New Boyish: “Farewell Kisses”
東京のインディー・ポップグループ、BoyishのSoundcloudにはもう一ヶ月程前から”Farewell Kisses”という曲が公開されていたのですが、今度は嬉しい事にビデオが公開されました。ギターの主張の強いBoyishらしい楽曲をお楽しみ下さい。
東京のインディー・ポップグループ、BoyishのSoundcloudにはもう一ヶ月程前から”Farewell Kisses”という曲が公開されていたのですが、今度は嬉しい事にビデオが公開されました。ギターの主張の強いBoyishらしい楽曲をお楽しみ下さい。
Tokyo’s Elen Never Sleep has been previewing tracks from his forthcoming Silver EP for a while now, and today the seven-song release can be yours, either for free download or as a limited-edition cassette. Besides getting to hear good cuts like “Silver” and (especially) “Shine On Me,” the EP also comes with a Taquwami remix….
This year saw a first from techno-pop trio Perfume – a dud. “Mirai No Museum,” a song written for a Doraemon movie, was greeted with mostly shrugs and “ehhhhh, hope the next one is better” from the group’s usually rabid fanbase. It did alright sales wise, but failed to ignite even real hate from anyone…
It’s tempting to excuse the relatively lukewarm “Mirai No Museum” because of its commercial obligations. This, maximalist-pop-trio Perfume’s newest single, serves as the theme song for the upcoming Doraemon film which seems to involve some sort of “future museum” (which is what you get when you translate the title). After a string of songs in…
There are several angles one could approach “Winter Valentine” from. It finds Vocaloid-favoring producer mus.hiba teaming up with Brighton-based musician and video-game-music composer Calum Bowen, and is just the latest in a wave of Japanese artists hooking up with overseas artists for various enterprises (see i-fls and, uh, mus.hiba working with Zoom Lens, or Cokiyu…
Pure neon sounds here. Tokyo’s Alloapm has labeled this a “summer version,” but really this is a song designed for the night, preferably while cruising through the city, potentially while holding onto some ~feels~. It is, sonically, a relatively simple number – a flurry of synths, a beat, bass and some Vocder-ized singing propelling the…
Neon Cloud Neon Cloud Neon Cloud Neon Cloud! Sorry for the excitement, but this is the first new output from the mysterious Tokyo project since 2011’s excellent (and only getting better with time) Knit EP. This isn’t quite an original work, but what Neon Cloud does to Brooklyn outfit Blue Foundation’s (really good on its…
“Farewell Kisses” was up on Tokyo indie-pop group Boyish’s SoundCloud about a month ago, but now it comes attached with a found-footage video. The song is right in Boyish’s comfort zone – the sort of guitar-driven song that you can bounce along too but also cry to.
“Ultrapop” producer Yoshino Yoshikawa has always been a sucker for cute things, but “Les Chats” might be the closest he’s come to overdoing it. The lyrics — written by Cpnnn (@kittiesgalore, natch) and sung by Rionos — focus on cats, which is fine, I mostly just play Neko Atsume nowadays so no foul on the…
An instrument as strange as Vocaloid deserves equally eye-grabbing sounds. Producer Muship offers up just that with “Electrical Color,” a dramatic little number featuring the familiar digi-sing of Hatsune Miku. It is party fluffy electro-pop, in a similar vibe to Yoshino Yoshikawa, but with some funnier touches, ranging from playroom instruments that would fit nicely…
Presenting Good On The Dancefloor’s star player, mostly because this band comes close to fulfilling the collective’s name. White Scooper join in the enjoyable trend of “bands making ’80s sounding music but not in a cheap nostalgic way” (led by Cut Copy, and featuring acts like Awesome New Republic and Delorean), pumping out new wave…
New group Lucky Tapes – fronted by Kai Takahashi – have their debut EP out now, and here’s another taste of the laid-back group’s sound. “In Paris” is an especially Sunday-morning-in-bed-ready song, a slow groover of a number that adds sweet vocal dollops behind Takahashi’s love talk. Listen below.
Ano(t)raks is probably best known for being a destination for new Japanese indie-pop (or, if the term fits for you, city-pop inspired cuts), but the netlabel-turned-physical-label also has a long history of highlighting electronic music, ranging from Kai Takahashi’s 80s-brushed numbers (which eventually morphed into the lounge pop of Lucky Tapes) to the minimalism of…
[youtube=”http://www.youtube.com/watch?v=XeWxFDlufNo”] Here’s a brief clip of the official video for Perfume’s “Spring Of Lie.” Ya know how lots of people are all on about how the members of Perfume are basically robots and easily replaceable? Perfume runs with that idea in a nice touch of self awareness.