New Boyish: “Farewell Kisses”
東京のインディー・ポップグループ、BoyishのSoundcloudにはもう一ヶ月程前から”Farewell Kisses”という曲が公開されていたのですが、今度は嬉しい事にビデオが公開されました。ギターの主張の強いBoyishらしい楽曲をお楽しみ下さい。
東京のインディー・ポップグループ、BoyishのSoundcloudにはもう一ヶ月程前から”Farewell Kisses”という曲が公開されていたのですが、今度は嬉しい事にビデオが公開されました。ギターの主張の強いBoyishらしい楽曲をお楽しみ下さい。
先週東京のデュオ、She talks Silenceが新曲”Walk Away”をSoundCloudで発表しました。Minami Yamaguchiは短いイントロの中で”walk away now”の持つ意味を明確にし、そこから速いテンポで短い3分間程度ギターをかき鳴らしていきます。”I know you’ll hate me”という印象的なフレーズが象徴するように、後ろを振り向かずに前へ前へと進みたい気持ちと共に疾走する美しい曲です。試聴は以下から。
Sorta surprising that Tokyo producer mus.hiba ended up being one of the dudes from this metropolis to score a surprising amount of international collabs. It isn’t that his music is all that weird, just that it makes use of a technology you more or less never see pop up in Western songs – Vocaloid, specifically…
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It has been one of those weeks that has ended up being so busy, I have barely been able to pay attention to much new Japanese music this week. Thanks a lot work day! Anyway, next week will maybe be a bit lighter (and all things willing, this weekend can be a chance to hear…
Time for two indie-pop acts to take us into the weekend. First up, The Weddings. This duo, who have released several lovely lo-fi shambles in the past, reemerge after some time with “Mixtape For My Friends.” It is a slight track, built off of chimes and tweets and the duo’s far-from-pretty-but-still-intriguing crooning. The lyrics cover…
“Farewell Kisses” was up on Tokyo indie-pop group Boyish’s SoundCloud about a month ago, but now it comes attached with a found-footage video. The song is right in Boyish’s comfort zone – the sort of guitar-driven song that you can bounce along too but also cry to.
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30. Salyu “新しいYES” A lot has changed since I first wrote about this song back on April 1st…I don’t know what chemicals I got slizzered on when I compared Salyu to Erykah Badu and Cosmogramma ran away with my “album of 2010” honors…but this track’s selling point stays the same. I can assure you no…
Identity — or, more accurately, confirming identity — has always been a bit of tripping point when it comes to Japanese music. This became an especially tough with the arrival of vaporwave, a micro-genre where artists borrowed heavily from Japan for their aesthetics. This eventually lead to some project boasting a name written entirely in…
The most interesting developments for Kyary Pamyu Pamyu pop up outside of the music on “Kimiga Iine Kuretara.” Dig into the credits here and you discover this single came out via a company with the same name as the song itself, rather than Warner Music Japan (no idea what that means, and have no official…