n’ bass influences. “Floats And Falls,” from De De Mouse’s new album Sky Was Dark, clocks in at nine minutes and he doesn’t spend all those seconds creating sonic whiplash. Rather, the majority of “Floats And Falls” is a slow build up, the beat moving at a slower pace for a De De Mouse song as the synths surrounding it go through subtle changes. The singing remains the only really fast element of the song, but over everything else even it sounds more like a bounce.
The first half of “Floats And Falls” passes and it sounds like all that build up is about to pay off. Then, right before the five-minute point, the beat drops out and all that’s left is those vocal samples and some synth. The song goes into an even longer movement seemingly moving towards something, De De Mouse adding new sounds as the track progresses. At times it can drag, but he adds enough small details to make this fake-out worth an attentive listen. This is the most ethereal song he’s ever composed, and shows he can turn his rapid-fire style into something spacious with only a few alterations. Watch the video below.
What are you doing with your Friday night? If you are as cool a dude as me, you are spending it in your apartment getting mad at the New York Times and catching up with just-released Japanese music. Let’s listen to some new music together, shall we? – The cross-country duo of Ryuei Kotoge and…
Fall is here, and here’s the first Music Alliance Pact of the season. MAP, if you are stumbling across this for the first time, is a monthly feature wherein 30-plus blogs from around the world share one song from their representative country. Make Believe Melodies covers Japan, and this month we put the spotlight on…
The terrible truth is – I haven’t had much time to listen to music recently. In 2014 that seems ridiculous…something something always in the Cloud something something…but for whatever reason I just haven’t listened to much. I could bore you with some personal essay ramblings, but it’s a pretty simple TL;DR – I’ve been busy,…
When Mitsume introduces a fresh sound to their strolling rock, it really comes through clearly. It doesn’t take long into new number “Namerakana Hibi,” from forthcoming album Ghosts, for a new wrinkle to pop up in a song that initially sounds locked-in like so many of the quartet’s previous releases. But then lurking a little…
[youtube=”http://www.youtube.com/watch?v=llO9KFfPQu0″] So OGRE YOU ASSHOLE have a new album out, and it appears to be a concept album about…something, I don’t know as I haven’t listened to it quite yet. Trying to figure out the “plot” or “theme” or “secret Satanic codes” of Homely based off one song is probably a fool’s errand, so instead…
[youtube=”http://www.youtube.com/watch?v=xlkj2rzy7e0″] You probably love Pocky. If you don’t enjoy the delicious snack all the stereotypical otaku enjoy, check your head. It’s delicious. Chances are, fair reader of this blog, you also fancy the music of Yellow Magic Orchestra. Or you at least dig Perfume, who take a lot of musical cues from the group. Now,…