New Boyish: “Farewell Kisses”
東京のインディー・ポップグループ、BoyishのSoundcloudにはもう一ヶ月程前から”Farewell Kisses”という曲が公開されていたのですが、今度は嬉しい事にビデオが公開されました。ギターの主張の強いBoyishらしい楽曲をお楽しみ下さい。
東京のインディー・ポップグループ、BoyishのSoundcloudにはもう一ヶ月程前から”Farewell Kisses”という曲が公開されていたのですが、今度は嬉しい事にビデオが公開されました。ギターの主張の強いBoyishらしい楽曲をお楽しみ下さい。
It takes nearly two minutes for Japanese duo Ikebana’s “Rose” to really reach…somewhere. Before that, for all those seconds, the pair create a slowly unfolding iciness that sounds like it might never thaw out. Only when voices…unintelligible, virtually humming…enter into the scene do things start to warm. And even then, it still takes time. Eventually,…
I’m not silly enough to think indie-pop music will ever go away completely. As long as there are romantic boys and girls with guitars and access to twee.net (so, a lot of people), this stuff will always be around, all over the world (see the great Fear Of Men album that came out this year)….
I did not like Perfume’s “Sweet Refrain” at all. Well, the video is cool…but I think the song itself just isn’t particularly good. What makes that song interesting (at least in theory) is how it sets the bass-wubs of brostep against a relatively skippy pop melody. Whereas most pop songs around the world featuring Skrillex-aping…
ネットレーベルのMaltine Recordsはもともと結構J-Pop推し。でも今年はJ-Popから影響を受けている作品だけではなく、もっと正統にポップを追求した作品を幾つかリリースしています。Avec AvecのEP、”おしえて“もそうですし、東京女子流のリミックス集なんかもあります。で、今回のFazerockのMaltineからのEPもそう。この、”あの星にのせて”では、普段の作風よりも大人しく、ウォブルベースやドロップも控えられてます。Reddam(今回はボーカルで参加。Reddam自身のリリースもオススメですよ)とのコラボ作品なので納得ですし、互いのスタイルが上手く調和しているかなと。でもMaltineにはポップに特化してほしくなくて…その時々の潜んだ才能を持つアーティストをプッシュしていて欲しいのが正直な意見なのですが…今回のようなリリースも勿論面白いですよね。ダウンロードはこちらから。
group_inou skirts that line between Japanese rap I write about and Japanese rap I do cover. I am far from knowledgeable about Japanese hip-hop today except for a very general idea of what’s popular in the more serious “rap” scene…and then the one corner I do write about a lot, pop acts taking elements of…
Might as well end a banner year with a bang, right? Tanukineiri and House Of Tapes both had strong years – and they’ve basically been tied together in 2013, House Of Tapes being one of two obvious candidates as the label’s major musical representative (the other is May.e). So, for the Nagoya producers third album,…
“Farewell Kisses” was up on Tokyo indie-pop group Boyish’s SoundCloud about a month ago, but now it comes attached with a found-footage video. The song is right in Boyish’s comfort zone – the sort of guitar-driven song that you can bounce along too but also cry to.
Nagoya’s House Of Tapes recently started a new netlabel to share music, called Sleep Jam Records. So far, the digital label has put out a compilation and two House Of Tapes’ albums, the latest of which is Heavy Heaven. And it’s somewhat of a throwback for the artist. The three songs here hearken back to…
A little bit back, Sakanaction released the video for “Hasu No Hana,” a slow-burning number that made the most of repetition. Now comes the other side of their most recent single and…it is pretty different! “Sayonara Wa Emotion” skitters from the start, both via the beat and the drippy-droppy synths that pass over it. All…
I haven’t been to keen on The Chef Cooks Me up to this point because, despite being spazzy, never seemed to do anything interesting with it. Oddly enough, a really spazzy decision has now led to some of their most accessible and listenable music yet. For their new mini-album, the band has decided to go…
Tokyo’s She Talks Silence has always been a bit of an evasive artist, the sort of musician who would rather the music do most of the talking instead of her. Save for a Japan Times article, an irregularly updated blog and a Twitter account that didn’t come into being until a long while, STS has…
Producer and roman-numerals-aficionado T4CKY created one of 2017’s more promising debuts in the form of XIX. Now they continue flashing their potential with two new songs. “I” is the one that is more readily available to all, as it is up on SoundCloud (and you can hear it above). It’s a touch more restrained, opening…
Just a couple days ago, we were looking at how Toiret Status explored more space on their newest album. That is not the case on “Mimic,” a collaborative number done with Nozomu Matsumoto. This one’s busy from the get-go, full of hiccuping vocal samples, stretched-out syllables, Pachinko-worthy bursts of electronic noise and more, smashing into…